Although the structure of the novel Frankenstein is focused around male protagonists, Victor Frankenstein and his "progeny," the core ideals of the novel play with the way society views the female sex. Female traces in Frankenstein uncover Mary Shelley’s views of struggles with femininity and sexuality that she perceives from society. The creature of Frankenstein altered into a "monster" because of the absence of a motherhood role in his life. The transformation that makes the creature a “monster” is how Shelley aims to point out the significance of the female role. Frankenstein acts as an analysis of the fears and anxieties of the nineteenth-century woman, which focuses on the misogynist ideals of social structures that give the male sex influence and power. Shelley uses the novel to alert society about the dangers of a maternally absent life, a life that opposes the idea of maternal support in both the home and in society.
Frankenstein’s creature becomes a monster because of his lack of a motherhood role in his life. Towards the start of the 19th century it was a time when women were seen as less than equal and because of this Victor takes it upon himself to completely disregard the female role in reproduction and rely solely on science and himself. Victor completely does away with the female function of the mother. He asserts that "Life and death appeared to me ideal bounds, which I should first break through and pour a torrent of light into our dark world. A new
Dr. Frankenstein, the creator of the hated creature has clearly been characterized as an unfit care taker. Why has the author of this book portray her main character this way? Her reasoning can be seen through the actions of the monster itself. Following the evidence provided by Shelley, the monster symbolizes a young child. Victor was meant to take on the actions of a parent to his “child”. Rather than being focused on the role of women during this era, the main focus seemed to link to importance of parenting. The importance of a parent-child relationship is seen through this book with our main characters Victor Frankenstein and his creation and Mary Shelley herself.
Mary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however, in this particular instance, the circumstances in the book seemed remarkably coherent with Shelley’s Romantic beliefs in preserving the natural world, and one’s natural existence. These values present themselves as metaphorical symbols that
Victor Frankenstein worried about everyone else and playing God, rather than trying to do right, morally. Victor had to go through a lot of steps and difficulties to create the monster. After the creation of the monster, everyone including Victor abandoned him. Victor refused to create a girl creature to avoid a lot of problems, but he did not realize the hell the monster would end up causing him. Victor regrets trying to play God because his action would cause him great troubles and consequences.
Women in the 18th century were often referred to as “ weak, illogical, timid, or even emotionless” ( Radek-Hill, “ Women in Literature”). This idea of women will stick around all the way until the mid 1900s, and has played a big historical issue for decades. In Mary Shelley’s Frankenstein, the idea of women being inferior to men is shown in many ways and covers throughout the book. One way she shows feminism is how she constructed the book to where the women in the book play a significantly lesser role than men. Victor Frankenstein, and his monster are the two big roles in the book, leaving little light for the female characters. When you analyze the male characters, you will notice that their actions throughout the book lead to the death and suffering of a female character. Victor is the most to blame for this because he did not speak up about his monsters creation, who in
What purpose does it serve to have multiple narrators telling a story? In Mary Shelley’s gothic novel, Frankenstein, three main narrators tell the story about the creation of a monster and the events that follow. The job of narrator shifts between Robert Walton, Victor Frankenstein, and the monster that Victor creates. As each narrator shares his own recollection of the events that occurred, new facts are introduced to put the pieces of the puzzle together. Although Frankenstein uses multiple narrators to tell the story, it is important to look at the effects it might have on the stories accuracy. In this essay, I will closely examine the motives, differences, and similarities of each narrator to see what influences, if any, they have on the narrative.
Frankenstein by Mary Shelley is a male-oriented novel, with woman as the side characters. The multiple woman in the novel unknowingly shape the story. The story would not exist without Margaret and the letters her brother sends from the Arctic. Justine Moritz taking the blame for The Creatures murder of William Frankenstein. The Creature spying on the De Lacy woman, witnessing acts of kindness and receiving a form of education form his observations. Caroline with her need to care for Elizabeth, and what results from her care. Elizabeth influencing Victor by simply existing. The role women have in Frankenstein is more important than one may think at first.
In addition to her proposition that a patriarchal society will ultimately lead to chaos, Shelley uses the character of Frankenstein to illustrate that men are not the strong leaders of society they claim to be. Frankenstein is brave enough to go as far as creating life without a woman; however, as soon as his brainchild comes to life, Frankenstein essentially
Upon further probing, there is perhaps a deeper terror rooted in Frankenstein, which subtly appears to stem his hesitancy at creating not just another monster, but specifically a female monster. Because Victor Frankenstein fears the existence of a female free of restrictions that he cannot impose, he destroys her, thus eliminating the female’s options of becoming either completely feminine through becoming a mother and mate, or totally unfeminine by opting to leave her partner and face the world alone.
The notion of what it means to be human is heavily addressed in Mary Shelley’s Frankenstein, as Victor Frankenstein, the eponymous character, produces a creature that resembles a human in both an internal and external sense. Despite the creature’s obvious human-like qualities, society rejects him continuously. To some extent, this blatant disregard resembles the difficulties that accompanied the feminist movement. Mary Shelley’s mother, Mary Wollstonecraft, wrote A Vindication of the Rights of Women, which is now recognized as one of the earliest feminist works. This work famously compared the plight of females to that of slavery, writing that women are bound to “slavish obedience” (Wollstonecraft 158). Wollstonecraft explains “it is vain to expect virtue from women till they are, in some degree, independent of men” (149). In other words, Wollstonecraft argues that women are only spiteful when they feel they are marginalized. Just like women in the eighteenth century, the creature in Frankenstein struggles to maintain his rights, as Victor constantly deems him inhuman. The creature displays human-like qualities through his abilities to communicate, understand emotion, and self-reflect. The aggression he shows throughout the novel is merely a consequence of his untimely abandonment by his creator. As indicated throughout the novel, humaneness does not lie in external appearances, but in an ability to feel compassion and have rational thoughts. The creature’s capacity to
According to Johanna M. Smith’s essay on the feminist perspectives found in Mary Shelley’s, Frankenstein, “the private virtues inculcated in the home by the domestic affections cannot arm men against the public sphere unless they emulate these feminine and domestic qualities” (Smith, 314). Even though the women in Frankenstein were not the main characters of her book, Shelley does indeed show throughout her novel that women play an important role in the shaping of men and their defining characteristics, and this leads to the belief that women were more influential in our lives than society ideologized during that time period.
In the 18th century, the importance of a woman’s role was easily dismissed by the society. As a feminist, Mary Shelley elucidates the consequence of devaluing females in her book, Frankenstein. The women’s parts in the story were reduced to point out the flaws with society when women are disregarded. According to Sigmund Freud’s psychoanalytical theories, maternal love is essential to emotional development (Lewis and Goldberg, 81). Although Caroline Frankenstein only lived through the first two chapters of the book, her role was a fundamental part of Victor Frankenstein’s developing character.
As Shelley’s mother, it was hard at first for me understanding how daughter of such a dominant figure, could create such a horrific novel avoiding any strong female leads. However I’ve developed a greater sense of Frankenstein’s theme as the storyline and ultimate ending is created by the numerous male mistakes, highlighting Shelley’s true feministic views by giving the disguised impression women are the tangible backbone in society. From the beginning of the text, the one motif that became increasing obvious to me was the suppression of women as the storyline was littered with female characters holding little substance, whilst acting purely passive, who in end were seen to be disposable and there to serve a utilitarian function. In Frankenstein, Shelley
In the book Frankenstein the Gothic novel included many characteristics to describe women such as love, disappointment, and horror Frankenstein” the author offers a different point of view for women in their family and social roles. The women in Frankenstein did not have many opportunities for them to explore and find themselves. Many women lived in the cycle of taking care of their family, staying home, and being a good wife. Women were treated more like property with minimal rights. Women in Frankenstein were brutally murdered and treated as somebody who was poor.
Frankenstein, is a novel by English author, Mary Shelley, published in 1818. Frankenstein revolves around the titular character, Victor Frankenstein. Frankenstein, obsessed with discovering the secrets of nature, creates a grotesque creature. In an excerpt of, Mary Shelley: Her Life, Her Fiction, Her Monsters( New York: Methuen, 1988),“Usurping the Female”, Anne K. Mellor takes a cutting view against Victor Frankenstein's creation. Her essay revolves around the idea that by creating life, Victor Frankenstein was taking away power from women. Mellor argues that through Frankenstein, Shelley shows“the consequences of a social construction of gender which values men over women.”
Women in Frankenstein are portrayed as passive and are seen to be supporters and nurturers. Victor contemplates creating a companion for his monster because he feels like a man needs a women to care and look after just as the women in his life tried to do with him. The creature is in search for compassion and feels that he will find it with a woman. 2. Victor becomes ill multiple times as following confrontations with his creation. Victor uses his illness to avoid the problems and his creature. Ultimately though, Victor’s illnesses make things worse and have the problems carry on for a while instead of handling the situation. 3. All the monster really needs and wants is attention and affection like any other. The audience of the book can somewhat