Feminism And Institutional Critique: The Tate Modern Museum

The most prevalent and popular stereotype of the post World war II era in America is one filled with women abandoning their wartimes jobs and retreating into the home to fulfill their womanly duties. In Joanne Meyerowitz’s Beyond the Feminine Mystique: A reassessment of Postwar Mass Culture, she shows how far women departed from this one dimensional image. While Betty Friedan’s The Feminine Mystique is reflexive and focused on the mainstream, Meyerowitz’s analysis is a broader and more inclusive exploration of media, as she draws upon multiple sources. Although Friedan effectively unveiled the thought process and reasoning behind society's belief that the message of media was to make women think that their place was to be the happy housewife, Meyerowitz expanded her media archives and found a differing message in analyzing both female responses to media and exploring their stories.

1985 (Figure 2) first appeared in 1985 plastered on billboards around New York City. The piece is illustrated in monochrome colours so to not distract viewers from the meaning of the poster. The harsh contrast in colours between the black writing and white background make the piece stand out and draw the attention of bypassers. Written on the artwork is a list of well-known museums in New York City and beside them is a score of how many women artists have had one-person exhibits there in the past year. The results showed that the Guggenheim, Metropolitan and Whitney museums each had zero, whilst the Modern museum had one. These results are supposed to shock the audience and make gallery curators feel a sense of guilt, that it’s clear the art world don’t appreciate women artists like they do men. Whist they are confronting the public with that truth they are also providing another critical message with this piece. The Guerrilla Girls identified these museums by first name, not out of convenience, but to make a statement, that the only museums to allow women artist some form of respect like male artist do was the ‘modern’ museum. Emphasising the fact that gender discrimination and bias nature in the art world should be in the past, and the only museum that realises and recognises this is the modern one. The poster’s main message challenges the patriarchal world of art and confronts art galleries

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

Early feminism was typically focused only on white women, likely because racism was still extremely prominent at the time feminism began emerging. It was not until Kimberlé Crenshaw introduced the term “intersectionality” in 1989 that feminism started to look at oppressed group’s needs (Nash, 2008, 2). Intersectionality is a way of thinking that acknowledges that when a person has identities that belong to more than one oppressed group, it impacts their quality of life more negatively. In this paper, I will argue that intersectionality is important in the discussion of feminist theories and activism because it ensures that feminism is for all women, not just a select group of them. Intersectionality has changed the way the feminist movement handles the overlapping of different identities, which has helped feminist theorists understand the experiences of women of colour much more clearly. While intersectionality has a very important role in the conversation and practice of feminism, there are certainly critiques of the concept that should be brought up. These critiques, however, can offer a way to improve the study of intersectionality.

In the Robyn Autry article, it mainly focuses on the national conflict of museums mainly focusing towards African American. The author travel to 15 museums around the United States that focuses towards African American. She mainly talks about how the African American were facing numerous hardships in the U.S and how the museum represents those issues to the general public. She believes the way to tell the hardship of African Americans is by exhibiting through a museum. When traveling through these museums she focused towards “centered on three traumatic episodes: capture and displacement from Africa, enslavement, and racial segregation” (Autry 64). The author of the articles wants to show that over time that museums meanings has changed over

Daddy’s princess. Big brother’s responsibility. Daddy’s little girl. Some people view these as a sweet pet names for young ladies, but these verbal cues inexplicitly condition women to view themselves as the property of men starting at a young age. These learned notions may take hold as women begin to develop. As young girls mature, they find themselves striving to please their fathers and other male figures as one of their main aspirations in life due to this conditioning from society. (Rholetter p. 1) The submissive nature of young girls is a common theme in literature, but looking through the Feminist Lens offers readers a better understanding of the struggle surrounding remaining submissive or demanding power occurs.

The 21st century has seen a dramatic increase in the challenges facing cultural institutions, particularly museums. One of the most pressing issues currently facing museums worldwide is the diminishing level of government support. Despite reductions in government funding, the sustained maintenance of museum collections and facilities continues to require substantial resources. In the face of such difficulties, a growing number of museums have turned to innovative programming, specifically exhibitions, as a way to ensure financial viability through increased attendance. Given the growing competition for consumer leisure time in today’s society, attention has shifted away from traditional scholarly collection based exhibitions, towards the populist exhibition format offered by blockbuster exhibitions. Through a discussion of Harry Potter™: The Exhibition at the Powerhouse Museum and the First Emperor: China’s Entombed Warriors at the Art Gallery of New South Wales, this essay will examine the two approaches museums are taking to the blockbuster model. It will be argued that although exhibitions reflecting popular culture are becoming increasingly more common, there are institutions that manage to reflect popular taste in ways that continue to advance scholarship and create opportunities for lifelong learning.

In the history of England, there have been many rulers, but none quite like the queens. Between the time of the first Queen of England and the present Queen, there have been many drastic changes. Though these two women share the same name, Elizabeth, they are known for their own contributions and styles during their life in the monarchy. Their eras were full of rich culture and historic importance. These two women made an impact on not only England, but all over the world. Their decisions and actions lead to both times of celebration and times of grievance.

Why is the feminist lens focused only on one perspective: females?. Throughout history females have being oppressed by sexism and racism ideologies, not only based on gender differences, but in skin color and body shape as we see in today’s society. Due to this reason, can men do Feminist theory?. To illustrate, “[men] do not have the life experiences of belonging to an oppressed group and [do not have] shared personal stories that reveal their wounds from patriarchy”(Klocke). This demonstrates that men can not be in the feminist theory because they didn't suffered the struggle and the pain that many women experienced in order to gain their natural rights. Moreover, of course males can relate and be part of the theory, but the main focus will

Feminism is a body of social theory and political movement primarily based on and motivated by the experiences of women. While generally providing a critique of social relations, many proponents of feminism also focus on analyzing gender inequality and the promotion of women's rights, interests, and issues.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

In the play Much Ado about Nothing, Shakespeare explores some of the inseparable elements of the Elizabethan society. The comedy involves two distinctive types of couples who defy all odds to achieve happy endings at the completion of the play. Hero and Beatrice are the daughter and niece of Leonato, a respectable Italian nobleman. The cousins fall in love with two soldiers: Claudio and Benedick. Claudio and Hero fall in love shortly after meeting in her father’s house (Shakespeare 10). However, Benedick and Beatrice’s relationship is filled with witty insults since they had created negative impressions of each other. As a result, both of them swear that they will never fall in love, let alone

The Museum of Modern Art in New York City is the world’s leading modern art. Its exhibits have been a major influence in creating and stimulating popular awareness of modern art and its accompanying diversity of its styles and movements. The museum’s outstanding collections of modern painting, sculpture, drawings, and prints range from Impressionisms to current movements. Moreover, there are exhibits of modern architecture, industrial design, sculpture, photography, prints and electronic media. The museum presently has a modern art library of 300,000 books and impressive collections of films that are shown regularly. The Museum is said to be the complementary of the Metropolitan Museum

“How do you make a building for contemporary art that stays contemporary in the future without stooping to a neutral language? And how do you attract a big public without compromising the selfish, private, exclusive time we all want to have in a museum?” These questions, put forward by Elizabeth Diller of Diller Scofidio + Renfro, represent the urbanistic motivation supporting the construction of Boston’s Institute of Contemporary Art (ICA). In such a manner Boston’s ICA engages, not only with the urban citizen, but also the urban landscape in which the site is located. The ICA conveys the idea of architecture as art in itself. As a presenter of art to the urban citizen and because of its open design, the inside allows the citizens to not only appreciate the art within the building but also see the art of the building’s natural environment and setting.

Feminist theory analyzes the gender inequality that women have faced throughout the years due to a patriarchal society. Women were expected to fit the traditional female and conform to the gender norms that society has constructed. According to A Brief Introduction to Critical Theory, “Feminism embodies a way of reading that investigates the text’s investment in or reaction to the patriarchal power structures that have dominated Western culture” (227). Patriarchal power has oppressed women economically, socially, and politically. Women were associated more with domesticity than with politics and financial situations. They were not provided the same educational opportunities as men. These issues have been addressed by people, such as Mary