Expo

Through the soliloquy, the audience gains insight into Macbeth’s innermost thoughts. He names multiple reasons as to why he should not kill King Duncan, noting that Duncan is his guest, kinsman and a good king. He also admits that the only motive he has is the “Vaulting ambition” residing inside of him. Here he names his own hamartia, his fatal flaw, and acknowledges that to give in and commit such a deed, would result in his “deep damnation”. While still undecided on the matter, Lady Macbeth enters, and, seeing his indecision she decides to manipulate him into the decision that suits her; for after all, she is almost if not as ambitious as her husband. By questioning his manhood, his bravery, even their marriage, she successfully leads him to make the choice to kill the king. We now must realise that although the witches’ prophecies and Lady Macbeth’s taunts were a catalyst for Macbeth’s treachery, they never force him to make these errors in judgement; it must have been something that was already inside of him that caused him to decide this. There must have been some inherent evil already a part of his character.

Lady Macbeth persuades Macbeth to slay the King of Scotland. On Act I, Scene V, Lady Macbeth states,¨Look like the innocent flower, but be the serpent under ‘t.” We can get an idea that lady Macbeth wants to kill the king but hiding their purpose of killing the king . This scene processes to get darker. In act 1, scene 5, Lady Macbeth quotes,¨Unsex me here.¨ What she means by that she removes all her feminine qualities to make her more evil. This lead to the audience being mortified due to her wanting to asking to be stripped of feminine weakness and invested with masculine resolve.

Macbeth’s ambitious ways takes over his whole inner self throughout his time of first wanting to be king. Macbeth was thought to be a great leader and war hero before he was king. Macbeth was hatched an idea by three suspicious witches in whom he had never come in contact with before. They told him that he would one day become King of Scotland. After the witches disappeared, he got to think a lot about what they told him and pondered the words they spoke. Macbeth sends a letter to his wife about his feelings of what he had heard. When Macbeth returned back to his castle his wife wanted to lead him down a dark path and feed his ambition. Macbeth decides he wants to go after the crown after consulting his wife. "I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself, and falls on th'other...." (Act I, scene vii) This shows that Macbeth’s only reason to kill Duncan is for his ambition. Macbeth ends up killing Duncan. The way Macbeth killed Duncan made it a great crime scene. Macbeth still

Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.

This conflict illuminates the point of the play as a whole. A major part of Macbeth is about how Macbeth is conflicted about doing the right thing and doing what will benefit him. In this conflict Macbeth exemplifies this because he doesn’t want to kill Duncan. Duncan is thought of as a great leader, so to kill him would be traitorous and detrimental to Scotland. Duncan is also very kind to Macbeth. But Macbeth still wants the crown, so he is not sure what to do until Lady Macbeth pushes him towards killing Duncan. Finally, Macbeth decides to do what benefits him rather than what is for the good of Scotland. Another major part of Macbeth is about how Macbeth deludes himself into thinking he has done no wrong. In this conflict,

With attention to the murder of King Duncan, Macbeth struggles with the morality of his actions. Before the murder takes place, Macbeth begins to believe that the murder will “be the be-all and the end-all” to his clear conscious and would risk him to eternal damnation (Act I, line 5). Yet, the murder would bring him power over Scotland and he “shalt be kind” as told by the Weird Sisters(Act 1, line 50). Macbeth goes off of his ambition to murder King Duncan. The internal struggle of choosing mortality over motives brought forth an intense shift of loyalty to betrayal. The murder caused for Macbeth to turn on Scotland and only care for his own selfish motives. The betrayal causes for the play to become horrific and have a double meaning. Macbeth must put on a face to hide his murder to become the king. The double meaning is how Macbeth looks like a hero to all of Scotland, but only the people on the inside know of his horrific actions. He had to murder to to get the position of King, but the

William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play.

In acts 1 and 2 of the play “Macbeth” by Shakespeare, the characters Macbeth and Lady Macbeth are presented to the audience through soliloquies and dialogue between the two. Macbeth is presented as brave, ambitious and guilty in Acts 1 and 2 of the play through the way others describe

With the visit to King Duncan, the King announces that his son Malcolm will be heir to the throne. In Macbeth’s mind, all he can think about is murdering the King and all that will come along with it. Macbeth sends a letter to his wife telling of all that has happened and to prepare for the King’s visit. In order to keep the murder in her mind she doesn’t want anything to get in her way, so she even goes to the point of seeking evil and not wanting to be a women-afraid of the feminine ways which will interfere in the murder. When Lady Macbeth says, “Come, you spirits/ That tend on mortal thoughts, unsex me here, / And fill me, from the crown to the toe, top-full/ Of direst cruelty! Make thick my blood; (I v ll. 44-47) it shows how far Lady Macbeth is willing to go to make sure her husband and herself gets to the top. She even goes to the point to call upon the spirits to unsex her and fill her with cruelty to make sure that here feminine ways don’t cause the plan to go wrong.

This is ironic King Duncan has been invited into Macbeth’s home, to dine and enjoy himself. He expects to have a great time and is ridiculously thankful, yet what makes this ironic is the fact that the hostess that he is praising is conspiring to kill him-he will be murdered that night. This represents the duplicitous nature of Macbeth, as the outward nobility of his character is contrasted greatly to his true spirit.

In perhaps the most pivotal scene in William Shakespeare’s Macbeth, Lady Macbeth’s motives are truly revealed in her manipulation of Macbeth to show how humans have a desire for power and once they get a taste of it, they will go through any lengths to have it, no matter the effect on others. Her lust for power is showcased through how she persuades Macbeth by insulting his masculinity and using emotive language to counter his logical reasoning. This section of the play illustrates the tipping point of each character’s morality with Macbeth having second thoughts about the planned murder and Lady Macbeth diving straight in.

William Shakespeare`s Macbeth tells audience a play of murders and sleepless nights. Macbeth is the thane of Glamis and a mighty general of Scotland. Macbeth is predicted to be the king of Scotland. However, the King of Scotland,King Duncan, is alive and is a good king to not to be

Macbeth’s mental and moral deterioration throughout the play engages the audience illustrating how guilt overwhelms his conscience He believes he hears voices crying “Macbeth has murdered sleep” this demonstrates how he is battling against his morals and his ambition. His good qualities are battling his bad thoughts and this is the main reason for his mental downfall which makes for a deeply engaging plot. Macbeth goes from being a man of bravery, strength, honour yet he slowly loses these qualities. He once believed that killing a good man was an evil, un-worthy thing to do yet by the end of the play he is killing the people he once had close relationships with to get himself out of the mess that was dragging him deeper into despair and tragedy. This process is enthralling for the audience who cannot resist watching him go to any length to save himself as his morals go into deep decline. Ambition has completely taken over him in the soliloquy in which he states; “I have no spur to prick the sides of my intent, but only Vaulting ambition, which o’erleap itself and falls on the other.” In this instance Macbeth is interesting because he realises that the only thing that is making him want to kill Duncan is

Lady Macbeth is a complex and intriguing character in Shakespeare’s play, Macbeth. She is a difficult character to embody as her personality seems split between two sides, one that is pure evil, sly and conniving in contrast to her softer, vulnerable, weak and feminine side. In the play we see her in these two main ways. The reader may feel a certain animosity towards Lady Macbeth throughout the first few acts as her personality appears more and more distasteful, in spite of this towards the end she has a serious breakdown over the guilt that torments her, even in her sleep, regarding her hand in Duncan’s untimely death.

Just as the character spectrum flows from hero to villain, Macbeth also gradually makes his way down the line. In the very beginning of the play (before making his appearance), Macbeth’s fellow Scots and lords praise him for his loyalty and noble deeds. Here, it is made clear that the public initially views him as a heroic figure who is loyal to Scotland; “for brave Macbeth, (well he deserves that name)”(9) Admittedly, Macbeth does unseam a man “from the nave to th’ chops”(9), however this is considered an act of valor in the service of his country and his king. However, Macbeth’s loyalties soon become questionable, as he plots to and then commits the murder of his honored king, Duncan. At this point, the audience