Examples Of Authority In Jane Eyre

Equally, Jane had great respect for St.John as a brother. However, when he asked her to marry him, although his only reason for this decision was he assumes that she is a suitable partner for him on his mission to India. Just when Jane was about to accept his offer, she hears Mr. Rochester call for her. She becomes delusion and runs after calling. By refusing St.John, she has overcome her reason of not marrying Mr. Rochester but she ends up following her passionate love for

When Rochester proposes to Jane she gives in to love. But then becomes afraid of loosing her autonomy and self image. "And then you won't know me, sir; and I shall not be your Jane Eyre any longer, but an ape in a harlequin's jacket--a jay in borrowed plumes" (Bronte 263). Jane says this to Rochester after he elaborates to Jane about giving her jewels to make her even more beautiful then she already is. But as Jane sees it, if she puts on something that isn't her, she will loose her image of herself, and in addition, her autonomy. She would loose her autonomy because she would be allowing someone to make a decision for her when she is perfectly capable of making it. Her fear of losing her autonomy motivates her refusal of Rochester's marriage proposal. Jane believes that "marrying" Rochester while he remains legally tied to Bertha, Rochester's wife at the time, would mean rendering herself a mistress and sacrificing her own integrity for the sake of emotional gratification.

As a feminist, Jane is able to protect herself when she is in a situation where she needs to be defended. For instance, when her brutish older cousin John hurls a hardcover book at her head, she pounces back by attacking him in defense. She also faces no difficulty in successfully defeating her cold-hearted aunt in a verbal fight, just at the tender age of ten. Jane is surely unafraid of the consequences that she has to face on actions that she believes as rightfully done. This amazing trait remains even as she proceeds into adulthood and meets the love of her life. She is able to deal with, and even stand up to Mr. Rochester’s unreasonable verbal attacks directed at her. She clearly shows her dauntless side of her personality, by speaking her own mind when Mr. Rochester demands for the money that he had given her. Jane refuses clear cut, and Mr. Rochester asks to then at least let him see the cash. Jane refuses again by retorting that he is “not to be trusted.” Jane has an honest and truthful soul who knows how to speak for herself, unlike many women during this period of time. Jane is never concerned about what other people would think of her if she tells them the exact truth about everything. She is able to inform her departure by cancelling off the wedding between herself and Mr. Rochester after what she had witnessed and experienced. Jane cries out “you are a married man-or as good as a married man, and wed to one inferior to you- to one with whom you have no sympathy- whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union: therefore I am better than you- let me go!” Jane is able to truthfully utter her thoughts, her true opinion without being afraid; even if it was to someone she dearly loved. When Mr. Rochester angrily cries out, “Jane, be still; don’t struggle so, like a wild frantic bird that is rending its own plumage in its

The novel in which Jane Eyre stars in can be seen criticizing many aspects of those times such as the role and nature of women, child negligence and social hardships for those in a lesser class. Jane Eyre’s alienation from society allows for a greater reveal of the story’s culture, values, and assumptions. It’s presented through the use of gender, class and character conflicts throughout the story. On multiple occasions, Jane is judged for the presented factors reflecting the type of society Jane lives in and what the times were like at that time.

Throughout the Victorian Age, male dominance deprived women from freedom of choice. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. There are several male characters who control, humiliate, and abuse their power over Jane. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.

Though Jane is well educated and possesses the etiquette and training of a person in upper class society, social prejudices limit her because she is simply a paid servant, in their eyes. While at Thornfield, Jane falls desperately in love with the owner of Thornfield Hall, Mr. Rochester. Jane is Mr. Rochester’s intellectual contemporary, but her social status prevents her from being his true equal. In the novel, Jane proclaims, “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart!” (Bronte 637). After Mr. Rochester finally proposes, Jane is hesitant to marry him because she feels as if he would be lowering himself to marry her. This feeling greatly increases after Jane discovers he is married to Bertha Mason, and that he keeps her locked away in Thornfield’s attic due to her insanity. Mr. Rochester proposes that Jane becomes his mistress, which, according to Victorian society, would be more fitting since Jane is a plain governess. Jane realizes that she can never compromise her morals that way and leaves Thornfield. While on her own, Jane still strives to gain independence, discovers new kin, and learns she has a wealthy uncle who has left her a large inheritance. After her loneliness and longing for Mr. Rochester becomes too great, she returns to Thornfield. Jane is

Jane, similarly to Hannah, predominantly sacrifices passion as she has morals and principles; she wants to be an equal. This is evident when Jane almost marries Mr Rochester; she can no longer ‘see God for his creature’ of whom she has ‘made an idol’. Jane is losing sight of God through her overwhelming passion for Mr Rochester. When light is shone upon Mr Rochester’s attempt at bigamy, Jane believes marrying him while he remains legally tied to Bertha would mean rendering herself as a mistress and sacrificing her own integrity for the sake of emotional

Although she knows Blanche and Rochester are not in love, she believes they will marry due to money and class. Ingram is equal to Rochester, and Jane is not. She knows she cannot unlove him, but "all his attentions appropriated to a great lady who scorned to touch [Jane] with the hem of her roses as she passed" (Bronte 211). In Jane 's mind, she is no match for Blanche, and she refuses to marry Rochester because they are not equal. After Jane and Rochester become engaged for the first time, he attempts to spoil her with gifts and special treatment. However, Jane will not accept. First, he takes Jane to Millcote to buy her accessories. When he looks at her with "passionate pleasure" she looks at him and threatens that he "need not look in that way...if [he does, she 'll] wear nothing but [her] old Lowood frocks to the end of the chapter. [She 'll] be married in this lilac gingham" (309-310). She refuses these gifts as she believes she should not be treated higher than her actual class. She also refuses to dine with Rochester at his request.When he asks her to join she tells him that she has "never dined with [him]; and [she] sees no reason why [she] should now" (311). Rochester then begins to question what she wishes to become of her salary and other days to which she responds that she "shall just go on with it as usual. [She] shall keep out of [his] way all day"

They were supposed to be married, but Jane finds out about Rochester’s secret wife and he asks her to be his mistress. She rejects him. Women were expected to “never fail from his [her husband’s] side” (Marsh). Jane leaves Rochester, despite his wishes, and says, “If I lived with you as you desire- I should then be your mistress - to say otherwise is sophistical - is false,” (Bronte 350). She is both rejecting the ideals of respecting your master and staying with your husband.

Furthermore, Jane says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Chapter 27, Bronte.) This statement greatly represents the growth that Jane has undergone. She no longer dreads the solitude that once haunted her because she respects herself enough to realize that she did not deserve to experience such great dismay. Through independence and self-recognition, Jane has discovered the importance of loving oneself. Without the reliance on the thoughts of others, the once extremely troubled girl found bliss through a lack of outside control. In regards to her relationship with Mr. Rochester, Jane understands that she must leave him behind to maintain her own well-being. She does not allow the wealth or proclaimed love from Rochester to skew her decisions and she does not linger to dominate the life of her lover. Instead, she moves forward to continue her endless pursuit of happiness and independence.

Not only does the relationship even out, the biggest way Jane keeps her independence and her character traits is that she chooses to go back to Rochester. She sets aside her brain and uses her heart fully in making the decision. “It was my time to assume ascendency. My powers were in play and in force,” (301). She went back to Rochester and married him because she wanted to. She did not need to marry Rochester for his money or his social status, she married him because she wanted to. One of the biggest themes of Jane Eyre is the ideal woman and the struggle between choosing to be passionate or suppressing it. At the very end, it is most fitting for the character to develop in such a way that she chooses to be passionate. During the time of the novel as well, women were meant to suppress their wants and desires but the novel is very ahead of it’s time. It’s showing that it is perfectly alright to marry for love and marriage won’t make you lose your independence.

Jane’s approach could be considered romantic and embodies conventional feminist concepts; she remains headstrong and stubborn in the face of injustice. The representation of Jane as a strong, independent woman upholds the belief that woman can achieve their goals. Jane does precisely this; she marries Rochester, becomes a part of a family as well as gains financial independence. The way in which Bronte represents Jane is emphasized through her narrative stance. The reader is presented with a firm and rebellious character, her diction is simple and assertive. She addresses the reader directly and is able to identify and challenge the problems she faces with determination. Furthermore Jane is able to identify and comment on how she feels woman are subjugated by their society; she denounces that “woman are supposed to be very calm generally: but woman feel just as men feel […]” (Bronte

Through the Victorian Age, male dominance deprived women from a certain freedom. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. John Reed controls Jane, Mr. Brocklehurst humiliates Jane, and Mr. Rochester sees women, in general, as objects. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.

Rochester. At first Jane sees him as rude and disrespectful due to his cold and gruesome remarks, but it is her fight and how Jane stands up for herself that leads to one of the most known relationships in literature. Eventually Rochester asks Jane for her hand in marriage but at the scene of the wedding, we come to learn, that Rochester is already married to an insane woman, living in his attic, named Bertha. With this Rochester asks Jane to run away with her to Europe, this is exactly where Jane is faced with a very hard decision between following her heart as everyone wants to do, or keeping her respect and dignity. We can see the respect Jane now has from Rochester when he says to her, “I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character” (Bronte 354). This shows that Jane has gained Rochester’s respect and the ‘stubbornness’ in Jane’s character is the best thing for her, for without this trait Jane could never gain respect from others, especially men, in his novel. Knowing that Jane has decided to leave her, Rochester begins to persuade Jane to stay with him. He says, “Oh, Jane, this is bitter! This – this is wicked. It would not be wicked to love me” (Bronte 355). Jane replies, “It would to obey you” (Bronte 355), showing that she will not give into his pleading, regardless of how much she loves him because to obey him would lead to the loss

It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex." As a great friendship and affection grow for Jane and Mr. Rochester, Jane notices that Rochester wishes to shower her in jewels, buy her fancy dresses, raise her up to some impossible image of the bride or woman, which does not suit her at all. This new treatment feels unequal, as Rochester would pay for her completely, she feels too dependent on him, and not her own woman. Jane acknowledges that she makes Rochester promise to let her continue on as Adele?s governess and being paid for that so that they are equal, or as she puts it: ?By that I shall earn my board and lodging, and thirty pounds a year besides. I'll furnish my own wardrobe out of that money, and you shall give me nothing but your regard: and if I give you mine in return the debt will be quit." Jane's views on this affair are extremely feminist when taken out of past perspective. In actuality, she attempt to not change the power dynamics of her relationship with Rochester, to be paid for work, instead of becoming his object or property. But she admits later: "My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven.