While reading Mary Shelley’s Frankenstein, readers connect the novel to both “The Creation of Man by Prometheus” by Michael Karas and the Genesis creation story. The three texts provide the audience with strong, underlying messages. Creatively woven in, these lessons stitch each story to one another. After assessing Frankenstein, “The Creation of Man by Prometheus,” and the Genesis story, readers find many similarities through Feminist Criticism and the dangers of forbidden knowledge. Allen Brizee quotes Lois Tyson’s claim that “Feminist Criticism is concerned with the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women” (Brizee). This school of criticism presents itself in both obvious and obscure ways throughout all three texts. Gender issues such as inequality and oppression “play a part in every aspect of human production and experience” (Brizee). Many might argue that Frankenstein does not qualify as a feminist novel because “women are, in some ways, peripherals to the novel’s main plot line.” However, women play a “central” role “precisely because they’re not there” (Williams). This purposeful absence creates an opportunity for women to hold a great amount of significance to the story. In Mary Shelley’s Frankenstein, the creature asks Victor to create a female solely for his pleasure. The creature explains that only a female counterpart will “gratify” the “burning
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human
Mary Shelley’s novel Frankenstein primarily focuses on Victor and his monster, but women also play a part. There are three major female figures in the novel; the housekeeper for the Frankenstein family: Justine, Victor’s “adopted cousin” and later wife: Elizabeth, and the never completed female monster. To both Victor and the monster woman are desired objects that offer comfort and companionship, but as the novel goes on, women become targets for revenge. This goes to show that the women in Frankenstein prove to be both powerless and powerful when it comes to dealing with the men that surround them.
Being the daughter of Mary Wollstonecraft, a well-known feminist for her book A Vindication of the Rights of Women, it is no surprise that Mary Shelley too would become a strong advocate for equal treatment of women. Though it may be strange to think that a feminist would write a book without any strong female characters. It is the absence of women that create a feminist theme within Frankenstein. Throughout Frankenstein, Shelley showcases the importance of women in society, through the flaws and mistakes of men in the absence of women, along with criticizing the limiting role the idealized woman holds.
The novel Frankenstein by Mary Shelly was published in 1818. Her parent had undoubtedly influenced her ways of writing. Her father, William Godwin is famous with his piece “An Enquiry Concerning Political Justice while her mother, Mary Wollstonecraft wrote “A Vindication of the Rights of Woman” is two prominent radical writers who call for reform during French Revolution. Bringing both feminism and radical views from her parents, Shelley critiques women’s weak, docile and uneducated character. She also shows how women are often degraded and treated unjustly. The reason she brought the issues forward is to make women realize that they should improve their position and women should not conform to the dogma that they are always weak.
The novel “Frankenstein” by Mary Shelley, and the article “Of the Pernicious Effects” by Mary Wollstonecraft, both have relations when regarding the importance of feminism during their time periods. Throughout Shelley’s novel feminism is addressed because she uses female characters to further her plot and display her viewpoints. If Wollstonecraft evaluated the female characters in Shelley’s novel, she would realize that Elizabeth, Justine, and Safie all show an importance to the flow of the novel and the purpose of equality that Shelley is sending about feminism through these characters.
Women in the 18th century were often referred to as “ weak, illogical, timid, or even emotionless” ( Radek-Hill, “ Women in Literature”). This idea of women will stick around all the way until the mid 1900s, and has played a big historical issue for decades. In Mary Shelley’s Frankenstein, the idea of women being inferior to men is shown in many ways and covers throughout the book. One way she shows feminism is how she constructed the book to where the women in the book play a significantly lesser role than men. Victor Frankenstein, and his monster are the two big roles in the book, leaving little light for the female characters. When you analyze the male characters, you will notice that their actions throughout the book lead to the death and suffering of a female character. Victor is the most to blame for this because he did not speak up about his monsters creation, who in
Gender inequality will always affect the portrayal of women in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, and still holds a name in society. However in the olden eras, the way women were treated and looked at was in a much harsher condition. In Shakespeare’s Othello and Shelley’s Frankenstein, women’s roles in the books are solely based on the way they are treated in their time period. The portrayal of women in these books demonstrate that they can never be in the same standing as men and therefore will never have the same respect as them. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice, which demonstrates that in
Mary Shelley, the author of Frankenstein seems to focus on the characterization of men yet what is ironic is the fact that she is a woman. After the birth of Shelley, her mother Mary Wollstonecraft who was one of the first and most important feminist advocates had died, leaving Shelley to continue in her footsteps (“Feminism & Women in Frankenstein”). Growing up, she was exposed to the work done by her mother and this led her to become exposed to feminist ideals at a very early age (“Feminism & Women in Frankenstein”). In Shelley’s novel Frankenstein, it is controversial of why she chose to characterize both sexes in the way she did and this controversy on women’s roles held of one the central themes in the text. Some critics argue that
In Anne Mellor’s article “Possessing Nature: The Female in Frankenstein,” she focuses on the role that women play in Mary Shelley’s Frankenstein. Mellor explores the patriarchal society by providing evidence for the claim that Frankenstein is a feminist work. Mellor argues that Victor Frankenstein’s downfall is due to his fear of femininity and his need to become the creator of a human being. She begins the article with the argument that the division of spheres (public and private) within the book caused the destruction of many women. Mellor then explored the spheres that men and women occupied. Men would “work outside of the home” while women were “confined to the home”. This division of spheres had negative consequences as much for men as they did for
The creation of life is an extraordinary event which humanity usually attributes to the work of a higher being. Because of this common belief, Mary Shelley’s: Frankenstein: The Modern Prometheus often triggers mixed feelings when human Victor Frankenstein experiments and creates the creature known as Frankenstein or Frankenstein’s monster. While it cannot be denied that this accomplishment is impressive, Victor’s right to form life, being a mortal himself, often is debated. Even the title of Shelley’s work causes readers to evaluate Victor’s actions within the context of the Greek God Prometheus, who has been credited with the creation of mankind and the gift of fire to them. Through analysis of Frankenstein: The Modern Prometheus as well as older works such as Theogony, and Prometheus: Bound, a comparison and interchangeability between Victor and Prometheus can be made, showing many correlations in the actions of both characters, despite the fact that Prometheus was often honored while Victor was sometimes scorned. While the actions and traits of both creators have countless parallels, ultimately Victor’s rejection and abandonment of his monster highlights his irresponsibility toward humanity and undeniably separates Victor Frankenstein from the honorable Prometheus.
Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s
Over the years, the monster in Mary Shelley’s Frankenstein has become universally portrayed in one way: a tall, green-skinned, dumb brute with no language or reasoning abilities. Society has turned the story of Frankenstein into a mere horror story, dehumanizing the monster more than was intended in Shelley’s novel. However, the message of Frankenstein is a far cry from the freak show displayed by the media. While many people may only see Frankenstein as a grotesque story meant to thrill its audience, its purpose goes much deeper as it advocates for the equal rights of women in society.
Frankenstein is a story full of questions and excitement. What is interesting about Shelley’s novel is the absence of God and multiple female characters. She ignores the proper way of conception and birth. Due to this, the science of what Victor accomplished had gone awry. His goal while creating the monster was a perfect race in which they would help mankind, “even though the dream of the new race is...exploded” in the end (Levine 12). Victor Frankenstein
The female characters in Frankenstein represent the treatment of women in the early 1800’s. Women who are deprived of their female roles and are enclosed in a feminine sphere of domesticity. In the novel, Frankenstein, the women characters are treated as property and have little privileges in relationship to the male characters, the women suffer and are eventually destroyed showing how unimportant they are in the book’s society, and when it comes to reproduction of human’s, man thinks it pointless to have women play that role. These attacks on the innocent prove that women are second-rate in the novel.
In the novel Frankenstein, the author Mary Shelley reinforced the role of female nature in a book that is predominantly male-oriented. The female character is an underlying feature throughout the whole novel. For example, when Victor Frankenstein created his Monster from dead body parts, he disregarded the laws of female reproduction. Both Anne K. Mellor and Jonathon Bate argue that Victor defiled the feminine nature when he created his Monster from unnatural means. Mellor argued in her essay, “Possessing Nature: The Female in Frankenstein,” that Victor eliminated the necessity to have females at all (355). There will not be a need for females if new beings are created in a laboratory. The disruption of mother nature is one of the novel’s original sins (479). In Bate’s essay, “Frankenstein and the State of Nature,” he argued that Victor Frankenstein broke the balance between female principles of maternity and mother nature (477). Frankenstein broke nature and undermined the role of females. The argument of Mellor was more persuasive than the discussion of Bate because she was able to provide more evidence that Victor Frankenstein dishonored the role of female nature.