CRITICAL ESSAY on The Open Window by Saki and on its Russian translation by Katerina Muravyova
The text is written by Hector Hugh Munro, who is better known by the pen name Saki. Saki was a late 19th – early 20th century British witty writer. He is regarded as one of the greatest short story writers.
The Open Window is one of his short stories. Though the story is short it has a certain composition – we can divide it into four main parts.
In the first part, which may be called an introduction (завязка?), we meet our two main characters – Framton Nuttel and Vera. From the very beginning the author gives a description of Vera, he calls her “a very self-possessed young lady of fifteen”. Indeed, Vera is a lady, or – it will be better to say, –¬¬¬ acts so as to be called a lady, but not just a lady –
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This appearance of the hunters is, once again, full of the epithets – the twilight is deepening, the voice is hoarse. That’s the reason why Framton’s retreat was so fast. Through emphasis Saki brilliantly shows the Framton’s fear. The same tone is saved by the translator.
Vera finishes her act with a new story, this time concerning Framton. Katerina Muravyova calls Vera “юная леди” – a young lady, which Saki doesn’t do, but which is actually alright – Vera is not a frightened child anymore – once again she is a calm dignified self-possessed lady. The translator catches it.
To conclude we must agree that Saki is truly an excellent short-story writer. The Open Window is a small piece and yet it is full of figures of speech. The author creates an ironical mood through these figures and we clearly imagine the main characters – how they speak, how they act, what they are.
The translation can’t be called perfect. Though Katerina Muravyova tried to keep an ironic mood of the story, the translation itself lacks some vividness. The general impression of the translation is so that it is too word-to-word
Chopin’s “Story of an Hour”, the author goes through the story explaining how Mrs. Mallard was feeling about her husband’s death. The author states, how Mrs. Mallard at one point you could hear her whisper “free, free, free” (353). He states the point of how some people would perceive that she is a cold, calculating hard woman. The readers could be led to believe that she doesn’t love her husband. Mrs. Mallard has several different emotions about the news, she is heartfelt, but at the same time relieved from the confinement that she experiences with Mr. Mallard. The author chose to describe in his writings, how the emotions that Mrs. Mallard was feeling was close to rape. She had no self-dignity or self-esteem regarding the events in her life. She doesn’t disclose how he treated her nor does she name him specifically. But in her words and feeling’s that are expressed
Throughout his novel Balzac and the Little Chinese Seamstress, Dai Sijie illustrates the powerful influence that books have on their readers. Through his narrative, he establishes his stance on the controversial issue of whether or not storytelling is good. He combines countless events and feelings to create a novel that demonstrates the good of storytelling and the iniquity of book banning and burning. In the end, Sijie portrays storytelling as a means of good entertainment, enlightening experience and positive encouragement.
The two short stories “Like the Sun” by R. K. Narayan and “The Open Window” by Saki (H. H. Munro) the authors both use irony and paradox to explore ideas of honesty and deception. In this essay I will present some details from the two stories and how they relate to the ideas of irony and paradox. Both of the stories have different ways in which the characters go about using the two concepts.
Relationships seem to be the favorite subject of Kate Chopin’s stories. As Margaret Bauer suggests that Chopin is concerned with exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (Bauer 146). In “The Story of an Hour” Chopin deals with the subject of marriage. She illustrates the influence of family alliance on individual freedom. According to Wohlpart,“The Story of an Hour” describes the journey of Mrs. Mallard against the Cult of True Womanhood as she slowly becomes aware of her own desires and thus of a feminine self that has long been suppressed”(Wohlpart 2). The Cult of True Womanhood in the XIX century included “purity” and “domesticity”. The former suggested that women must maintain their virtue. The latter – denied them their intellectual and professional capabilities (Papke 12). Being the victim of this Cult, Louise Mallard was a good example of a wife without “her own desires and feminine self”.
Studies in Short Fiction 21.4 (Fall 1984). Rpt. In Short Story Criticism. Ed. Janet Witalec
In the movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.
“Days of a Russian Noblewoman” is a translated memoir originally written by a Russian noblewoman named Anna Labzina. Anna’s memoir gives a unique perspective of the private life and gender roles of noble families in Russia. Anna sees the male and female gender as similar in nature, but not in morality and religiosity. She sees men as fundamentally different in morality and religiosity because of their capability to be freely dogmatic, outspoken, and libertine. Anna implies throughout her memoir that woman in this society have the capacity to shape and control their lives through exuding a modest, submissive, and virtuous behavior in times of torment. Through her marriage, Labzina discovers that her society is highly male centered.
The broken windows theory is a criminological theory that if a neighborhood looks rotten then the more trouble it welcomes. In 1982, George L. Kelling and James Q. Wilson released an article focusing on the importance of the disorder. This theory is strongly attached to the African- American community. An area that shows a low population of existences states that fear or crime related situations caused the massive egress of residents. The lack of people to care for a community results into buildings looking forgotten. Therefore, broken windows appearance is a great way for convicts to hide because no one would go near a place that comes into view as spine-chilling. In additions, this produces a high risk of anxiety for African -American males believe that any moment a police officer can stop, question, and frisk them out of anticipation.
The author writes the story in a very interesting way. The way that there are only a few descriptions scattered about and that it focuses on dialogue is what allows us to figure out what the characters are speaking about and to find the intentions behind their words. The subject of this short narrative stands out boldly. Though it was written in
Divided into five chapters, this book follows Stephen's life from childhood through adolescence to manhood. We are essentially given a window into Stephen's consciousness, and the whole world is unveiled to us through that single aperture. According to Sydney Bolt, no novel written before A Portrait of the Artist as a Young Man can match its variety in styles This indicates Joyce's originality. A Portrait of the Artist as a Young Man is told in characteristic dialogue and ironically sympathetic
The story unfolds very smoothly and evenly in spite of of the stirring and at the same time troubling subject of the matter. We get acquainted with the main characters – The Crutchman family “so very very happy and so temperate in all their habits and so pleased with everything that came their way”, due to the anaphoric repetition the author creates intensification, that states the problem –
“The Story of An Hour” focuses on sixty minutes in the life of a young nineteenth-century woman, Mrs. Mallard. Upon learning of her husband’s death, Mrs. Mallard experiences an epiphany about her future without a husband. Her life, due to heart problems, suddenly ends after she unexpectedly finds out her husband is actually alive. Mrs. Mallard’s actions cause the reader to cogitate a hidden meaning weaved into Kate‘s short story. Chopin had an idea that women felt confined in their marriages, and the idea is brought out through the protagonist’s initial reaction, excessive joy, and new perspective of the world following the upsetting news.
Popular descriptions of Alexei Karenin label him as a cold and passionless government official who doesn’t care about his wife or family. Indeed, he is viewed as the awful husband who is holding Anna hostage in a loveless marriage. However, this is a highly exaggerated description, if not completely false, analysis of Karenin. Upon careful analysis of Karenin’s character and his actions, it is clear that he is not the person Anna makes him out to be. In fact, with thorough examination of the passage on pages 384 and 385 of Anna Karenina, it is clear that Alexei Karenin can be considered the hidden tragic hero of the novel.
Haruki Murakami is known for his unique writing style since he effectively blends normality with surrealism. Majority of his short stories deal with recurring melancholic themes such as loss and loneliness. In addition, his stories are usually in the first-person narrative for he wants his main character to be an independent being who values solitude over romance. All of these characteristics are well manifested in the short story that will be analyzed.
Kate Chopin’s impressive literary piece, The Story of an Hour, encompasses the story of an hour of life, an hour of freedom. We must seize the day and live our lives to the fullest without any constraints. This very rich and complete short story carries a lot of meaning and touches a readers feelings as well as mind. Throughout this piece much symbolism is brought about, which only helps us to understand the meaning and success of Kate Chopin’s work. Kate allows her reader to think and allows us to understand the meaning of her story with the different uses of symbols such as heart troubles, the armchair, the open window, springtime, and the calm face and goddess of victory. We eventually realize little by little that Mrs. Mallard