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Farquhar In An Occurrence At Owl Creek Bridge

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Everyone has a slightly different perception of reality. A person’s personal reality can be skewed in order to cope with certain inopportune situations. The degree of distress towards a particular circumstance often determines how grounded one’s reality really is. In “An Occurrence at Owl Creek Bridge,” Ambrose Bierce introduces Peyton Farquhar, who imagines his own escape a moment before his death. He is pushed into the world of war and is unable to cope with his reality, causing him to imagine a solution to his problem in order to take control over his situation. Robert Enrico’s film rendition of the story creates a similar world, but one that must be communicated through images instead of words. Enrico’s impressive depiction of the protagonist’s …show more content…

The use of Farquhar’s perspective allows Bierce to include the protagonist’s observations that directly reflect his actual mental state. Farquhar’s self deception is the product of his inability to deal with the situation at hand, causing him convert it into a skewed reality that is easier for him to comprehend. When he jumps into the river, which begins his skewed reality, Farquhar experiences an internal battle, puzzling over his fate after death. This is represented by his sinking and eventual resurfacing from the water-- a battle between hell and heaven. After Farquhar escapes the soldier’s bullets, he contemplates his surroundings, noting that “a strange roseate light shone through the spaces among their trunks and the wind made in their branches the music of aeolian harps” (312). Because the story is told through Farquhar’s point of view, it can be inferred that this was an observation that his subconscious wanted to experience, rather than a part of reality. Farquhar skewed his own reality to calm his fear of the future by reassuring himself that he would go to heaven. Later, when Farquhar is running through the newly unrecognizable forest to get to his home, he establishes his own perspective in the skewed reality, noticing “how softly the turf had carpeted the untraveled avenue--he could no longer feel the roadway beneath his feet!” (312). At this point in the real world, …show more content…

In Bierce’s story, much of the indication of the distortion is achieved through using Farquhar’s point of view to include his personal observations that indicate his actual mental state in the real world. In the film rendition, Enrico succeeds in showing the illusion’s connection with Farquhar’s reality through the facial expressions of the actor playing Farquhar and the use of dramatic changes in lighting. In the beginning of the film, fear is apparent on the actor’s face, indicating Farquhar’s uncertainty towards his fate. The actor’s expressions continuously change from nonchalance to fear to anger, illustrating an emotional battle within Farquhar’s own mind. At one point, the actor closes his eyes and shivers, taking on the fearful appearance of someone wishing to escape their own body spiritually. Furthermore, the range of lighting represents the different possibilities of Farquhar’s life after death. The sharp contrast of light in many of the crucial scenes in the film depict a battle between light and dark forces. When Farquhar drops into the river, it looks as if he was slowly descending into darkness, which represents hell. He eventually succeeds in swimming to the surface of the river, which is illuminated in warm and almost holy-looking light. Additionally, the moment in which Farquhar runs out of the dark and grim forest and into the tunnel of light represents his the light’s final

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