Portrayal of Women in The Glass Menagerie and A Streetcar Named Desire
The plays of Tennessee Williams are often controversial because of his preoccupation with sex and violence. Basic female character types often reappear throughout each of his plays. The women featured in the plays, The Glass Menagerie and A Streetcar Named Desire all suffer from physical or emotional mutilation and seek fulfillment from a man.
An influential factor in Tennessee Williams's writing was his own personal experience. The Glass Menagerie is a play that originated in the memory of the author. Williams drew heavily on his own family experiences, describing the lives of his mother, sister, and himself. Many aspects of the play
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Amanda easily mirrors this description of Edwina because of her selfishness concerning Laura and her being unattached. Laura Wingfield is very shy and does not want to be involved with the world outside their apartment. She collects tiny glass animals, and she treasures them more than actually participating in daily contact with the public. Amanda enrolls her in business school so that Laura will have some sort of trade with which she will be able to support herself in the future, but Laura is so shy that she does not attend classes and is eventually dropped from the enrollment. This identical situation happened to Williams' sister Rose. Edwina enrolled her at the Rubicam Business College, hoping she could learn to be a stenographer, but she could not handle the group contact or the pressure (Spoto 20). When Williams created the character of Laura, he remembered his sister's gradual entrance into an inner world of darkness and unreality. Rose and Laura are so much alike that their gentleman callers had the same name, Jim O'Connor. The situation that occurred with the visiting gentleman callers seems to be almost identical. Rose and Laura were not informed about the gentlemen until there was not enough time to argue about the visit. Edwina and Amanda were responsible for O'Connor's visits to their apartments; and they were also responsible
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has
Throughout history empowerment and marginalization has primarily been based on gender. In the play A Streetcar Named Desire, this idea of empowerment is strongly flaunted. Tennessee Williams’ characters, primarily Stanley, Blanche, Mitch, and Stella, conform the expected roles of men and women at the time. Although World War Two temporarily allowed women a place in the work force, they were dismissed from such empowerment when the war came to a close. Characters in A Streetcar Named Desire are accurate representations of the social historical context of that time. The power struggle between Stanley and Blanche conveys dominant ideas about gender such as the primitive nature, aggression, and
Tennessee Williams is one the major writers of the mid-twentieth century. His work includes the plays, The Glass Menagerie and A Streetcar Named Desire. One theme of The Glass Menagerie is that hopeful aspirations are followed by inevitable disappointments. This theme is common throughout all of Williams' work and throughout his own life as well. It is shown through the use of symbols and characters.
In the play, A Streetcar Named Desire, by Tennessee Williams, the representation of male and female characters are based on gender stereotypes, which represent a patriarchal society. The way in which Tennessee Williams portrays the main characters: Blanche, Stanley and Stella, by using gender stereotypes demonstrates the patriarchal society`s value, norms and beliefs of the 1940s.
Tennessee Williams is regarded as a pioneering playwright of American theatre. Through his plays, Williams addresses important issues that no other writers of his time were willing to discuss, including addiction, substance abuse, and mental illness. Recurring themes in William’s works include the dysfunctional family, obsessive and absent mothers and fathers, and emotionally damaged women. These characters were inspired by his experiences with his own family. These characters appear repeatedly in his works with their own recurring themes. Through The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams presents the similar thematic elements of illusion, escape, and fragility between the two plays, proving that although similar, the themes within these plays are not simply recycled, as the differences in their respective texts highlight the differences of the human condition.
Tennessee Williams, born Thomas Lanier Williams, wrote The Glass Menagerie, a play which premiered in Chicago in 1944. This award winning play, autobiographical in nature, represented a time in which Williams felt the obligation of his responsibilities in regards to the care of his family. Robert DiYanni, Adjunct Professor of Humanities at New York University, rated it as, “One of his best-loved plays...a portrayal of loneliness among characters who confuse fantasy and reality” (DiYanni 1156). Alternatively, The Glass Menagerie, a play set in the era of the Great Depression and written from the narrator’s memory, was meant to teach us the how our relationships with one another can alter our futures, for better or worse. Everything about this particular play was a direct and clear symbolization of Williams ' life growing up. Williams uses characterization to depict several people from his real life in this play; his sister, himself, his overbearing mother, absent father, and a childhood best friend. Williams does a splendid job transforming his personal life into a working piece of art. In Tennessee Williams ' play, The Glass Menagerie, his character, Laura, is central to the structure and focus of the story due to her individual ties to all of the supporting characters throughout the seven scene play.
The role of women in the 1950 was seen to be repressive and constrictive in many ways. Society placed high importance and many expectations for these women on behavior at home as well as in public. Women were supposed to fulfil certain roles, such as a caring mother, a diligent homemaker, and an obedient wife. The perfect mother was supposed to stay home and nurture so society would accept them. In fact, even if a woman wanted to voice an opinion, her lack of education would not allow it . The play A Streetcar Named Desire is set during the late 1940’s and early 1950’s period where it describes the decline of a fading Southern belle named Blanche DuBois. The women in this play are represented to be dependent and submissive in nature and in addition they are also seen to be manipulative. However, Williams has also portrayed these women to be independent and taking control of the situation. This can be seen through the use of the main characters
Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world. The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her
Social upheaval in many senses was explicit through the beginning of the twentieth century; two world wars had - for a short time - shifted the balance of power between men and women. Women were increasingly employed to fill positions which had previously been considered masculine. This was not to last however, and by the fifties men had reassumed their more dominant role in society. People were finding new voices at this time by taking pre-existing forms and pushing the boundaries to re-voice established literary forms. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. Williams was a homosexual from the deep south of America, and his play is about physical, emotional
When analyzing The Glass Menagerie by Tennessee Williams and A Raisin in the Sun by Lorraine Hansberry, common ground can be established between both works. This is because The Glass Menagerie and A Raisin in the Sun are two plays that highlight the significance of gender roles. They specifically make a point of the ways in which gender roles impacted individuals during the 1930s and 1950s. Society established gender roles to create a set of norms everyone should follow. These norms determine one’s behavior based on his or her true sex or the sex he or she associates with. However, issues arise when people feel pressured and forced to live up to society's expectations. In The Glass Menagerie and A Raisin in the Sun, the concept of gender roles ignites feeling of oppression and inferiority in not only women, but also men.
The Glass Menagerie by Tennessee Williams had ordinary people in an ordinary life that closely resembled the influences of Williams’ personal life while having reoccurring themes and motifs throughout the story. The play has been done by many with some variations in the scripts and setting while still clinging to the basic ideas of the original play.
Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the
The Glass Menagerie, by Tennessee Williams, contains multiple themes. While there are many themes, the theme that holds the piece together is illusion versus reality.
The Glass Menagerie is a masterfully written play by Tennessee Williams and set in 1930’s America. The text develops themes about betrayal, broken relationships and disloyalty through the use of various stylistic devices to evoke an emotional response from the audience. One may think the text is ancient, as it was released during the 1940’s, however, it holds relevance to modern society, as it illuminates the gender expectations of women. Read on, and it will soon be clear why The Glass Menagerie is deception at its finest.