Edgar's role in King Lear, Act 3, Scene 4
In Act 3, Scene 4, Edgar takes on the roles of a madman, and a spirit. In counterfeiting madness, he not only hides from an unjust death, but also serves as a character that resembles King Lear: (1) Both are deceived by family; (2) Both are outcasts of Gloucester's castle; (3) Both are threatened with death; and (4) Both enter into a form of madness. But, whereas King Lear actually becomes mad, Edgar only feigns madness. As Edgar takes the role of a "spirit" (3.4.39), he reveals: (1) Edmund's moral condition, by prescribing moral laws that he will break (3.4.80-83); and (2) that Gloucester will be blinded by Edmund (3.4.117). This essay will begin by examining how Edgar's role, as an
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(3) They both are threatened with death. Gloucester tells Kent that Regan and Goneril "seek his [the King's] death" (3.4.163) and Edmund tells Edgar that his life is in danger (2.1.14-32). (4) They both enter into a form of madness. Edgar pretends to be mad after his exile, which is shown in Act 3, Scene 4; while the King's madness grows throughout the play. Thus Edgar's role in this scene as an outcast, and feigned madman, strongly parallels the life and fate of King Lear.
In Act 3, Scene 4, the Fool introduces Edgar into the scene as a "spirit" (3.4.39-43). This title seems trivial at first, but since some of Edgar's lines are prophetic, this notion carries much more weight. In this role, he calls out to Edmund:
Take heed o' th' foul fiend. Obey thy parents, keep thy word's justice, swear not, commit not with man's sworn spouse, set not thy sweet heart on proud array. Tom's a-cold. (3.4.80-83)
Edmund breaks the first two commandments when Gloucester tells him that he is going to save the King, and warns Edmund: "Say you nothing [to the Duke]" (3.3.8). It's only two scenes later that Edmund disobeys his father in reporting to Cornwall about Gloucester's plan (3.5.1-25), which also reveals his lying heart. The next two commandments are broken when he plans to marry Goneril (4.2.17-18), who is already married to Albany, and thus charged with adultery
Pride is one of the very many themes that plays a fundamental role throughout the play. Toward the start of the play Lear seems to be a vain and proud old king. Not so much violent, but not safe either. He wants the title of a king but does not want the responsibility that comes with it. His ignorance and pride prompts the distance of his only daughter who truly loved him, Cordelia (Lear 1.1.95) and the revelation that Regan and Goneril’s words were never genuine (Lear 1.1.70). Ignored by both Regan and Goneril, Lear turns against the storm and screams, “I am a man more sinned against than sinning” (Lear 3.2.56-57). Here, Lear still believes that he
The power that makes Edmund corrupt is trust. He uses the trust to manipulate and control his father for the benefit of himself. He frames his brother by composing a false letter to his father implicating a plot to kill Gloucester, that when “our father would sleep till I waked him, you should enjoy half his revenue forever.” (1, 2, 55-56) Gloucester replies with “this villain of mine comes under the prediction of mine: there’s son against father” (1, 2, 112-117) This shows that Gloucester had great faith and trust in his son Edgar. To better his plan he goes to Edgar and convinces him to run away. The thought that he would frame his own brother for the chance to gain power shows his corruption, and that he will do anything to have more power. Edmund writes another letter, except this implicates his father in a plot with France to kill The Duke of Cornwall. He does this so that “the younger rises [and] the old doth fall” (3, 4, 25) and he will become the Earl. Edmund is so corrupted and blinded by his quest for power that he is willing to jeopardize his father’s
Edgar is the next character who displays loyalty to his father even after he has been outlawed and was forced to hide and disguise himself. Gloucester favors Edgar's evil half-brother Edmund, who deceives him into believing that it is Edgar who is disloyal. However, after Gloucester's eyes are plucked out he realizes his mistake when he is told that it is Edmund who has betrayed him. When the blind Gloucester is led to the disguised Edgar, his son agrees to lead him to the cliffs of Dover. In order to prevent his father's attempted suicide, Edgar stages a scene where he leads his father to believe that he has fallen off the cliffs but has been miraculously saved. Edgar once again defends his father's life when he prevents Oswald from assassinating him. Through these events Edgar exemplifies loyalty by leading his blind father to safety, even though he had been wrongfully mistreated.
Though the actions of Regan and Goneril mirror the king's, in that they banish King Lear, just as he banishes Cordelia and Kent, their sin against their father is worse than his sin against Cordelia and Kent. King Lear bases his daughters' love on superficial characteristics, he banishes Kent and Cordelia – his own daughter – and clings to his pride, not desiring to give up the title "King" even after he has yielded his power to his
He also tells Edgar that Cornwall is not pleased with him over a dispute between Albany and Cornwall that Edgar knows nothing about. He then urges Edgar to flee just before he lies to Gloucester about Edgar’s intent. Gloucester, believing Edmund’s lies condemns Edgar to death and promises Edmund his lordship. Edmund, having disposed of his brother and securing his eventual reward sees an opportunity to acquire his land and status a little more swiftly. When Gloucester flees to help Lear he entrusts Edmund with ensuring Cornwall does not discover Gloucester’s plans and the location of letter regarding an imminent French invasion. Edmund immediately betrays his father and shows Cornwall the letter, making him believe Gloucester is working for the French. Gloucester is soon after discovered and brought before Cornwall and Reagan. While Gloucester is being blinded by Cornwall, Edmund is busy courting Goneril outside of her palace. Edmund decides to double his chances of becoming King by courting Reagan as well. Edmund’s final act of treachery occurs when he gives orders to the Captain to hang Lear and Cordelia. He lies even in his dying breath as he stalls in order to ensure the death of Cordelia: “Despite of mine own nature. Quickly send-/ Be brief in it - to th’ castle, for my writ/ Is on the life of Lear, and on Cordelia./ Nay, send in time.” (Shakespeare 5.3.292-295) Edmund’s actions led
He is now using some trickery of his own, and he views this as the best way to save himself. King Lear, clearly delusional at this point, becomes fond of Poor Tom and views him as a wise man. Edgar, who is now somewhat hardened, uses his disguise as an opportunity to share honest values with the king. “Take heed o' th' foul fiend. Obey thy parents, keep thy word’s justice, swear not, commit not with man's sworn spouse, set not thy sweet heart on proud array. Tom's acold,” he advises, attempting to connect to the crazed Lear (III.iv.86-89). By using prose, he is trying to convince the party that he is of the lowest possible status. In doing so, however, he is losing some of the morality that accompanies the innocence he started with. Even in his clever disguise, though, he still shows that he is unable to fully let go of his innocence, since he is still giving moral advice even as an insane beggar that speaks in prose -- not something that one would expect to be discussed while using prose. As he delves deep into his disguise, he experiences hardships and learns of the wrongdoings of the nobles around him that have caused the country to go into turmoil. When Edgar meets his blind father, Gloucester, and he does not even recognize his own son, Edgar keeps his identity a secret from the tortured man who only wishes to forgive
Reacting with rage at this notion, Lear proceeds to beat his forehead with his fist in frustration: “O Lear, Lear, Lear!/Beat at this gate that let thy folly in/And thy dear judgement out!” (1.4.267-269). Lear believes that he is still the ruler, despite giving up his kingdom, and as such feels that Goneril should obey him. He obviously regrets his decision to give Goneril any power. Later, Regan and Goneril cause Lear further suffering by undermining their father’s sense of authority, without hesitation. They do this by severely diminishing the number of knights they will allow him to keep under his rule:
Here, Lear goes mad and tells Gloucester that even a dog gets obeyed by people who have to obey him and that appearance, authority and power all lead to corruption. He compares himself to the poor when he says that only the poor without power gets into justice and that the society always obeys power even if it is not justified. Even though Lear loses his senses, Edgar still finds out that he has got a point which seems to be reasonable.
<br>Lear is greatly insulted by that comment, as he is the King of England, not just his daughter's father. Oswald's comment suggests that Goneril has a higher rank than Lear. Lear's insignificance is a result of his own actions. When he banished Cordelia and Kent, he made himself vulnerable to Goneril and Regan's conspiracy, which was indicated in their conversation. "Pray you let us hit together. If our father carry authority with such disposition as he bears, this last surrender of his will
This must be counted as a sin against the King, as Goneril and Regan did lie with vicious intent. Considering that the daughter's sin stemmed from that of the father, we must still consider Lear the greater sinner at this point. Having divided his kingdom, Lear intends to stay with his daughters. This may be considered as imposing on the girls, but Lear is left with very little choice, as he
At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.
In these situations, the cast confronts instances of betrayal and eventually self-growth. The story initiates with King Lear’s urgency for flattery, which drives him to commit a decision that instigated the power-hungry course of his daughters. The betrayal of Goneril and Regan caused Lear to separate from his man-made principles and praise those of nature. Besides the change in Lear, the audience also observed Gloucester’s position concerning the legitimacy of his two sons. Societal views were a detriment regarding the rights of illegitimate children, like Edmund. Seeing his brother Edgar conquer all his father’s treasures, Edmund left his praise of nature behind and instead exploited the reliance of status and relationships in his royal family to overcome the laws of society, forming a great deception against his own family.
Like Lear, Gloucester fails to see the true nature of his children and also invokes the language of nature in blind ways. After wrongly condemning Edgar he calls Edmund a "loyal and natural boy" (II. i. 85).
Goneril tells Lear that he needs a smaller troop, more decorous in behavior and better suited to the king’s rank and age. The king is very angry and says he will pack up his people and move to Regan’s palace. Lear’s anger continues to build, and he calls upon nature to curse Goneril’s womb. In response, Goneril turns out 50 of Lear’s retinue. As the subplot develops, Edmund wounds himself slightly, pretending that Edgar has attacked him. Certain that Edgar will also try to kill him, Gloucester promises to find the means to make Edmund his heir. After his escape into the woods, Edgar decides that he will disguise himself as a Bedlam beggar, who will be known as Poor Tom. Meanwhile, Cornwall orders an impassioned Kent placed in the stocks. Lear arrives and quickly realizes that Regan has joined Goneril in seeking to reduce Lear’s authority. Lear reminds his daughters that he gave them all that they now enjoy, but they are unmoved. An angry Lear calls for his horse, and rides into the storm with his Fool for protection. Exposed to the storm, the Fool attempts to reason with his king, but Lear will have no part of submission, especially before his daughters. Soon the king and Fool are joined by Edgar disguised as Poor Tom. Gloucester tells Edmund of the plot to save the king, unaware that he is divulging the plans to a traitor. Edmund immediately resolves to tell Cornwall of the plan. Edmund soon receives his reward: Gloucester’s title and lands. The captured
Lear has been driven mad because of his own poor choices and decisions he has taken in his life. His blindness to Gonoril and Regan’s false flattery and his inability to see Cordelia’s real affection has led to his insanity. When he goes mad, the turmoil in his mind reflects the disorder that has descended upon his kingdom. However, his madness teaches him humility and provides him with important nuggets of wisdom by reducing him to his bare humanity, stripped of all royal pretensions. There is a dramatic value in Lear's madness whose roots lie in his moral and spiritual defects, and the cure is his moral regeneration which has come late. Madness is a central theme in King Lear’s characters between the ones that act in an insane way that are the wisest, and the sane characters that act in a foolish and unreasonable way. Lear’s madness is real compared to Edgar’s which is feigned as Hamlet’s. Edgar who has been the victim of a brother’s treachery perfectly enacts the role of a fool in his