Expressionism : An International Artistic And Literary Movement

the human eye. Visualize having the ability to completely free your imagination, letting your thoughts and desires wander to form exotic scenes or locations. These unfamiliar worlds lay deep inside of the brain as subconscious thoughts, usually undetected by the person with them in his or her possession. With the help of the intriguing art movement known as Surrealism, however, these subconscious thoughts are finally able to be brought to fruition. Surrealism is a unique style of art that originated in France with the help of brilliant writer André Breton (Chilvers 599). He defined surrealism and its principles as a “purely psychic automatism through which we undertake to express, in words, writing, or any other activity, the actual functioning of thought… Surrealism rests upon belief in the higher reality of specific forms of associations, previously neglected, in the omnipotence of dreams, and in the disinterested play of thinking” (Chilvers 599). He also strongly emphasized that its purpose was “to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality” (Chilvers 599). Surrealism is a 20th century style of painting which rebels against traditional notions of art. In order to understand this genre, it is necessary to examine the movement’s characteristics, representative

The point of view of which Freud interprets and examines the manifest of dreams content to obtain their latent meaning is of a professional psychologist and clinical observer who looked for a way to explain how our minds work and how the individual psychology functions. He based his work on clinical experiences and clinical neurosis of the matter of his own interpretations to be able to confirm his theories as a proven fact. The result Freud gets from the patients he observes and interpretation of their dreams are stereotyped to the complete human condition.

Surrealism was one of the most influential artistic movements of the 20th Century. André Breton consolidated Surrealism as a movement in the early 1920s, trying to achieve the “total liberation of the mind and of all that resembles it[1]” through innovative and varied ideas. Surrealism deeply influenced the world in the era between the two world wars and played a big role in the diffusion and adoption of psychology worldwide. Surrealism faded after World War II, but its revolutionary genius has influenced every artistic movement ever since.

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

Although there are significant distinctions between Dadaism and Surrealist movement in their focus of interest in exploring the language and the art, they also happen to have similar concept for groundbreaking the norms and sometimes makes it hard for people to differentiate them. Then, here is an artist who manage to cover and is considered to be one of the pioneers for both Dadaism and Surrealism: Max Ernst. Due to the traumatic army experience during the World War 1, Ernst became highly critical of the western culture. His experience of the brutality of the world critically influenced his later works to become quite absurd, yet interesting like those of other Dadaists. In terms of relationship between the word and the image, Ernst created the so-called fatagaga, or Fabrication de Tableaux Gasometriques Garantis, which meant the combination of the artists to create an artwork including imagery and text. These Dadaist collaborative works deemphasized the importance of individual authorship and allowed the artists’ interactions to further development of Dadaism.

Surrealism is a movement in art and literature that occurred in the 20th century which influenced the incorporation of fact and fantasy in a piece. Tim O’ Brien uses surrealism in The Things They Carried to show how many war stories incorporate this idea of false and factual stories combined. He says that many of the things that occur on a daily basis are stories that are made up and the stories that no one believes are the ones that actually happen. The idea behind surrealism is to tap into the potential of the human mind. This incorporation of surrealism helps to enhance the plot of the book.

It developed out of Dadaism and depicted the world of enlightenment, i.e., surreal world. It was born soon after Dada, which emphasized metaphysical paintings inspired by the imagination and accidental juxtaposition of objects. It aimed to make people become more aware of poetic aspects, rather than scientific ones, by exploring and explaining unconscious mind and freeing imagination. Despite Dada’s limitations, the exploration of Freud’s suggestions done by surrealists opened countless new paths. Surrealism goes even further from nihilistic Dadaism, which denies humankind, society, order, ethics, and art, and pursued unconscious world, dream world, and automatic world, thus seeking a new artistic

What is reality behind surrealism? What is surrealism? Why surrealism? Surrealism is a workmanship development that started in Paris in 1917. The primary event of "surrealism" was in the year 1917. It was initially used to characterize a vaudeville play called 'Les Mamelles de Tiresias' which was delivered by Guillaume Apollinaire. However Apollinaire didn't make an arrangement of standards for his definition, which got to be well known with individuals who enjoyed Apollinaire

After a friend told me about some weird dreams he had been having I decided to research the meaning of dreams. I will focus on Sigmund Freud’s idea that understanding our dreams can help us to understand ourselves, and live a much happier and fulfilled life. Freud was known as “the father of psychoanalysis” and in 1899 he wrote his most famous work, The Interpretation of Dreams, and

By analyzing dreams, Freud believed that it could lead to understanding the most mysterious part of the human body: the brain. He viewed dreams as the unconscious mind making an endeavor to resolve a conflict regardless of when the conflict arose (Freud, 1900, p.577). Freud eventually developed a theory that the symbols and images in dreams may only be the front for multiple connotations, linking icons in dreams to parts of the body and biological drives. The dreamer may “find the top part of a clarinet in the street or the mouth-piece of a tobacco-pipe” in response to stimuli from male sexual organs (Freud, 1900, p.111). Freud argued in many of his early works that many latent dreams are sexual in nature. These connections separated Freud from his colleagues, such as Carl

Freud’s theory is that dreaming is meaningful, unlike the activation synthesis theory. He believed that the mind had three sections, represented in a shape of an iceberg; the conscious, the subconscious and the unconscious. The conscious is the tip of the iceberg above the water involves everything we are aware of right now such as our thoughts. The

Dada was an artistic and literary movement, this arose as a reaction to World War one. Many citizens believed that Dada was actually the cause of World War one, this movement likes to take the form of ‘anti-art’. Therefore, how you can claim everything is art but in reality, nothing is art. For example, take the painting ‘Fountain’ by a Dadaist painter Marcel Duchamp it is a readymade painting of an unused urinal. Which is basically implying that he rejected art and thought that we should focus on the artist 's idea more rather than it being crafted. Therefore, using a urinal and labelling it as ‘art’, get’s Duchamp’s point across that a work of art should be the artists idea instead of it being crafted. When looking at Dadaism by Tristan Tzara, there were some interesting quotes. For example, “Like everything in life, Dada is useless. Dada is without pretension, as life should be.” (Tzara, 1918). This quote intrigues me, as Tzara is stating that all art is useless and that Dada is pretension and that is how life should be. This can be used as an example of how Dadaism was inspired by

“Group of artist and writers who from 1924 on gathered about André Breton in Paris”(Page 366 -Theories of modern art- Herschel B. Chipp) Surrealism is well known for breaking conventions of the traditional style of art and photography. The dada movement had a lot of influence over the surrealist movement, they believed in constructing a scene rather than simply photographing or painting what was in front of them. Their way of seeing and interpreting the world was that of futurist ideas and finding new ways to portray a subject, allowing the viewer to form their own interpretation. Artists and writers had the idea of surrealism as being a gateway

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

William Shakespeare’s A Midsummer Night’s Dream, takes the audience on a wild and confusing ride through the human unconscious. From the play within the play, to fairies causing mayhem, what is to be considered reality? The notion of falling asleep and dreaming is introduced over and over in the play, and leaves the audience wondering, is any of this real? Throughout this paper, I will attempt to explain the parallels between Shakespeare’s work, A Midsummer Night’s Dream, and the work of the Austrian neurologist, Sigmund Freud, whose most popular work is that of dreams and dream interpretations.