Examples Of Personification In Fahrenheit 451

According to the book Fahrenheit 451, The archetype in the book explains a character who or was very predominantly that exhibits goodness and struggles against evil in order to restore harmony and justice in society. In the book Fahrenheit 451 montag felt very dull and emotionless for what was the cause of reading the books. Montag would burn the books because it was a pleasure to burn books. Montag eyes were so dark and shining and alive, that he felt something quite wonderful.

Fahrenheit 451 tells the story of a dystopian world set in the 24th century. Reading goes against the law in the 24th century, and firemen burn houses that contain books. Some people accept this law while others see the reality of the situation. There are many characters in Fahrenheit 451 to represent Carl Jung’s archetypes. The three main archetypes in this novel include a hero, a wise old man, and a trickster. Guy Montag represents the hero, Faber represents the wise old man, and the society acts as the trickster.

In the book Fahrenheit 451, by Ray Bradbury, Bradbury develops characters by using many forms of figurative language in order to reveal information about a central character, Clarisse. In the text, Bradbury uses similes, metaphors, and personification to expose more about the characters in Fahrenheit 451, such as Clarisse, a friend of the main character Montag. Characterization occurs through the metaphors, similes, and personification used in the text, such as on page 18, when Clarisse is described by Bradbury, stating, “Her face was slender and milk-white.” In this metaphor, Clarisse is described as having a face as white as milk. White can represent purity and innocence, which reveals that Clarisse, too, is pure and innocent. The image of

Guy Montag, a typical fireman, lives in a futuristic society full of conformity. However, the future’s definition of a typical fireman consists of men burning books and the houses or buildings in which they are found. Montag goes through his life just living to please and be accepted by society. Nevertheless, his life is turned upside down with the introduction of new characters who get him thinking and wondering about the principles of their society that are so easily conformed to. These characters are represented using the impactful archetypes of an innocent youth and a mentor.

If your friends jumped off a cliff, would you jump too? In the society created by Ray Bradbury, in his novel Fahrenheit 451, most people would. In this society, people do exactly as they are told or just follow what everyone else does. No one thinks for themselves or acts based on their own judgement. Guy Montag, the protagonist, is a firefighter who burned books, and is much like the other characters in the book.

What is the Greater Good? The Greater Good is something that helps yourself and the rest of the world around you. The people are changed, the geography is changed and the impact of this Greater Good is affected positively. The people around you change what your Greater Good is. Ray Bradbury sets an amazing example of this in his book Fahrenheit 451. The main character, Guy Montag, feels something is wrong with the society. In his own way, he changes the way of life and people around him so that the Greater Good will be with them, always and forever. Ray Bradbury uses many different types of figurative language to help the reader realize what Montag's image of the Greater Good for all of humanity is. Bradbury gives an idea of what is wrong,

Fahrenheit 451 by Ray Bradbury represents the ideology and/or theme of the numerous forms of emptiness experienced within the characters and in their society. Emptiness, a state in which there is absolutely nothing is a theme expressed repeatedly throughout the novel. In Fahrenheit 451, Bradbury illustrates a society in which nobody really knows anyone, yet they coexist with one another. He illustrates a society in which social interaction is rare, and no one really shows love or affection for one another. Bradbury illustrates a society that lives without reason, and shows no interest to question nor change their dry and hollow lives. Forms of emptiness portrayed in the novel are: lack of knowledge, lack of love and affection, and lack of social interaction.

You always hear of stories in the news where someones quick thinking saved another persons life. Yet unlike these brave citizens, most of us would be scared and would let our emotions take over in a dangerous situation. Everyone has those few experiences where they let their emotions get the better of them and it affects what decisions they make. In certain examples, it is not that big of a deal.

A couple pages into the book, Bradbury introduces another character whose name is Clarisse McClellan. Clarisse is introduced to Montag as his new neighbor. In the book, Montag thinks of Clarisse as crazy. The way she was exposed to the world and how her mind works is something that Montag had never seen before. It’s was strange and foreign to him. She begins to ask Montag many questions regarding his beliefs and decisions about his job. With each absurd question he begins to slowly see her view of the world. Even though he still thinks they are ridiculous and unheard of questions. The last question that she asks him is, “Are you happy?” He had never thought of asking himself that question before. Was he really happy with burning books and not exploring something new?

The world’s humanity was folding away without being noticed by a single soul. The society was focused on technology so that when the characteristics that made man human were gone, they would not be missed by the majority. Government officials were strict on the molding of the new era, but they even more harshly enforced that the wisdom of the past not be acknowledged. A harsh, cruel world that had decided that free will was too dangerous. This is the world of Fahrenheit 451.

Montag is trying to memorize the Bible and in doing so he tells himself, “Shut up, thought Montag. Consider the lilies in the field” (74). This is an allusion to the Sermon on the Mount, in which Jesus teaches his followers of morals and spoke against tangible, worldly items. Which parallels completely to the idea of being an individual in society rather than a monotone drone because if people could keep their intellectual property, the society Bradbury has created would become obsolete. Thus demonstrating the dangers of censorship. Multiple other allusions are made by Faber, Montag’s old professor who gives in to teaching him about books. Faber explains that Montag should pity those who burn books and are captivated by the pretty fire because they do not know any better (99). This alludes to the forgiving nature of God in the New Testament, as Faber tells Montag that they don’t know any better, just as people who are not in the light of God do not know that they are doing anything wrong (in accordance with Christian literature). In relation to the New Testament, being forgiving and accepting is what the society in Fahrenheit 451 is lacking, showing that by acceptance people of all different thoughts may coexist peacefully. Faber’s name is actually derived from Homo Faber, or the creator of everything in the life of homo sapiens, therefore depicting him in a godly

“As cities grow and technology takes over the world, belief and imagination fade away, and so do we”(Julie Kagawa). While technology spreads and completely takes over one’s life, the electronic wave cannot be tamed. Once society fails to take control of their lives over technology, they lose contact with our loved ones and reality, as well as the ability to think for one’s self. In the dystopian world from Fahrenheit 451 technology is found everywhere, and the people highly depend on it to do hard work for them or for entertainment purposes. Bradbury illustrates a society that has lost the ability to enjoy life without technology through a variety of characters that rely on unnatural and modern objects to fill the void of an emotionless society.

Fahrenheit 451 is a novel of little happiness. Society as a whole has become content with watching television and wasting away their lives, while a few individuals ponder the true meaning of life and happiness. Bradbury throughout the book depicts what our world could become, and almost sends a warning to the reader on how to avoid this unfriendly fate.

Throughout the story, Bradbury uses his writing to represent how miserable of a character Montag is. There is a point in the story where Montag is looking at himself in the mirror and takes a look at how saddened he really is. In the text, Montag talks about how “He was not happy. - He wore his happiness like a mask” (12). In this text, it is shown that the main character is realizing how truly sad and unhappy he feels. Generally, people notice if they're unhappy at the moment instead of waiting longer and being even sadder. When Montag is reading a poem to his wife's friends he gets sentimental and reminisces about how the society he lives in is. Bradbury writes that Montag felt “He wanted to cry, but nothing would happen to his eyes or mouth” (77). In this other part of the text, it's shown how sentimental Montag is towards his society. Montag is unhappy because of how his society functions with

Thinking can show the internal changes of a person that may not yet be noticeable to many, but can develop them as a person and show their identity to themselves and the reader. For a person’s identity to form, they have to learn to think for themselves which can often cause a break between them and others who have not developed on their own. For instance, the book states, “Montag said nothing but stood looking at the women's faces as he had once looked at the faces of saints in a strange church he had entered when he was a child. The faces of those enamelled creatures meant nothing to him, though he talked to them and stood in that church for a long time, trying to be of that religion, trying to know what that religion was, trying to get enough of the raw incense and special dust of the place into his lungs and thus into his blood to feel touched and concerned by the meaning of the colourful men and women with the porcelain eyes and the blood-ruby lips. But there was nothing, nothing; it was a stroll through another store, and his currency strange and unusable there, and his passion cold, even when he touched the wood and plaster and clay.” Bradbury uses this excerpt to show that Montag is beginning to develop some individuality through a distaste for the mold that he was poured into. When characters begin to peel away from society, they able to experience things from a different point of view, giving them more perspective. Bradbury continues to use Montag’s thoughts to develop the key theme of of forming one’s identity on page 140; it states, “Now there was only the cold river and Montag floating in a sudden peacefulness, away from the city and the lights and the chase, away from everything. He felt as if he had left a stage behind and many actors. He felt as if he had left the great seance and all the murmuring ghosts. He was moving from an unreality that was frightening into a reality