Frederick Fennell founded the Eastman wind ensemble in 1952 and was an American concert band. The wind ensemble focused on new music written specifically for the correct instrumentation, which was one player per part, rather than orchestral transcriptions. To this day the Eastman wind ensemble represents as the start of the concert band movement. Frederick Fennell did this by premiering numerous pieces and touring in different venues. One of the reasons the wind ensemble became successful was because of the first mercury recordings. Frederick Fennell sought out to standardize wind ensemble music, for it to become a genre of music that can be held at the same rank. Fennell did so by breaking the musical barrier, becoming higher musical art. …show more content…
Roller was part of the ensemble for only two years but in those two years he was able to record with the Mercury label, Alan Hovhaness’ Symphony No. 3. The recording was praised as one of the top ten recordings of the year. Donald Hunsberger is Eastman’s third conductor and one of the four conductors that projected the name of Eastman Wind Ensemble internationally. Hunsberger was born in southern Pennsylvania on August 2, 1932. Hunsberger was able to internationally tour with the ensemble and premiere hundreds of compositions. He was also important in stabilizing the instrumentation of the wind ensemble. Donald Hunsberger was also a great arranger of orchestral music transcriptions. He is well-known for his orchestral transcriptions of Shostakovich's Festive Overture; Kabalevsky's Colas Breugnon Overture, Grafulla's Echoes of the 1860's, Khachaturian's Ballet Suite from Spartacus, and John Williams' Star Wars Trilogy. Hunsberger is the editor of the Remington warmups, and he also the co author of the Art of Conducting. Mark Scatterday is fourth and the current conductor of Eastman Wind Ensemble. Mark Scatterday is the professor of conducting and the chair of the conducting and the ensembles department. Dr. Scatterday received his Doctoral in Musical Arts in Conducting from the Rochester University, Eastman School of Music. Dr. Scatterday has studied conducting with Donald Hunsberger, David Effron, Sidney …show more content…
For the Brass it was 3 cornets in Bb or five trumpets in Bb, two trumpets in Bb, four horns, three trombones, two euphoniums, one Bb tuba, one BBb tuba or two BBb tubas if desired. Other instruments include the percussion, harp, celesta, piano, organ, harpsichord, solo string instruments, and choral force as desired. Frederick Fennell was very good at orchestrating his concert programs, and he did so to feature every section of his ensemble. One third of the music featured the woodwinds, one third featured the brass and one third featured the combination of the woodwinds, brass and percussion. The Eastman’s Wind Ensemble first concert was program that way and included the pieces, Mozart’s Serenade No. 10 in Bb, K.361; Riegger’s Nonet for Brass, and Hindemith’s Symphony in Bb. Fennell’s excellent programing works allowed for future influence of band directors, and soon most of the repertoire performed by Eastman Wind Ensemble was performed by other ensembles. After listening to the excellent mercury recordings of the Eastman Wind ensemble allowed for the popularity of the works by Hindemith, Schoenberg, Stravinsky, Holst and Persichetti. Due to the new popularity of these conductors and their music
The Pittsburgh Symphony Orchestra’s performance of Mahler’s Symphony No. 5 at the Berlin Philharmonie, gifted the audience with a masterful rendition of the movements within the symphony. The Symphony divides into three separate parts, in which the movements complement each other's characteristics. The symphony orchestra features a myriad of orchestral instruments featuring the Brass, Woodwinds, Strings, and Percussion families. Furthermore, the various movements throughout the performance utilize various musical concepts that bring the music to life. Albeit, the complexity of Mahler’s symphony, the Pittsburgh Symphony Orchestra performed superbly throughout the performance.
On November 27th, the Allen Wind Ensemble Band performed their winter band concert consisting of Scherzo for X Wings by John Williams, Hymn to a Blue Hour by John Mackey, and Second Suite in F for Military Band by Gustav Holst.
Adam Mikulicz’s bassoon solo to open the piece captured the audience while Emily Clements added colour and ornamentation with both the flute and piccolo. Jodie Upton on clarinet and Peter Facer on the oboe encompassed style, texture and timbre which broadened the sound of this small ensemble. Conducting on the side, Facer kept the ensemble together in demanding sections. Julia Brooke with her angelic horn sounded like an entire brass section packed into one instrument and finally, Gladys Chua tied everything together with her outstanding
“Clifton Williams musician, composer and prolific composers of serious contemporary music for the wind band.” He has created some of the biggest standards in the American, Canadian, European, and Japanese Band repertoire.
On April 11, 2014 The Florida Orchestra performed Wolfgang Mozart’s Symphony No. 28 in C major, K, 200, David Diamond’s Symphony No. 4, and Johannes Brahms Quartet No.1 for Piano and Strings in G minor at the David A. Straz Center for the Performing Arts, Ferguson Hall in Tampa, Florida. Gerard Schwarz, guest conductor, led the Florida Orchestra for each of the compositions. According to The Florida Orchestra Program the list of performers for the violin is Jeffrey Multer, Nancy Chang, Jeffrey Smick, Lei Liu, Sarah Shellman, Lucas Guideri, Valerie Adams, Toula Bonie, Saundra Buscemi, Mary Corbett, Linda Gaines, Oleg Geyer, Cynthia Gregg, Linda Hall, Yan Jiang Lu, Evelyn Pupello, Claudia Rantucci, and Virginia Respess. The list of performers for the viola is Ben Markwell, Kathie Aagaard, Karl Bawel, Lewis Brinin, Alan Gordon, Alison Heydt, Kenneth Kwo, Warren Powell, and Barbara Rizzo. The list of performers for the violoncello is James Connors, Lowell Adams, Rebecca Bialosky, Alfred Gratta, Gretchen Langlitz, Laura McKey Smith, and Merrilee Wallbrunn. The list of performers for the bass is Dee Moses, John DiMura, Roger Funk, Alan Glick, James Petrecca, and Deborah Schmidt. The list for performers for the flute is Clay Ellerbroek, Daphne Soellner, and Lewis Sligh. Lewis Sligh was the only piccolo performer. The list of performers for the oboe is Shawn Welk, Lane Lederer, and Jeffrey Stepehenson. Jeffrey Stephenson also performed during the night playing the English
There were four groupings: Strings (1st violins, 2d violins, violas, cellos, double basses), Woodwinds (2 flutes, 2 oboes, 2 clarinets, 2 bassoons), Brass (2 French horns, 2 trumpets), and Percussion (2 timpani).
On Friday, February 12, 2016 at 7:00 p.m., the Division of Music at Bob Jones University presented the Symphonic Wind Band and performed five pieces. The performance in Stratton Hall at Bob Jones University was a highlight of the European Travelogue, directed by Dan Turner. The program included A Moorside Suite by Gustav Holst; Three Revolutionary Marches by Bedrich Smetana; Spring: Overture for Wind Orchestra by Johan de Meij; Galop, from Genevieve de Brabant by Jacques Offenbach; Ile-de-France from Suite Francaise by Darius Milhaud; and Danceries by Kenneth Hesketh. Each piece was concluded with eager applause and praise.
I decided to attend the Symphony on the Prairie on July24, 2015. I haven’t been to a Symphony Orchestra since I was very young and I was unable to attend the Symphony last Friday or Saturday. My fellow classmates invited me to the concert on July 24, 2015. I wanted to view a concert so I agreed to attend the Symphony with them. I also like Harry Potter and Star Wars; and they played pieces from both movies in the Symphony concert. Unfortunately there wasn’t any vocal throughout the concert but there were many instruments. These instruments include the entire string family (violin, viola, cello, and contrabass), the woodwind family (flute, piccolo, oboe, clarinet, bassoon, and contrabassoon), the brass family (English horn, horn, trumpet, trombone, bass trombone, and tuba), and the percussion family (timpani, harp, and keyboard)
The next work that the Nashville symphony performed was George Gershwin's, "Rhapsody in Blue." This rhapsody combines classical music with some jazz infuences. The score for this calls for one flute, one oboe, one clarinet in E-flat, one clarinet in B- flat, one bass clarinet in B-flat, one heckelphone, one sporanino saxaphone in E-flat, one soprano saxaphone in B-flat, one alto saxaphone in E-flat, one tenor saxaphone in B-flat, and one baratone saxaphone in E-flat for the woodwins. For the brass, it called for two horns, two trumpets, two flugelhorns,euphonium, three trombones, and one tuba. On percussion it called for, one set of drums, one timpani set, and a trap set. Keyboards called for, two painos, one celesta, and one accordian. Finally, on strings, a banjo, violins, and string basses were played. Rhapsody in Blue is considered one of the top one hundred most influencial songs. The song paints a picture of a busy, fast paced city, which many people can relate to in today's society. Still today Rhapsody in Blue is one of the top twenty five most played songs. George Gershwin created a timeless piece that will be performed around the world for many years to come.
Symphonic Winds- Symphonic Winds is included in the curriculum as a second band to further develop student’s ensemble abilities and technique beyond that of the Freshman Band.
I went to the Colorado Springs Philharmonic on October 22 2017, the concert was performed at the fine arts center and lasted 2 hours. The Colorado Springs Philharmonic performed under Josep Caballe-Domenech the conductor. The concert was put on as part of the October arts month at the Fine Arts Center. The Music was from the Romantic Period, it featured a full symphony. The musical instruments that were featured was a full range of strings including: violin, viola, double-bass, and the cello. It also featured a whole set of brass and wind instruments.
The last piece performed was titled Ignition composed by Todd Stalter, as the Professor stated the titled says it all, and he was right. This is a very energetic piece it is a true celebration of sound.
There are pops orchestras, there are symphony orchestras – and then there’s the Cleveland Orchestra. While classifying itself as a symphonic group, its musicians nonetheless display a versatility matched by few. Rarely has that been more apparent than this Labor Day weekend, when the orchestra paid tribute to Hollywood composing legend John Williams.
In “ The Name of the Wind” Patrick Rothfuss once said, “ It’s like everyone tells a story themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.” Our identity is what we know ourselves by how others view us in the world. Their many identities that we have some examples are race, gender, fashion, class, sexuality, etc. All these identities shape the way we think, act, and view the world. We may not know it, but our identities impact one another either in a negative or positive way. Either we make our identities by our interests or what we feel like we should be viewed as. Some let others make their identity for them, they’re influenced by what they see on T.V. mainly by what celebrities are wearing. I know for me when I was younger I would watch all these NBA games and see these players wear Jordans. Jordan 's back when I was a youngin and still today where cool shoes you had popularity if you had Jordans. All the cool kids had Jordan 's and I wanted to be like that a cool kid. So I acted like someone I wasn 't, buying many pairs of Jordan’s (which are expensive) so I can fit in and so everyone can know me as a cool kid because as a little boy at Colonia Middle School I wanted to have recognition as the kid with the expensive shoes and the showy clothes. Also, I was pressured by my surroundings to buy these items because I saw a lot of kids being bullied for wearing inexpensive clothes and I didn 't
Symphony Number 45 in F# Minor (the "Farewell symphony") Between 1761 and 1790 Haydn was employed by the enormously wealthy Esterhazy family who had two palaces on the borders of Austria and Hungary. The court orchestra was similar to that of many baroque orchestras - two oboes, a bassoon, a string ensemble and a harpsichord. But it also included a pair of horns - instruments that became a regular part of the orchestra thereafter. -------------------------------------------------------------------- It was this orchestra that accompanied operas in the palace theatre and played symphonies twice a week.