Fats Waller: A Legend Of Modern Music

If one was to go out into the street, walked up to a random stranger and asked them if they knew who Louis Armstrong was, chances are that they would be able to answer you correctly. Louis Armstrong (Aug 4th, 1901 - Jul 6th, 1971) was an American trumpeter, composer, singer and occasional actor who became one of the most influential figures in jazz. His career spanned many decades, from the 1920s to his death in 1971, and many different eras in jazz. He first came to prominence in the 1920s as a trumpeter and cornet player with no technique as well as being very skilled in scat singing, Armstrong was a foundational influence in jazz, influencing many later jazz artists as well as shifting the focus of the music from collective improvisation to solo performance.With his very well-known and recognizable gravelly voice, a technique that was later named “crooning”, Armstrong was an incredibly influential singer, demonstrating great dexterity as an improviser by bending the lyrics and melody of a song for expressive purposes on demand. Renowned for his charming and incredibly charismatic stage presence and voice almost as much as for his trumpet and/or cornet playing, Armstrong 's influence extends far beyond jazz music, and by the end of his career in the early 1970s at his death, he was widely regarded as a deep and profound influence on popular music in general. Armstrong was one of the first very popular

Count Basie, was born August 21, 1904 in Red Bank, New Jersey. He was a gifted pianist, bandleader, and composer. His mother was a pianist and his father was a mellophonist. His mother, not realizing that he would become an amazing pianist and bandleader, started off his journey by giving him his first piano lessons. Later on, William and his family moved to New York, where he was further influenced by James P. Johnson and Fats Waller. In New York, Waller taught Basie organ playing techniques. Further on in his life Count Basie had many top chart hits such as “One O’Clock Jump” and “Blue Skies” In the 1858 Grammy’s became the first African-American male represent of a Grammy Award. Throughout his career, he won many more. Not only was he a great composer and musician, but he was a good person who influenced many people's lives. This essay will outline the life of Count Basie and all of his

Many great performers have come out of the jazz industry, but the most widely known is Louis “Satchmo” Armstrong. Louis began playing at a young age when he was growing up in New Orleans. His greatest inspiration was Joe “King” Oliver. He began following him and eventually Oliver became Armstrong’s mentor. Armstrong practiced his instrument and eventually he became the jazz great everyone knows today. Armstrong’s unique singing and masterful improvisation transitioned jazz from the traditional style to a newer, more rhythmic style. He popularized scat singing and was the first musician to have his solo on a recording (Rodgers 85). The solos Armstrong performed along with his popular scat singing helped make jazz musicians more popular along with making the fans take notice of Armstrong and jazz itself (Rennert 8).

One of the two most important musical influences was Ragtime, a style of music of insistent syncopated “ragged” rhythm created by black piano players. Photos and video clips of people playing and dancing to ragtime are examples of Burns amazing use of art photography and photojournalism to make the story more vivid for the viewers. Ragtime was a style of music the youth enjoyed to listen and dance to while the older generation of white men considered it a product of anarchism. A quote by a Massachusetts attorney and politician of the nineteenth century, Edward Baxter Perry explains that “ victims in [his] opinion can be treated successfully only like the dog with rabies, with a dose of led,” when talking about people who listened, and danced to ragtime. As segregation took over New Orleans, formerly freed creoles, whites who were of black descendants began to play together with the African Americans, combining their musical styles and creating an entirely new one that incorporated which came to be known as jazz. Creoles were affluent in classical music and piano, which they incorporated into the making of jazz music.

Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play

From its inception, Jazz has applied both innovative approaches in different degrees and boundless configuration. And has continually amplified, progress, and modify music through various distinctive episodes of growth. So, an all-encompassing denotation of jazz is likely vain. Additionally, jazz as a music whose prime attribute was “improvisation,” for example, revealed to be too regulated and chiefly false. Meanwhile composition, adaptation, and ensembles have also been imperative constituent of Jazz (for most of its backstory). Furthermore, “syncopation” and “swing,” often viewed as important and distinctive to jazz, are certainly lacking the genuineness of it, whether of the 1920s (or of later decades). However, the prolonged perception that swing could not transpire without syncopation was utterly refuted when trumpeter Louis Armstrong often produced vast swing while playing repeated, and unsyncopated quarter notes (Armstrong, L., Fitzgerald, E., & Middleton, V. (1988). Satchmo. Gong.)

Many jazz artist do not write their own music but Duke composed most of hs albums and compositions. Duke composed his songs so that every player in his orchestra would sound their best and each instrument was emphasized. He mainly focused on rhythm and how each instrument would sound together and how it would make the audience feel. Duke had many famous songs but a few are: “If it Ain’t Got That Swing,” “Sophisticated Lady,” “Take The ‘A Train.” Over his 50 year musical career he won many honors and awards for his songs.

Our music industry would not be what it is today without one of America’s greatest music legends, Duke Ellington. He made major breakthroughs at a time when the odds were against him. The pioneer who scouted these new regions of musical space more than any other jazz musician of the time was Edward Kennedy “Duke” Ellington (1899-1974). (Tirro 1993)

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

Louis Armstrong is most famously known Playing jazz music and probably the most recognizable jazz player of all time. After firing his stepfather's gun into the air to celebrate new year's eve, he was arrested shortly after. At age 11 Louis was sent to the Colored Waif's Home for Boys; there he learned to play the cornet and found his love for music. By 1922 he had moved to chicago to record his first solo in 1923, the "Chimes Blues". Armstrong played in recording groups, particular, the hot five and hot seven. The most popular songs Porgy and Bess, and What a Wonderful World. Louis Armstrong also received awards such as Recieved a star at the hollywood hall of fame.3.32. Many consider Armstrong to be a

During the early 1900’s, a new style of music began to take shape in the colorful city of New Orleans. People from all over the world came to exchange stories, conversation, and music. Although it is a very hard genre of music to define, it is said that Jazz is the combination of European and African music that was brought in via the ports. With mostly an African American population, the musicians shared their music in Storyville - a cultural melting pot, and began to spread the “New Orleans Sound”. They contributed to what would soon be known as Jazz in 1917. The spontaneous nature of Jazz’s syncopation and sound makes it a very humanistic style of music and makes every performance original. Every day we improvise, whether it is in conversation or spur of the moment decisions. These truly unique elements caused Jazz to become a symbol of America, and changed music forever.

Our music industry would not be what it is today without one of America’s greatest music legends, Duke Ellington. He made major breakthroughs at a time when the odds were against him. He was born Edward Kennedy “Duke” Ellington (1899-1974).He was a natural and has many life achievements that have contributed to the genre of jazz. He was a catalyst in his era. His music spoke to the soul. He defied the odds with his musical accomplishments. It was not everyday blacks were awarded the opportunity to shine in America’s spot light. He was able to take leaps in an industry when African Americans were not afforded the opportunities other races were privileged to partake in. During this era segregation was prevalent. African Americans were not allowed

His contributions “ended one jazz era and started a new one” (Louis). Armstrong contributed to jazz by incorporating his own style of music. He was a soloist who played the cornet, trumpet, and sung. He created the Blues scale and incorporated a new feeling called the “Bleusy” feeling to Jazz. Bleusy was different from of music because it was being expressed more than the music itself. His work was also improvised, which means that he did not have a planned piece to play if he was performing. The pieces he played were made up on the spot which makes his pieces more expressive and in the moment. He turned jazz into an individual improvisation which did not break away from the ensemble. While swaying from the standard jazz form, he also transformed jazz from polyphony to solos. One of his most famous songs “Hotter Than That”

     Before even hitting a year as a soloist, Miles Davis put out his first album as a soloist named Birth of the Cool. This was definitely something to be marked down on the timeline of Jazz. The album was accurately named, being responsible for the stardom of Cool Jazz, a movement that the very new to the Jazz movement, Miles Davis, invented within his first year of success. The Cool Jazz, which featured Gil Evans, first appeared in the latter days of 1949.

How has the development of jazz been a vital key for the African American community in America? What prominent black musicians developed the jazz genre while maintaining aspects of equality and progression? Jazz in itself has been an over-all outlet for the feelings in which black people face relating towards discrimination and racism. It was a way of voicing the terrible representation in which blacks were given by white people in America, as well as a way of taking such intense feelings and translating them towards a safe outlet that would be heard. Equality, not completely, was beginning to form between different cultures and races because people began to see that black musicians could play the same, if not better, than white musicians.