Experiments with the Human Voice: Max Mathews Essay example

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The voice is a crucial tool within the history of sound as it appears in so many different, interconnected forms and disguises. An experience of voice auditory within history generally can be experienced through different movements that can be observed with regards to the figure of voice. The voice in terms of presence and sound helps in understanding the voice also in terms of techniques and manipulations. These terms presented are influenced within countless vocal techniques and manipulations with properties of time and spatial aspects. How it effects the voice through these aspects can also give the reality or even illusion of times and space, and how it navigates through it.
Spoken, screaming, growling, vocal tremolo, vocal trill,
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The voice is a crucial tool within the history of sound as it appears in so many different, interconnected forms and disguises. An experience of voice auditory within history generally can be experienced through different movements that can be observed with regards to the figure of voice. The voice in terms of presence and sound helps in understanding the voice also in terms of techniques and manipulations. These terms presented are influenced within countless vocal techniques and manipulations with properties of time and spatial aspects. How it effects the voice through these aspects can also give the reality or even illusion of times and space, and how it navigates through it.
Spoken, screaming, growling, vocal tremolo, vocal trill, inhaling, ululation, overtones, undertones, multiphonics, glottal sounds, sprechgesang are just some of the most influential vocal techniques used within the history of the voice. But, to hear them in their purest forms it is best experienced through an Extended Vocal Technique. With the consideration of these techniques, it is crucial to note the effects of activation and spatial choreography. Within these techniques, the voice can be taken to different realms of experience when vocal/sound artists and musicians choose to exploit the acoustics of particular spaces as well. The voice is used to signify temporal structure in performances, adjusting volumes, tones and pitch where it can increase and decrease the space covered. A consideration to

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