Freedom from Male Oppression in Sylvia Plath's Daddy
Word Count includes Poem
Sylvia Plath?s poem "Daddy" describes her feelings of oppression from her childhood and conjures the struggle many women face in a male-dominated society. The conflict of this poem is male authority versus the right of a female to control her own life and be free of male domination. Plath?s conflicts begin with her father and continue into the relationship between her and her husband. This conflict is examined in lines 71-80 of "Daddy" in which Plath compares the damage her father caused to that of her husband.
The short stanzas containing powerful imagery overwhelm the readers forcing them to imagine the oppression that the speaker went through in
…show more content…
In line 72, "The vampire who said he was you / and drank my blood for a year / seven years, if you want to know" describes her husband and the ability of male power to strip a woman of her sense of self. (Plath was married to her husband for seven years during which he had an affair with another woman.) He has drained her by drinking her blood, or figuratively sucking the life out of her. In line 75, Plath states, "Daddy, you can lie back now," as if to say the damage is done. "There?s a stake in your fat black heart and the villagers never liked you," is relevant to the image of vampires because stabbing them with a stake to the heart is the only way they die.
The villagers can be thought of as another persona for Plath who has gotten over her resentment of her father and now has just decided to forget about him. "They [the villagers] are dancing and stamping on you. / They always knew it was you," is almost ambiguous because it is not clear whether Plath is directing this to her husband or her father. If to her father, it means that she has figured out that it was her father in Ted?s place all along and subconsciously Plath knew that and didn?t want to believe it. Yet, in the last line, it is clear that Plath was able to resolve her conflicts. She finishes the poem with a powerful, "Daddy, daddy, you bastard, I?m through" ? showing her dead father
Plath uses the symbol of a vampire to describe her father’s personality. At the end of the poem Plath shifts the depiction of her father from a living Nazi to a dead vampire. “The vampire who said he was you / And Drank my blood for years” (Plath 73-74). Here Plath bluntly calls her father a vampire who has sucked her blood for years. The metaphor of a blood sucking vampire is used to help paint a vivid image of the pain in Plath’s relationship. Plath again describes her father as a vampire who has died with a stake through his heart. “There’s a stake in your fat black heart / And the villagers never liked you. / They are dancing and stamping on you” (Plath 76-79). Along with showing the father dying a vampire’s death, the metaphoric villagers dancing
Sylvia Plath uses her poem, Daddy, to express deep emotions toward her father’s life and death. With passionate articulation, she verbally turns over her feelings of rage, abandonment, confusion and grief. Though this work is fraught with ambiguity, a reader can infer Plath’s basic story. Her father was apparently a Nazi soldier killed in World War II while she was young. Her statements about not knowing even remotely where he was while he was in battle, the only photograph she has left of him and how she chose to marry a man that reminded her of him elude to her grief in losing her father and missing his presence. She also expresses a dark anger toward him for his political views and actions
The last two stanzas are the darkest, and ultimately appear to put some type of closure on Plath’s life. She obviously believes that she killed her father when she was ten years old, stating that “if I’ve killed one man, I’ve killed
In the poem “Daddy,” Sylvia Plath describes her true feelings about her deceased father. Throughout the dialogue, the reader can find many instances that illustrate a great feeling of hatred toward the author’s father. She begins by expressing her fears of her father and how he treated her. Subsequently she conveys her outlook on the wars being fought in Germany. She continues by explaining her life since her father and how it has related to him.
Sylvia Plath and Gwen Harwood tell two very different stories of parental relationships, Mother Who Gave Me Life praising Harwood’s mother and speaking with love and affection, whereas Plath’s Daddy is full of hate for her father. These reflections on the poet’s parental relationships are made using imagery, symbolism and tone.
The poem “Daddy” by Sylvia Plath is a revenge poem about her father. Her father died when she was ten and she has been affected by that her whole life. She misses him a lot and she even tried to kill herself to get back to him, “At twenty I tried to die and get back, back, back to you”(Plath). After she had failed at killing herself, Plath says “and then I knew what to do. I made a model of you” (Plath). She had married a man and modeled him after her father. Her husband abused her which did not make it any easier for her. Plath gets her revenge at the end of the poem because she says “if I’ve killed one man, I’ve killed two” (Plath). This meant that if she killed her husband then that means she would have killed her father. Plath gets her
Throughout time, fathers and daughters have had special relationships. Some, the best relationship a girl could ever hope for. For others, the relationship is not so great. Sylvia Plath and Lucille Clifton wrote poems describing the darker side of a father-daughter relationship. Their poems demonstrate them in different ways. The poets of “Forgiving my Father” and “Daddy” demonstrate the theme, unresolved anger leads to lifelong bitterness, because both narrators hate their fathers for lying, blame their fathers for ruining their lives, and, finally, learning to cut their fathers out of their lives.
The speaker utilizes the word "you" which gets the reader's attention with an accusatory tone and bringing about the reader to recognize that they might play a role in oppressing others in their own lives. This creates the poem more personal and the tone she utilizes all over the poem to convey her opinion and feelings on the matter assists the accusatory tone of the
Sylvia Plath’s poem “Daddy,” is about a girl who has lost her father at a young age, and since his death, she cannot stop thinking about him. The speaker appears to be Plath consumed in metaphors that resemble the way she feels about her father and former husband. Plath’s father passed away when she was only eight in the poem she states, “I was ten when they buried you. At twenty I
Although everyone has a father, the relationship that each person has with his or her father is different. Some are close to their fathers, while some are distant; some children adore their fathers, while other children despise them. For example, in Robert Hayden’s poem “Those Winter Sundays” Hayden writes about his regret that he did not show his love for his hardworking father sooner. In Sylvia Plath’s “Daddy,” she writes about her hatred for her brute father. Despite both authors writing on the same topic, the two pieces are remarkably different. Sylvia Plath’s “Daddy” and Robert Hayden’s “Those Winter Sundays” have different themes that are assembled when the authors put their different uses of imagery, tone, and characterization together.
As is inherent within the tradition of confessional poetry, a subgenre of lyric poetry which was most prominent from the fifties to the seventies (Moore), Sylvia Plath uses the events of her own tragic life as the basis of creating a persona in order to examine unusual relationships. An excellent example of this technique is Plath’s poem “Daddy” from 1962, in which she skilfully manipulates both diction, trope and, of course, rhetoric to create a character which, although separate from Plath herself, draws on aspects of her life to illustrate and make points about destructive, interhuman relations. Firstly that of a father and daughter, but later also that of a wife and her unfaithful husband.
In American society, the common stereotype is that the father has the role of the dominant figure in the household. Sylvia Plath and Sharon Olds may come across as two seemingly different poets, however, they are really quite similar, especially in their driving forces behind their writing styles in poetry. The lives of Plath and Olds are both expressive of the realities of a father-dominated family, in which both of these poets lost their fathers at a young age. This is significant because both poets have faced a similar traumatic event that has had everlasting effects on their adult womanhood, which is reflected in their writings. For both these woman, their accesses to father-daughter relationships were denied based on life
In Sylvia Plath’s free verse poem “Daddy”, the speaker, assumingly a female, kills their father’s memory through a metaphorical murder. Plath employs multiple themes, dark and violent imagery as well as war to emphasize the speakers internal struggle with her father and his memory. Plath incorporates multiple themes within her poem to highlight the someone to social issues occurring at the time it was written as well as emphasize the nature of her relationship with her father. Freedom and confinement a prominent subjects in Plath’s piece. In the first stanza, the speaker describes her father as a black shoe.
Inspired by their true-life memories, Plath and Sexton explore a variety of themes in their poems. They both have different aspects of the relationship between a father and a daughter. The fathers in Sexton and Plath’s life had a major position and made an influence on their life and in their
How Sylvia Plath's Life is Reflected in the Poems Daddy, Morning Song, and Lady Lazarus