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Figurative Language In Night By Elie Wiesel

Decent Essays

“Words can sometimes, in moments of grace, attain the quality of deeds,” Elie Wiesel, the late author of the Holocaust based memoir, Night. Wiesel spent May 1944 to April 1945 in the death camp of Auschwitz and as marching prisoner of the SS. During that awful year, he witnessed and experienced horrors unlike anything anyone should have to endure. These times changed him and his perspective on the world around him. Humans committing such inhumane actions on their fellows forced him to observe the effects that such treatment had on both the human condition and their actions and thoughts. Wiesel uses his power of words to explain his new perspective. Throughout his memoir the use of fire, snow, and the motif of corpses symbolically portrays the …show more content…

When Elie first arrived at Auschwitz, he was greeted by the grim sight of smoke filling the sky, and was bombarded by the stench of burning flesh. Crematories and giant burning pits were set up for the murder of anyone defined as un-useful in the work camp. When passing by the crematory, Eliezer reflects on the horrors he saw that night, writing, “Never shall I forget the little faces of children whose bodies I saw turn into wreaths of smoke” (Wiesel 32). This horrific scene sets the definition for Elie’s symbolic meaning of fire. Fire, in all its burning rage, represents the destruction caused by the Holocaust. Like ash, fire, the devastation the Nazi’s left in their wake was irreparable, and the murdered could not be brought back. The children, representing innocence, were destroyed in the most final way, left with not even a body to morn. Wiesel goes on to describe how, “a dark flame had entered [his] soul and devoured it” (34). That fire, the dark destruction born of cruelty, has not only killed those people and children, but symbolically murdered his soul. A person’s soul is who they are. Religiously, it is what of them will move on when they …show more content…

Having survived Auschwitz and possibly weeks running from the encroaching allied front, the dead march comes to a halt at an abandoned village. Many collapse where they stop, some making their way indoors to crowded sheds and cover. Those who fall asleep in the deceptive snow don’t wake up, and the next morning Elie and his father are welcomed by a horrific sight, “[we were] walking in a cemetery, among stiffened corpses, logs of wood” (84). By describing the dead as “logs of wood” Wiesel paints an inanimate feeling on the once people. No longer are they the remnants of the dead, but logs, old wood, garbage. The miserable treatment of the Holocaust victims has reduced them to less than human, merely objects. Elie turns to his father, surrounded by the dead and frozen, and is startled by what he sees, remarking, “How old he had grown since the night before! His body was completely twisted, shriveled up on its self. his eyes were petrified, his lips withered, decayed" (84). “Petrified”, “withered” and “decaying” all allude to something dead, either rotting or fossilized. Yet unlike before, when he referred to corpses as logs, his father is still alive. Not only does the treatment the Holocaust victims endured result in death and destruction, but their experiences drain them, bleeding their life out their mouths with the fog that they breathe. Elie’s father is not

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