Everyday Use Mama Character Analysis

Tuten shows her readers that what Dee wants is superficial and that Maggie has a better understanding of heritage. Susan Farrell states in her article that in the story, Mama’s views of Maggie are not accurate. She makes the point that perhaps Mama’s views of Dee are not accurate either, because the story is told from Mama point of view and we never hear Dee’s side of the story (179). Farrell believes that Mama views Dee as a sort of goddess, she may even envy her. Susan states that, “Dee inspires in Mama a type of awe and fear more suitable to the advent of a goddess that the love one might expect a mother to feel for a returning daughter” (180). Later in the article, Farrell makes the point that what Mama’s thinks Dee wants may not actually be what she wants. This could just be a perception of what Dee wants. Farrell also points out other instances in the story that shows Dees actions contradicting Mama’s thoughts.

From the beginning of the story we see that Mama, who describes herself as "a large, big-boned woman with rough, man working hands" (68) has no illusions about the type of woman she is; however, she still has enough depth to dream about being reunited with her daughter Dee on television in a fantasy

The story unfolds with Mama reflecting on herself and her two daughters, and how much they all differ. Mama is an uneducated, large woman who works with her hands, she is the provider for her family. Throughout the telling of the story the readers see that Mama most identifies with the archetype of the Good Mother, or Earth Mother. The Good Mother is a nurturer who exhibits warmth, protection, selflessness. Mama values her daughters and their shared heritage even if her daughters cannot find value in themselves or where they are from. She has worked hard to provide for her family, give her daughters an education, and please them- especially Dee. When Dee asks

Momma's point of view defines how she feels about her daughters and the degrees of separation that exist between the two girls. Momma describes Maggie as a partially educated child who does not look as appealing as her older sister. Maggie was burned in a house fire that left her scared all over her body. She does not wear revealing clothes, nor does she attract men as Dee does. Dee, on the other hand, is described as an educated young woman who is ready to take on any and every adventure. Momma says that Dee used to read to her and Maggie without pity (94). She describes Dee as the stylish child; she always prepared dresses out of momma's old suits and is always up on the current style. Momma likes the different qualities Dee possesses, but she is slightly threatened because they are unfamiliar to her. From the description that momma gives of her daughters the reader can feel the differences that exist in her thoughts about her daughters.

Dee sets impossible standards for her mother, causing Mama to feel inferior. Dee forces Mama to be the way Dee would

Dee is a controlling person who always wanted everything to herself only and don't want anybody to take something more than her. And that appeared when mama said that the quilts which were handmade by their grandma Dee, that she would give it to Maggie, Dee was very angry for that and she wanted to take the quilts herself not because she wanted, just because she don't like anybody to take something more than her and wants everything for herself only. Dee was well educated and didn't liked her mother's and sister's way of living so she traveled and when

The disparity of the outward imageries by Mama is a small manifestation of her cloaked animosity and resentment as compared to her hyperbolic soliloquies. Even in her dreams she says Dee wants her to be “a hundred pounds lighter, [her] skin like an uncooked barley pancake; [her] hair [glistening] in the hot bright lights” (60). Mama refers to Dee being embarrassed and ashamed of her mother’s appearance. Mama indicates that she can never be what Dee wants her to be in stating “Who ever knew a Johnson with a quick tongue” (60); rhetoric corroborated by Mama’s admission that she “never had an education [herself]. After second grade the school was closed down” (61). However, Mama shunned Dee’s quick tongue, acquired from her education; Mama recalls “[Dee] used to read to [them] without

The stereotypes of rural Black women are depicted in the seemingly dilapidated state of mama’s old homestead. This is a stereotype of the poor and humble lives of the black subsistence farmers residing in the old South. Although Dee and her friend look down upon their lives, the reality is different. Mama completely owns her own reality and she is proud

Mama’s issue seems to be her low-self-esteem. One example of this is when she describes herself of being man-like and large. “I am a large, big.boned woman with rough, man.working hands” (Walker, 5). The way Mama views herself physically affects her internally and the decisions she made in her life regarding both of her daughters lead back to her inner conflict. Mama tries to steer the readers away from herself because she doesn’t consider herself much of anything. However, the way she physically describes herself is not what she hopes to be. For example, in Mama’s dream, she is on a television show with her older daughter Dee and she is a hundred pounds lighter with nicer hair. “… a hundred pounds lighter, my skin like an uncooked barley pancake. My hair glistens in the hot bright lights” (Walker 5). This shows the inner struggle Mama faces with the way she views herself. Her insecurity has led her to want to look like other people; she does not particular like the way she looks but must endure it. Mama’s other issue is her lack of worldliness. Mama knows her place and knows not to look directly into someone’s eyes. One example of this is her fear

Although the story "Everyday Use" is narrated from Mama's point of view, Alice Walker reveals Dee, Mama's eldest daughter, to be the central character. Dee remains essentially unchanged throughout the story. Even though Dee achieves her aim by overcoming complications such as poverty and racial discrimination, she is not admirable for her achievements and courage. Walker describes her to be selfish and self-centered, a woman who remains unchanged from her childhood to the current position after several years. The disregard for her sister's pain, ingratitude for the money raised for her education, and the desire for quilts indicates her static behavior.

Most families are complicated but supportive. For example, a family could argue a lot, but still love one another. In Alice Walker’s “Everyday Use” mama still supports her daughters even though, they’re not around much. Their issues are not unique because my family has its issues, too. The family in “Everyday Use” and my family both have similarities and differences regarding siblings, bonds, and mothers.

Mama concerns herself only with the fact that she and her family will own the house, and not have to dwell in the tired, old apartment on Chicago's Southside. In a sense, Mama's dream has "crust[ed] and sugar[ed] over like a sugary sweet" (Hughes Lines 7-8). Her dream has changed to fit the circumstances she must cope with. The character of Mama represents those who do not shrivel up and die just because their dream does.

     What a loving mother! Lena Younger, or Mama, is nurturing and supportive when it comes to raising and maintaining a family. Personally speaking, being nurturing means to love, care for, and show concern over someone. Analyzing Mama’s relationships with family members can show us her view on parenting and ultimately show us her devotion to her family. In A Raisin in the Sun, by Lorraine Hansberry, Mama is a nurturing mother who cares for and protects her family in her struggle to keep them unified.

Mama, however, is strong, spiritual and eager to help her children in any way she can. She values family above and beyond all else, but has the deep insight into the other character's motivations even when she doesn't agree. In the middle of the play (at the fuse for the final conflict), she recognizes that Walter is miserable because no one believes in him and his dreams. She gives him a large chunk of the insurance check to invest in a liquor store even thought she doesn't agree with it. She trusts him with it and, when he loses the money to a "trusted friend," she becomes enraged and begins to physically attack him. However, by the next scene she has forgiven him and tells her daughter that she should do the same; "There is always something to love: when do you think the time is to love somebody the most? It's when he's at his lowest and can't believe in hisself 'cause the world done whipped him so!" With those words, Mama seems to symbolize all that is good, solid and peaceful in the world.

Mama is a character that knows what she wants. Like she knows what’s best for a family without having to ask anybody suggestions which makes her most important character. The other characters don’t really know what they may what. Like the for example the three adults are showing that they don’t know