Examples Of Temperaments In Hamlet

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

In the exchange between Laertes and Ophelia, one learns a great deal about Hamlet, as well. Laertes explains to his sister that she must consider Hamlet's rank and position and know that he is not free to choose a bride for himself (1.3.19-26). He also cautions her not put any faith in "Hamlet, and the trifling of his favor / [and to] Hold it a fashion and a toy in blood, / A violet in the youth of primy nature" (1.3.5-7). He means that Hamlet follows a passing whim where she is concerned, and that he does not truly love her. In other words, Laertes impresses upon Ophelia that Hamlet merely feels toward her the passion that is present in the springtime of youth. It is clear that Laertes believes he is telling his sister the truth about her situation with Hamlet because if he thought Hamlet would marry her Laertes would most likely encourage a relationship between them. Hamlet and Laertes are friends and if Hamlet married Laertes' sister he would at some point enjoy the advantages of a brother-in-law of the King.

Ophelia serves as a collection of socially preferred “feminine” traits that existed in gentlewomen; because of this, she is perpetually subjugated and taken advantage of by the people she trusts. When first introduced to Ophelia, the audience is drawn to her docile and obedient demeanor; after Laertes’ departure, Polonius confronts Ophelia about her relationship with Hamlet, saying “I would not, in plain terms, from this time forth / Have you so slander any moments leisure / As to give words or talk with the Lord Hamlet” (1.3.131-133).

Ophelia’s father, Polonius, wishes to keep his family’s honor in tact, and fears that Ophelia’s open regard for Hamlet will diminish his honor. Both Polonius and Laertes, Ophelia’s brother, believe that Ophelia’s preference for Hamlet will only end in disgrace for their family, as Hamlet would never marry her due to her lower social standing, therefore, they counsel her to break off any understanding with Hamlet. As a woman, Ophelia realizes her duty to her father and her brother, and therefore decides to disregard her own feelings about Hamlet and do as her father and brother wish.

Midway through Hamlet, Ophelia is well under the control of Polonius and Hamlet. They are both manipulating and using her as a pawn as to get what they want and she has little to no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath.

Polonius teams up with King Claudius and once again places demands on Ophelia which require her to disregard her own self to fulfill their wishes of deceiving Hamlet into revealing the cause of his erratic behavior. And once again, it is Ophelia’s duty to her father and this time to the king to be obedient. Disobedience to the king and his advisor are not an option. Polonius wants the king to look on him in good favor and he is willing to step on his daughter to get this admiration. He neglects Ophelia’s feelings by not even thinking of how his requests will affect her. He feels at liberty to request whatever he would like. He is purely worried about himself. Polonius holds a position of unquestioning authority over his daughter. He treats her as though she is not intelligent enough to make her own decisions and he knows that she will inherently obey him. To him her feelings are irrelevant and immature which he states when saying “Affection, puh, you speak like a green girl.”(1.3.101) Following her fathers instructions, she loses her lover and a piece of her happiness.

Ophelia is also put forth as a foil to Lord Hamlet. Before the events of the play unravel Ophelia, whom is the daughter of Polonius and sister of Laertes, gives us traits of Hamlet She reveals that he was a model courtier and scholar, “The glass of fashion and the mould of form, Th’ observed of all observers.” Ophelia also offers another dimension to the story, the love interest. They both love each other, even though it may seem that this love is not a legitimate one too many seeing as how Hamlet was going crazy. Or so it seemed, yet again she brings out information to us, that Hamlet was not nuts but just enraged.

Ophelia tries to obscure the truth because she is afraid of disobeying her father. It is obvious that Hamlet is already well aware that Polonius is watching after he states “Let the doors be shut upon him, the he may play the fool nowhere but in’s own house.”(3.1.132-133) Ophelia could have easily told Hamlet the truth, but due to her undying love for her father chooses to deceive Hamlet. Ophelia’s deceit leads Hamlet to start questioning her honest nature. Hamlet begins tearing apart by Ophelia because he is so irritated with her for being insincere to him. He states to Ophelia that “you should not have believed me: for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not.” (3.1.117-119) Hamlet states that he does not love Ophelia because he believes that through this scheme, Ophelia will reveal the truth that Polonius is in fact behind their “unplanned” meeting. Ophelia had betrayed Hamlet by lying to him, thus Hamlet felt the need to betray her. If Ophelia had just been honest with Hamlet he would have not become so discourteous towards her, but she was not which resulted in him denying his love for her. Just as Hamlet was deceived, Ophelia was also because it was her lies that led to the ending of their love. Ophelia’s dishonesty resulted in her becoming a mockery of Hamlets antic disposition. Hamlet uses Ophelia to uncover

In Hamlet, the female characters can be seen as being subservient to men. This goes on to show how Shakespeare, goes against the feminist theory by not creating equality between all the characters. One of the main character’s Ophelia can be seen as being weak and undermined in the play. She spends most of her time following the actions of her father, Polonius and boyfriend, Hamlet, with little to no say in her own opinion on topics. Polonius displays his dominance over Ophelia when he expresses his opinion on her relationship with Hamlet. He informs Ophelia on exactly what her next actions need to be when dealing with Hamlet. He even goes as far as warning her to not go against his wishes because it will “ tender [him] a fool”, showing his superiority over Ophelia’s actions (I . iii. 109). The inequality can also be shown when comparing Laertes’s life with Ophelia's. Laertes is left alone to travel France, while Ophelia is stuck to follow her father's orders. Hamlet also tries to show his

Laertes in Ophelia's grave. Hamlet tells her that he never loved her when she returns his

Taken separately, these two characters have different agendas concerning the Prince. Polonius' preoccupation with power exists at the same time as Ophelia's true (but nevertheless easily controlled) concern. When looked at together, these two people form something larger. Ophelia's sentiments, when mixed with Polonius' desire for power, result in a double-edged sword aimed at Hamlet. Other scenes within the play have both of these characters trying to pull Hamlet in such a direction as to give the King the advantage he needs. In this scene, though Hamlet is not present, Polonius and Ophelia form a kind of anti-familial unit. On one level, this father-daughter team works well within itself. But on another level, these two figures symbolize the hazy separation Hamlet himself feels from any type of

Ophelia’s interactions with the male characters of the play reveal her limited agency. As Ophelia tells her brother about her relationship with Hamlet, Laertes responds, “For Hamlet, and the trifling of his favor, hold it a fashion and a toy in blood, a violet in the youth of primy nature, forward, not permanent, sweet, not lasting, the perfume and suppliance of a minute, no more” (1.3.5-10). By instructing Ophelia on how to behave in her relationship with Hamlet, Laertes implies that he does not trust Ophelia’s judgement and she needs guidance with her personal affairs.

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

           Ophelia allowed herself to become a sort of marionette in Polonius' schemes toward understanding the seemingly mad prince. While her relationship with Hamlet was on the line, she allowed Polonius to commandeer the strings that determined her actions. Polonius was determined that Hamlet's supposed madness stemmed from lovesickness for Ophelia. He convinced Ophelia that her betrayal of Hamlet was a necessary evil and she began to relay all of Hamlet's messages and attempts at communication to him. He told the king and queen:

In Shakespeare’s Hamlet, the character Ophelia is the daughter of the king’s councillor, Polonius, and the love interest of the former King Hamlet’s son, Hamlet. She is one of the only two women in the entire play. She proves to be easily influenced by the advice and criticisms of others due to her naivety. Ophelia plays an extremely significant role in the play.