Examples Of Mary In Lamb To The Slaughter

“All right, she [tells] herself. So I’ve killed him”(Dahl 2). She does not care about the death penalty for herself, but worries what they will do to her unborn child. She immediately plans her next move, putting the leg in the oven and making herself look as normal as possible, going to the store to give herself a cover story. She does not care about anything on the way to or from the store, but when she returns home, the reality of her husbands death sets in and she returns to loving

Is Mary a good liar? Mary is careless, clever and a devoted housewife. Although, she killed her husband, she truly loved him and would have done anything to stay by his side. At first, the reader might think Mary is a clingy and loving wife, but as the story progresses, the readers learn things aren’t always as they seem. Throughout the story Dahl reveals examples that helps the reader understand more about Mary’s character.

In the short story “Lamb To The Slaughter”, written by Roald Dahl, the two main characters, Mary and Patrick Maloney, show many emotions and the emotions are portrayed in certain ways depending on how Dahl uses word choice and figurative language. Throughout the story the emotions of the characters change and alter depending on how specific events happen and show how the character will react in the situation, whether it be good or bad. Mary and Patrick Maloney have very different emotions towards each other and it’s very surprising to see how the emotions change during the course of the story.

Emotive language and dialogue was a literary technique that Roald Dahl used in order to explore the idea of stereotypical gender roles which was a common societal issue particularly in the 1950s. Lamb to the Slaughter tells of a couple during the 1950s who followed the stereotypical couple concept of having a housewife and a husband working a middle-class job. Through the Maloney’s relationship it can be seen how Mary Maloney fulfilled and had a desire of wanting to provide and care for her husband using her skills of a housewife. This can be perceived in the quote; “I’ll get you cheese and crackers.” This informs readers that her nature and manner of wanting to please and satisfy the needs of her husband is very important to her. In response to Mary her husband replied with “I don’t want it”. The issue of gender roles/gender hierarchy in this particular situation encouraged Mary’s contentment of wanting to murder her husband which may have been initiated because of the imbalance within their relationship. Patrick Maloney’s reply to his wife portrays a disrespectful and inconsiderate attitude which represents the dominance and power that he has within the relationship. His authority within their relationship may have been generated because of his role as a provider for his wife. Another quote by Mr. Maloney states “sit down, just for a minute sit down,” this represents the type of relationship and interaction that the couple reflects. Their relationship shows no negotiation and inequality within the relationship; Patrick who is an educated detective, whereas Mary was just a

Dahl’s use of dramatic irony during the story helps displays the actions of Mary Maloney and other characters. Mary Maloney swings the leg of the lamb to the back of the head of her husband. Dahl says, “ she swung the big frozen leg of lamb high in the air and brought it down as hard as she could on the back of his head” (Dahl 320). As a result, this quote is effective because the lamb was used as a weapon, instead of food; which shows that Mary could use anything to harm someone without her trying or when it was her attempt to hurt that someone. The story writes, “Probably right under our very noses. What you think, Jack”. In the same way as the first quote, this sets back to Mary because she sabotages the police to eat the lamb. With the police eating the lamb she is getting rid of the evidence so she does not get caught. From the use of dramatic irony in the story, Dahl's builds Mary as a character; he also uses different irony to create her.

Traumatic news can lead to traumatic actions. In Roald Dahl’s ”Lamb to the Slaughter,” main character Mary Maloney is told very shocking new that causes her to overreact and kill her husband Patrick Maloney. Their blissful life turned upside down in a matter of five minutes. Mary was a great wife to Patrick. She loved him very much and is even carrying his child. Mary always catered to Patrick and was very loyal to him. Mary Maloney is a sympathetic character because she was very loving, compliant, and only lied to protect her baby.

At the beginning of the story, Mary Maloney loves and adores her husband, this does not last very long. Dahl uses simple but strong sentences to portray the killing of Patrick Maloney “At the point, Mary Maloney simply walked up behind him and without any pause she swung the big frozen leg of lamb high in the air and brought it down as hard as she could on the back of his head.” This illustrates Mrs. Maloney walking without any hesitation, killing her beloved husband and this also exemplifies the ultimate transformation of Mrs. Maloney from her calm behavior to being over dramatic. Another detail that this phrase demonstrates is that Patrick is so focused in his thoughts that he doesn’t sense his wife walking up towards him. Dahl reveals this unexpected transformation of Mary Maloney through her actions and thoughts. Another phrase that exemplifies Mrs. Maloney’s change in character is when she thinks to herself, after killing Patrick, “‘All right,’ she told herself. ‘So I’ve killed him.’” This illustrates Mrs. Maloney’s impeccable life, or what she conceives to be her life is demolished. At this point of the story, Dahl uses direct and indirect sentences to develop the protagonist and to show the complete transformation of Mrs. Maloney and brings her to

Author also surprises readers, when he introduces conflict between a couple that used to love each other deeply. Diverting the story from love to betrayal, author develops an irony. In the story, reader sees two examples of betrayal. Ms. Maloney, while talking with her tired husband, finds out her husband no longer want to keep their marriage. Without giving any kind of reason, Patrick betrays her wife with a decision of breaking marriage. Mary shocks, when her husband, boldly, says, “ This is going to be bit shock of you”(P. Maloney) Author creates a total opposite picture of Patrick by describing him as a husband who used to give her wife surprises; he is now giving her shock in the middle of her pregnancy. Mary, who was previously shown as “anxiety less”(Dahl), with “a slow smiling air”(Dahl) and “curiously tranquil”(Dahl), had began to get upset and now inculcate her eye with a “bewildered look.” After betrayed by her husband, she, without any argue, she goes to the basement to look for frozen food. She decides to have leg of a lamb as a last dinner with her husband, but she smashes the frozen leg in to Patrick’s head with killing him. Mary betrays her husband by killing him and takes revenge of her betrayal. Later, Author confirms her as a murdered with the statement of “I’ve killed him”(Mary) from her own lips. Dahl, in the story,

In the short story Lamb to the Slaughter by Roald Dahl the husband that comes home early one day with bad news. He told his pregnant wife something. It was really shocking to her, and in the story it said that she got really sad. He then says that he would give her money and see that she is looked after. When she heard the news she went downstairs to the basement and got a frozen lamb to cook him. When she came up, he heard her and could tell that she wanted to make him supper. So he told her that he was going out so she doesn’t have to make it, but he said it in quite a rude manner and she seemed bothered by this because right after he said that she hit him in the head with the frozen lamb and he died. After she seen what she has done,

Dahl quickly turns the seemingly docile Mary Maloney into an assertive, capable woman by describing her emotionless, logical thought process. Initially, she “was content to sit quietly, enjoying his company in the long hours alone in the house. She loved to luxuriate in the presence of this man...” (Dahl 49). In this excerpt, Dahl paints Mary as a doting wife and leads the reader to the conclusion that she focuses all her attention on her husband and his happiness. This setup leads the ending of the story to be all the more unpredictable and startling. However, this particular day he seems different to her; she eventually realizes that he has unfortunate news for her, most

Mary is very manipulative in that she is able to create the character of the poor, pregnant wife, whose husband has just been murdered. She is able to convince the police to take pity on her, to mix her a drink and then to even eat the evidence, the leg of lamb that she has left in the oven. "Why don’t you eat up that lamb that is in the oven" (Dahl, p. 17). Mary realizes that if the police find the evidence she will go to jail. Her quick thinking and manipulative character results in the police officers eathign the evidence and therefore she cannot be charged of this crime. These actions show the complex character that Mary Maloney truly is.

Characterization shows the reader how Mary’s demeanor changes throughout the story. “...Do everything right and natural. Keep things absolutely natural and there'll be no need for any acting at all…(3)” This quote shows that Mary is referring to when she murdered her husband that she has to play the part of an innocent wife. Secondly, “As the wife of a detective, she knew quite well what

The conflict in “Lamb to the Slaughter” is, that Mary. Maloney, a devoted housewife, six months pregnant, kills her husband with a leg of lamb after he tells her that he is planning on leaving her. In the very beginning, the atmosphere is very calm. Mary Maloney is peacefully sewing in her living room waiting for her husband, a police officer, to come home from work. After his arrival, they silently sit in the living room drinking whisky. Mrs. Maloney watches her husband very carefully but after he swallows his whisky very quickly and gets another stronger drink, the reader notices that something is unusual. Before she wants to fix something for supper, her husband stops her and tells her, even though it isn’t exactly conveyed to the reader, that he

Dahl’s protagonist in “Lamb to Slaughter”, Mary Maloney, displays her deceitful nature when her husband comes home from a long day of work. Mary kills Patrick with a frozen leg of lamb after he informs her that he wants a divorce. Immediately thereafter, she goes to the store to purchase vegetables. This is the beginning of her deceit. Mary clearly does not need vegetables. Her trek to the store is her way of creating an an alibi. This adds another layer to her deception. Here, she engages in a conversation with a seemingly familiar clerk, Sam. She informs him that Patrick “decided he’s tired and doesn’t want to eat out tonight” (Dahl 3). This gives Sam the impression that her husband is still alive when in all actuality, he is dead. She has added yet another layer to her level of deception. Mary’s deception has no limits. She eventually deceives herself into thinking she did not murder her husband. She convinces herself that she is “not expecting to find

Mary's husband tells her that he is leaving her. "´So there it is," he added. "And I know it's a bad time to be telling you this, but there simply wasn't any other way. Of course, I'll give you money and see that you're taken care of. But there really shouldn't be any problem. I hope not, in any case.´¨ The husband makes it sound like Mary must depend on him -- like she is worthless without him. In reality, Mary can take care of herself. As if to prove this point Dahl has Mary kill her husband. Which can be seen as the ultimate act of revenge. At this point, Mary has called the cops and they are arriving. ¨´The car came very quickly, and when she opened the front door, two policemen walked in. She knew them both. She knew nearly all the men at the police station."Is he dead?" she cried. "I'm afraid he is. What happened?´" This is perhaps the darkest form of revenge simply out of the fact that the statements she makes are out of anger. It is plain deceit -- Mary is lying to men she has known for a long time. The dark and simple dialogue in this section of Lamb to the Slaughter shows an extreme form of revenge, in the case, murder.