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Foreshadowing In The Story Of An Hour

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In life, there are joys and sorrows and there is death and the springing up of new life. In the “Story of an Hour” Mrs. Mallard is overtaken with a bizarre emotional implosion when her husband is thought to have passed. It seems to be the despondency of jubilance and joy that engulf her. But should Mrs. Mallard allow herself to excite in the death of another?
In the “Story of an Hour,” the plot takes in the home of Mr. and Mrs. Mallard and everything transpires within an hour. The initial situation advised is an exposition as well as a distinct clue of foreshadowing is given in the first sentence, “Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s …show more content…

Mrs. Mallard is first disturbed by the tumultuous heaving she is experiencing, as she begins to put her finger on the feelings coming upon her. She tries to fight the feeling but inevitably she succumbs to it, “…a little whispered word escaped her slightly parted lips. She said it over and over under her breath: ‘free, free, free!’” (Chopin, 1894) This is where the story climaxed as she has an explosive acceptance of becoming over joyed about the passing of her husband. Directly affecting her heart, the acceptance makes “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.” (Chopin, 1894) So not only does Mrs. Mallard accept this feeling, she embraces it. “She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial.” (Chopin, …show more content…

Desperately wanting to be with her sister thinking she was mourning in isolation. “‘Go away. I am not making myself ill.’ No; she was drinking in a very elixir of life through that window.” (Chopin, 1894) The word choice elixir is quite comical being that elixirs were believed to be cure-alls. She prayed for long life after her husband which was a change from just the day before as she dreaded the thought of long life. The falling action is when Louise Mallard finally rises from her window facing armchair and obliges her sister’s undying pleas for her to open the door. “…she carried herself unwittingly like a goddess of Victory,” (Chopin, 1894) as she and her sister disembark down the stairs, taking a hiatus from her inescapable pleasures of thoughts of freedom. Crisis and resolution await as they hear someone unlocking the front door with a latchkey. It was Mr. Mallard coming through the door. Richard tried to shield Mrs. Mallard’s field of view but was unsuccessful. Mrs. Mallard had had a fatal heart attack. “When the doctors came they said she had died of heart disease—of joy that kills.” (Chopin, 1894) By his accounts he had assumed she was joyfully to see her husband alive when in fact it was just the

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