Young Goodman Brown: The Value of Dreams
Young Goodman Brown The Birthmark Nathaniel Hawthorne's stories "Young Goodman Brown" and "The Birthmark" both make use of dreams to affect the story and reveal the central characters. With each story, the dreams presented are extremely beneficial to the development of the story as they give the reader a new view of the plot itself, or the characters within. At the same time, however, it becomes difficult to determine how much of the dream has been affected by the character, and how much is pure fantasy. This is true with Young Goodman Brown, who cannot determine whether the events in his life actually occurred, or if they simply were created in his troubled
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After a night of making deals with the Devil, having all of his fellow countrymen show their Satanic sympathies and himself becoming affiliated with the Fallen Angel, Brown understandably looks to account these incredible events to a dream state. However, Brown acts coldly towards Faith after that particular night, and completely changes his demeaner as he begins to question whether the dream was, in fact, a dream, or reality. What may have been but a dream turns out to haunt Brown for the rest of his life, as he can no longer accept the people in his life for what they appear to be, and can not forget that he saw them all at the witch-meeting. In contrast, is the debatable question of whether or not the dream was only a "wild dream" (Hawthorne, 318). If Young Goodman Brown indeed did dream of the witch-meeting, then he has wasted his life with his unrestrained, unrelenting paranoia. Because of the ambiguity of the situation, where neither the reader, narrator nor protagonist can be sure of the validity of the dream's depictions of the residents of Salem, Hawthorne makes it difficult of analyze Brown's character. It it therefore impossible to come to any absolute conclusions regarding the nature of Young Goodman Brown as one cannot accurately assess what has happened to him, and the consequences of those events.
In "The Birthmark," Aylmer has a dream in which he commits an act of
"Young Goodman Brown," a story written by Nathaniel Hawthorne, should be interpreted on a psychoanalytical level rather than a religious one. It is my observation that "Young Goodman Brown" may very well be the first published work alluding to divisions of the mind and personality theory. Although religion is a direct theme throughout the story, "Young Goodman Brown" appears to be an allegory with deeper meanings.
Conflict and symbolism in Hawthorne’s “Young Goodman Brown”, Hawthorne in this story portrays these two elements that enhance the way the story is written. The story “Young Goodman Brown” first takes place in a small town with brown and his wife faith. Then in the story brown leaves faith to go in an adventure that he would later wish he hadn’t gone in. Brown takes a journey through part of the woods that are really scary and comes across the devil himself to later find out that faith was evil and that many from his town were also evil and had a secret evil organization or cult. Through the use of conflict and symbolism, Hawthorne’s “Young Goodman Brown” portrays what Brown’s journey represents.
The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). It is the purpose of this essay to demonstrate the types of characters present in Nathaniel Hawthorne’s “Young Goodman Brown,” whether static or dynamic, whether flat or round, and whether protrayed through showing or telling.
Nathaniel Hawthorne's "Young Goodman Brown" is full of symbolism throughout the story. Perhaps the most interesting examples of symbolism include the title character, Young Goodman Brown, as well as his wife, Faith, and the woods that Young Goodman Brown enters on his journey. Included are many allusions to Christianity and also to evil and sin. These references are expressed mainly through characters and settings in the story.
Nathaniel Hawthorne's Young Goodman Brown illustrates vividly how society and culture can very much influence a person's sense of identity and belonging, or in the case of Young Goodman Brown the lack thereof. Being a Puritan man in a society that scorned the ways of witches and the devil, Young Goodman Brown grew up with a very pious outlook on life. Yet when it occurs to him to look at life a little bit differently, Young Goodman Brown receives more than he has bargained for. The journey he embarks on sheds a whole new light on his society that not only creates a struggle between himself and his fellow men but also one within himself.
Nathaniel Hawthorne constructs uncertainty throughout Young Goodman Brown by employing plot, point of view, and symbolism. For instance, the deception in plot occur as Young Goodman Brown traverses the threshold. Brown considers Faith to be pure and virtuous; a wicked act to leave such behind. Moreover, while conversing alongside the traveler Brown presumes the ethics of his ancestry and townspeople to be good due to high Faith in people. Brown’s perception shatters as the traveler discloses the sinful acts of the masses.
The story of ?Young Goodman Brown? exemplifies the struggle of one man?s internal conflict of good and evil. The main character, Goodman Brown, leaves Salem village and his wife, Faith, to travel into the depths of the dark forest. The Young Goodman Brown will be aged with the knowledge he faces in this one night. Brown keeps his appointment with the devil in the forest, and he must choose to go back to his ?faith,? or explore the evils that the devil has to offer. Next, Brown is confronted with the virtuous people who live in his community, who will be attending the witch?s meeting with the devil. He has to decide if he will follow them along this
Young Goodman Brown then finds himself alone in the forest, wondering whether he has awakened from a dream or if he really did attend the witches’ sabbath. Brown chooses to believe that his dream is true, and that everyone around him is involved in witchcraft. “The next morning, young Goodman Brown came slowly into the street of Salem village staring around him like a bewildered man.” (Paragraph 70) Because of this, Brown spends the remainder of his life being, "A stern, a sad, a darkly meditative, a distrustful, if not a desperate man” (Paragraph 75). Goodman Brown now looks for the devil behind every bush and in the hearts of all those around him, never recognizing that his own soul is now hopelessly corrupt and blind to the light and goodness of God. The forest, the devil and his staff, and Faith and her pink ribbons are the main points to prove young Goodman Brown of a story full of symbolism. There is no doubt that the traveler meeting Brown is the devil and the devils staff is clearly the symbol of a serpent. Faith is both Brown’s wife and religion. The pink ribbons discussed are symbolized as innocence because his faith in God is the right thing to do. Unlike following the devil, which led Brown to sin and guilt. “Ha! ha! ha!” roared Goodman Brown, when the wind laughed at him. “Let us hear which will laugh loudest! Think not to frighten me
In Nathaniel Hawthorne's "Young Goodman Brown," Hawthorne introduces Goodman Brown, who doubts himself and reiterates his false confidence to himself repeatedly. His struggle between the evil temptations, the devil, and the proper church abiding life, is a struggle he does not think he can handle. This story is about a man who challenges his faith in himself and in the community in which he resides. Goodman Brown must venture on a journey into the local forest, refuse the temptations of the devil, and return to the village before the sunrise.
When analyzing an allegory like "Young Goodman Brown", the reader must realize that the story is in its entirety, a symbol. Hawthorne, through his writing is trying to convey the contradicting aspects of the Puritan ideology. This is made evident after discovering that Goodman's father burned an Indian Village and his grandfather lashed a Quaker woman. By Hawthorne including these acts of violence, he is revealing that the
"Had Goodman Brown fallen asleep in the forest and only dreamed a wild dream of a witch-meeting? (387)" The story "Young Goodman Brown" is portrayed as a straight forward tale of a man on a venture. It is not overly difficult to comprehend or interpret, however it does have several great ambiguities. As Hawthorne's tale has a great deal of symbolism, it is all in retrospect to the ambiguous entities within the tale. The formalistic approach will be used to analyze the ambiguities in the story, mainly focusing upon the use of dark and light contrasts. The questions of why did Goodman Brown leave his wife Faith and venture into the forest and was his journey into the forest a reality or a dream bring a grand weight of ambiguity upon the
Symbolism is a literary technique that is used to clarify the author's intent. Sometimes it is used to great effect, while other times it only seems to muddle the meaning of a passage. In "Young Goodman Brown," Nathaniel Hawthorne uses objects and people as symbols to allegorically reveal his message to the reader.
Nathaniel Hawthorne utilizes symbolism throughout his short story Young Goodman Brown to impact and clarify the theme of good people sometimes doing bad things. Hawthorne uses a variety of light and dark imagery, names, and people to illustrate irony and different translations. Young Goodman Brown is a story about a man who comes to terms with the reality that people are imperfect and flawed and then dies a bitter death from the enlightenment of his journey through the woods. Images of darkness, symbolic representations of names and people and the journey through the woods all attribute to Hawthorne's theme of good people sometimes doing bad things.
“Almost all literary theorists since Aristotle have emphasized the importance of structure, conceived in diverse ways, in analyzing a work of literature” (Abrams 300). This essay will explore some interesting points in the structure of Nathaniel Hawthorne’s “Young Goodman Brown,” considering the time-frame, foreshadowing, suspenseful incidents, climax and denouement (Axelrod 337).
This essay will examine the main physical settings within Nathaniel Hawthorne’s short story, “Young Goodman Brown.” These are four in number and begin and end in the village of Salem.