“Words can sometimes, in moments of grace, attain the quality of deeds,” Elie Wiesel, the late author of the Holocaust based memoir, Night. Wiesel spent May 1944 to April 1945 in the death camp of Auschwitz and as marching prisoner of the SS. During that awful year, he witnessed and experienced horrors unlike anything anyone should have to endure. These times changed him and his perspective on the world around him. Humans committing such inhumane actions on their fellows forced him to observe the effects that such treatment had on both the human condition and their actions and thoughts. Wiesel uses his power of words to explain his new perspective. Throughout his memoir the use of fire, snow, and the motif of corpses symbolically portrays the …show more content…
When Elie first arrived at Auschwitz, he was greeted by the grim sight of smoke filling the sky, and was bombarded by the stench of burning flesh. Crematories and giant burning pits were set up for the murder of anyone defined as un-useful in the work camp. When passing by the crematory, Eliezer reflects on the horrors he saw that night, writing, “Never shall I forget the little faces of children whose bodies I saw turn into wreaths of smoke” (Wiesel 32). This horrific scene sets the definition for Elie’s symbolic meaning of fire. Fire, in all its burning rage, represents the destruction caused by the Holocaust. Like ash, fire, the devastation the Nazi’s left in their wake was irreparable, and the murdered could not be brought back. The children, representing innocence, were destroyed in the most final way, left with not even a body to morn. Wiesel goes on to describe how, “a dark flame had entered [his] soul and devoured it” (34). That fire, the dark destruction born of cruelty, has not only killed those people and children, but symbolically murdered his soul. A person’s soul is who they are. Religiously, it is what of them will move on when they …show more content…
Having survived Auschwitz and possibly weeks running from the encroaching allied front, the dead march comes to a halt at an abandoned village. Many collapse where they stop, some making their way indoors to crowded sheds and cover. Those who fall asleep in the deceptive snow don’t wake up, and the next morning Elie and his father are welcomed by a horrific sight, “[we were] walking in a cemetery, among stiffened corpses, logs of wood” (84). By describing the dead as “logs of wood” Wiesel paints an inanimate feeling on the once people. No longer are they the remnants of the dead, but logs, old wood, garbage. The miserable treatment of the Holocaust victims has reduced them to less than human, merely objects. Elie turns to his father, surrounded by the dead and frozen, and is startled by what he sees, remarking, “How old he had grown since the night before! His body was completely twisted, shriveled up on its self. his eyes were petrified, his lips withered, decayed" (84). “Petrified”, “withered” and “decaying” all allude to something dead, either rotting or fossilized. Yet unlike before, when he referred to corpses as logs, his father is still alive. Not only does the treatment the Holocaust victims endured result in death and destruction, but their experiences drain them, bleeding their life out their mouths with the fog that they breathe. Elie’s father is not
In the novel Night, Elie Wiesel gives an account about his life in a concentration camp. His focus is of course on his obstacles and challenges while in the camp, but his behavior is an example of how human beings respond to life in a concentration camp. The mood, personality, behavior, and obviously physical changes that occur are well documented in this novel. He also shows, as time wears on, how these changes become more profound and all the more appalling. As the reader follows Elie Wiesel’s story, from his home in the ghetto, to his internment at Auschwitz-Birkenau, to his transfer and eventual release at Buchenwald, one can see the impact of these changes first hand.
Elie’s father loses his strength quickly, “his eyes [grew] dim” (46) almost immediately after arriving. The horrors which he had seen were easily enough to crush the spirit of a former community leader. His disbelief of the horrors he saw questioned the very basis of his soul, and he began to despair. His father’s eyes soon become, “veiled with despair” (81), as he loses hope for survival. The despair of camp life shrouds the human within, showing only another cowed prisoner. Elie’s father no longer can see hope, having his vision clouded by cruelty and hate. Elie’s father is eventually overwhelmed by despair; he, “would not get up. He knew that it was useless” (113). The Nazis crushed his soul, killed his family, stole his home, and eventually took his life; this treatment destroyed the person inside the body. He could no longer summon the strength to stay alive, so he gave up, and collapsed.
The emotional connection Wiesel has to the injustice and inhumane acts from other people being a survivor from the Holocaust
During the first night Elie was forced to endure at the camp, he said “ The student of Talmud, the child that I once was had been completely consumed by flames “ (37). Elie uses imagery to show how the sudden cruelness of this world slowly but surely began clawing and scratching and burning at his faith. With each cruel word from the Nazi’s mouth that night his soul and his faith were devoured. Elie would never be able to recover that boy he was before he stepped foot in that camp from that instant on he wasn’t the same Elie he
Fire can also be seen as a symbol of Elie’s loss of his faith in his God and in the Jewish religion. In Judaism, tradition says that the evil and wicked will be condemned to Gehenna and suffer a fiery punishment. However, Elie’s experiences reverse what he was taught by his faith. The innocent were murdered in the crematorium by the evil. This shows how Elie’s faith was strongly questioned during the Holocaust due to the experiences and how his concept of religion was changed dramatically. “Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live. Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes.”
Night by Elie Wiesel is an autobiography about his experience during the Holocaust when he was fifteen years old. Elie is fifteen when the tragedy begins. He is taken with his family through many trials and then is separated from everyone besides his father. They are left with only each other, of which they are able to confide in and look to for support. The story is told through a series of creative writing practices. Mr. Wiesel uses strong diction, and syntax as well as a combination of stylistic devices. This autobiography allows the readers to understand a personal, first-hand account of the terrible events of the holocaust. The ways that diction is used in Night helps with this understanding.
Language has the ability to impact the mood and tone of a piece in literature. In Night, Wiesel uses imagery, symbolism, diction and foreshadowing to illustrate dehumanization. The deeper true horror of the Holocaust is not what they Nazi’s did, but the behavior they legitimized as human beings being dehumanized by one another through silence and apathy.
When Elie arrives at the camps, the author begins to use the corpse as a symbol of a living person who is dead inside. This is how Elie begins to see himself and others as, the living dead. "From the depths of the mirror, a corpse gazed back at me. The look in his eyes, as they stared into mine, has never left me (Wiesel 109)." When Elie looks into the mirror he can not recognize what he has become. He thinks of himself as one of the others who died like his family or the millions of others slaughtered right before his eyes. He essentially becomes a useless body that works on the outside but is undoubtedly damaged on the inside. Wiesel also brings the story to life with imagery that stimulates all of the senses. He illustrates the horror of the crematories with vivid words that make the reader feel the sympathy he feels."Never shall I forget that smoke. Never shall I forget the faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget the flames that consumed my faith forever. Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live.
Elie Wiesel uses language that heavily portrays death, darkness, night, and decay in Night, to help people realize how terrible the Holocaust was, and to not let it happen again. Elie Wiesel uses language related to the death and decay to help portray the horror of the experiences he went through as a Jew during the Holocaust. Wiesel tells
The holocaust is one of the world's most tragic events, approximately 6 million Jews died and the concentration camp Auschwitz is the world's largest human cemetery, yet it has no graves. In Elie Wiesel's autobiographical memoir Night, he writes about his dehumanizing journey in the concentration camp, Auschwitz. Firstly, Elie experiences the loss of love and belonging when he is separated from his mother, sisters, and eventually his father. Also, the lack of respect that the Nazis showed the prisoners which lead to the men, including Elie to feel a sense of worthlessness in the camp. Finally, the lack of basic necessities in the camp leads to the men physically experiencing dehumanization. As a result, all these factors contribute to the
After surviving the Holocaust, Elie writes down the things he experiences as a young boy during that time period. As Elie enters Birkenau holding his father’s hand, he claims, “Never shall I forget the small faces of children whose bodies I saw transform into smoke under a silent sky… Never shall I forget those things, even were I condemned to live as long as God himself. Never.” (Wiesel 34). Upon his arrival at the concentration camp in Birkenau, Elie witnesses young children being burned alive in crematoriums. He asserts that he has seen events so horrid that the memory would stay embedded with him forever. As soon as he witnesses the death of countless people, Wiesel begins to see the world as one filled with cruelty and hatred, the exact opposite of what he learns in his Jewish studies. In the end of his memoir, Elie finds himself in the hospital after being liberated by American soldiers. Elie looks into the reflection of the mirror hanging on the wall and describes what he sees as, “From the depths of the mirror, a corpse gazed back at me. The look in his eyes, as they stared into mine, has never left me” (Wiesel 115). After experiencing such traumatic events, Wiesel refers to himself as a new person. The innocent and religious Elie slowly dies during the Holocaust. In his biographical memoir, Elie slowly changes his
In 2006, Elie Wiesel published the memoir “Night,” which focuses on his terrifying experiences in the Nazi extermination camps during the World War ll. Elie, a sixteen-year-old Jewish boy, is projected as a dynamic character who experiences overpowering conflicts in his emotions. One of his greatest struggles is the sense helplessness that he feels when all the beliefs and rights, of an entire nation, are reduced to silence. Elie and the Jews are subjected daily to uninterrupted torture and dehumanization. During the time spent in the concentration camp, Elie is engulfed by an uninterrupted roar of pain and despair. Throughout this horrific experience, Elie’s soul perishes as he faces constant psychological abuse, inhuman living conditions, and brutal negation of his humanity.
During his time in the concentration camps, Elie’s outlook on life shifted to a very pessimistic attitude, showing emotions and actions including rebellion, forgetfulness of humane treatment, and selfishness. Elie shows rebellion early in the Holocaust at the Solemn Service, a jewish ceremony, by thinking, “Blessed be God’s name? Why, but why would I bless Him? Every fiber in me rebelled” (Wiesel 67). Elie had already shifted his view on his religion and faith in God. After witnessing some of the traumas of the concentration camps, Elie questioned what he did to deserve such treatment. Therefore, he began to rebel against what he had grown up learning and believing. Not only had Elie’s beliefs changed, his lifestyle changed as well. When Elie’s foot swelled, he was sent to the doctor, where they put him “...in a bed with white sheets. I [he] had forgotten that people slept in sheets” (Wiesel 78). Many of the luxuries that Elie may have taken for granted have been stripped of their lives, leaving Elie and the other victims on a thin line between survival and death. By explaining that he forgot about many of these common luxuries, Elie emphasizes the inhumane treatment the victims of the Holocaust were put through on a daily basis.
At first glance, Night, by Eliezer Wiesel does not seem to be an example of deep or emotionally complex literature. It is a tiny book, one hundred pages at the most with a lot of dialogue and short choppy sentences. But in this memoir, Wiesel strings along the events that took him through the Holocaust until they form one of the most riveting, shocking, and grimly realistic tales ever told of history’s most famous horror story. In Night, Wiesel reveals the intense impact that concentration camps had on his life, not through grisly details but in correlation with his lost faith in God and the human conscience.
Many themes exist in Night, Elie Wiesel’s nightmarish story of his Holocaust experience. From normal life in a small town to physical abuse in concentration camps, Night chronicles the journey of Wiesel’s teenage years. Neither Wiesel nor any of the Jews in Sighet could have imagined the horrors that would befall them as their lived changed under the Nazi regime. The Jews all lived peaceful, civilized lives before German occupation. Eliezer Wiesel was concerned with mysticism and his father was “more involved with the welfare of others than with that of his own kin” (4). This would change in the coming weeks, as Jews are segregated, sent to camps, and both physically and emotionally abused. These changes and abuse would dehumanize