In the closing lines of William Shakespeare Hamlet, Fortinbras claims that if Hamlet had become king he “was likely…/To have proved most royal” (5.2.376-77), however the truth of this statement is questionable. Shakespeare expresses the importance of a king possessing several qualities throughout the play and it is debatable as to whether Hamlet meets the plays standards for a good king, particularly when compared to the plays other real and potential kings. Shakespeare expressed the importance of a king’s strong military presence through both Fortinbras and King Hamlet. The revenge plots of Fortinbras and Hamlet display the strong sense of honour that a successful king requires as well as a king’s willingness to defend that honour. A strong sense of morality is another quality stressed throughout Hamlet, achieved through Shakespeare’s treatment of Queen Gertrude’s relationships with Claudius, King Hamlet and Hamlet. Shakespeare utilizes the conflict between Denmark and Norway to display the importance of a successful king having a strong military presence. King Hamlet’s reign is strongly associated with war and the military and strong his military presence continues is maintained throughout the play. Hamlet reiterates his father’s strong military presence when viewing a picture of King Hamlet and Claudius. He recalled that his father governed Denmark with “an eye like Mars to threaten and command” (3.4.75. l. 57), whereas Claudius is portrayed as a sinful “devil” (l. 78)
Consider Horatio’s account of the battle between old Hamlet and old Fortinbras and the descriptions of the late king
Hamlet vs Fortinbras HAMLET AND FORTINBRAS In Hamlet the character of Fortinbras, a young Norwegian prince, has been used as a foil for the main character Hamlet, the Prince of Denmark. Hamlet and Fortinbras have both lost their fathers to untimely deaths. Hamlet's father, King Hamlet, was killed by his uncle Claudius and Fortinbras' father was killed by King Hamlet. Both Hamlet and Fortinbras have vowed to take revenge for the deaths of their fathers.
Hamlet (prince of Denmark) can be greatly compared to Laertes (son of a noble), and Fortinbras (prince of Norway) in the play. They all are very similar but yet different at the same time. They all had love and respect for their fathers and felt the need to avenge their deaths, which all were brutally killed. All three believed that the murderers had dishonoured their fathers as well as themselves. They all reacted and took different approaches in attempt to restore honour in their families.
The tragedy of Hamlet by William Shakespeare brilliantly recounts the tale of feigned and true madness as it delves into themes of betrayal, incest, revenge, moral corruption, and death. The play, set in the kingdom of Denmark, gives an account of how Prince Hamlet seeks exact revenge on his uncle Claudius, for murdering his own brother and Prince Hamlet’s father. After assassinating King Hamlet, Claudius succeeds the throne and becomes joined in holy matrimony to King Hamlet’s widow and Prince Hamlet’s mother, Queen
In the play, Hamlet, by William Shakespeare, the character of Fortinbras, has been used as a foil for the main character, Hamlet. Hamlet and Fortinbras have lost their fathers to untimely deaths. Claudius killed Hamlet's father, King Hamlet, and King Hamlet killed Fortinbras' father. Both Hamlet and Fortinbras have vowed to seek revenge for the deaths of their fathers. Since the revenge tactics of Hamlet and Fortinbras are completely different, Hamlet perceives the actions of Fortinbras as better than his own and the actions of Fortinbras, then, encourage Hamlet to act without hesitating.
In the play, “Hamlet” by William Shakespeare, Hamlet struggles to restore honour and certainty in the kingdom. Hamlet’s father, the true King of Denmark was murdered by Claudius so that Claudius could become the king, this was seen as dishonorable as Claudius was the King’s brother, and the right to the throne was not his. Hamlet finds out about the murder and feels he must avenge his father to restore honour and certainty in the kingdom.
In Hamlet, Shakespeare introduces us to Fortinbras and Hamlet. Both characters are bent on avenging the death of their fathers who were murdered. In Act I, two different revenge plots by these two men are revealed, and while Fortinbras is very open and bold about killing Claudius, Hamlet is sly and quiet about his plan. Fortinbras is also dead set on attacking Denmark no matter what but Hamlet is indecisive about killing Claudius. Fortinbras plans to lead an army to attack Denmark while Hamlet’s plan of attack is to act crazy.
Fortinbras is threatening Denmark with vicious attack; the throne is stolen from its rightful owner; incest is being committed on the throne, and Denmark is being viewed as an appallingly weak monarchy. As the disturbance of the Great Chain of Being begins, it only shows signs of getting worse. The fact that Old Hamlet and Claudius are royal opposites does not help anything either. Old Hamlet is known as “a ‘majestical’ king and a great soldier”, and Claudius is known as “a smiling, creeping, serpent” (Wilson 58,44), while Old Hamlet’s “wisdom and human understanding” is contrasted with the depravities of Claudius, “murderer and usurper” (States 94,98). These profound divergences between Old Hamlet and Claudius are certainly dooming for Denmark’s Great Chain as they induce calamity.
The Tragedy of Hamlet, Prince of Denmark has been performed thousands of times since it was “written in 1599–1601 and published in a quarto edition in 1603” (Britannica.com). It’s popularity stems from its themes that translate across time. These themes, are seen to be relatable even to this day with the ever growing audience. Readers and viewers are able to find similarities between the current state and or even relate to one of the characters or events taking place over the course of Shakespeare’s five act masterpiece. Shakespeare's, The Tragedy of Hamlet, Prince of Denmark remains a viable text for contemporary readers in that it functions as a mirror.
Oftentimes, the minor characters in a play can be vital and, among other things, function to further the action of the play or to reveal and illuminate the personalities of other characters. In Hamlet, Fortinbras, the Norwegian Prince, serves as the most important foil of Hamlet and provides us with the actions and emotions in which we can compare to those of Hamlet and better reveal Hamlet’s own character. Because Hamlet and Fortinbras both lost their fathers and have sworn to avenge their deaths, Fortinbras is a perfect parallel of Hamlet. He was also very crucial to the play’s ending and to bring a remedy to the corruption that has plagued Denmark.
In Shakespeare’s famous tragedy, Hamlet there are similarities between Hamlet, Fortinbras, and Laertes. They do have some character differences but they face many of the same challenges and are put in similar situations. All three of the men have lost their fathers and are seeking to avenge their deaths in some way. Hamlet is contemplating killing Claudius, Fortinbras has gathered an army to reclaim lands that his father lost, and Laertes will do whatever it takes to get revenge for Polonius’ death. The main difference between the three men is that Fortinbras and Laertes are willing to do whatever it takes to reach their goal while Hamlet spends the majority of his time in thought trying to decide the right thing to do.
In the play Hamlet, Claudius is known as the villain of the play. He is the lead antagonist who is characterized as a cunning, incestuous, and vile, usurper. Many readers and critics of the play do not dispute this perception, especially after reading how Claudius became the King of Denmark; He steals the throne by poisoning his brother, the previous king, and quickly marrying Queen Gertrude his widowed sister in law (1.5.42, 60-74). The general reading of Claudius’s character paints him to be a corrupt, cowardly politician, in addition to being Hamlet’s (the protagonist) foe. This portrait engages first-time readers to judge Claudius immediately and although this perspective of his personality is proven to be true, it is limited. Claudius
Steeped within his own pool of madness, the prince of Denmark seeks to avenge the premature death of his father. Claudius must die, die, die! Nothing else matters: not love, or death, or preservation of state, or the means to which the task is accomplished. To right what is wrong is the only focus that matters. Hamlet, blind by his own emotional transitions, is not aware until it is too late that his counterpart to the north also plots and prepares. Being one of the first writers to develop dynamic and intricate characters that leave the readers to question and interpret the characters’ actions for themselves, Shakespeare understood better than anybody else "what a piece of work is a man!" (2.2.305). In the play Hamlet, Shakespeare
In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations. While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father. Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet. While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet. Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for
William Shakespeare’s dramatic presentation of disillusionment within Hamlet, to a great measure presents the notion that the quality of a leader is derived from one’s possession of integrity. Hamlet’s disillusionment which emerges from the discovery of Claudius’ regicide and the usurpation of his father’s divine position, produces a plethora of human dilemmas, such as the moral struggle between renaissance and medieval ideologies, the paralysing effect of uncertainty and the defining nature of mortality. Thus by exploring the universal complexity of human condition and its ability withhold integrity, Shakespeare connects to audiences of various historical contexts.