Gender Roles In Lanval And Chaucer's

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the

From a plethora of many authors and compilations over many centuries comes the fourteenth century The Thousand and One Nights, a Middle Eastern frame story during which there are as many as four implanted stories. In the outermost frame of this tale, a king who is betray by his wife vows to take a new wife each night and kill her the next morning in order to prevent further unfaithfulness. The main inner frame are stories from one of his wives which she continues each night to keep the king interested and thus postpone her death. Through these stories, the reader can examine the role of men and women in this time, specifically how women function in conjunction to men in the text. The reader may assume the men are superior while the woman are inferior, but through close reading of the text, the reader will discover that women in the text are only treated subordinately by men in the story but are revealed to the reader as the more powerful of the sexes. Authors reveal the power of women by their prowess at trickery or “women’s cunning” (The Thousand 1181), and their ability to force the actions of male counterparts. The reader can examine men’s attempt to stifle this power, which further acknowledges the women’s merit, through the excessively frequent occurring instances of men treating the women as insignificant, as well as instances when women are turned to ungulate animals, such

She is the most perdurable female figure in King Arthur and his Knights. Without her the suspense and the plot flow could not have been achieved. Her influence has enabled her to penetrate into men’s world a trait that distinguishes her from the rest of the women. Knights are referred to as the queen’s knights. We could say the same of the ladies who accompany the queen and keep the knights in good company (pg.52) .Queen Guinevere, as the King’s wife, is acknowledged by males.

Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; both have underlying meanings when it comes to defining what should be the role men and women in a good community. Or in other words, both paint a vivid picture of the role of women during the medieval time period, by suggesting that one gender had more power over another. However, these two narratives take alternative paths when expressing their views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when telling the experience of a woman that is highly different from other women in her time. Furthermore, another difference

We as readers realize that many women of this era were objects of courtly love. However, in other Arthurian texts, Guinevere takes a more active role in the story and portrays an adulteress. In "Du Mantel mautaille" a knight arrives at King Arthur's court and brings with him a magic coat which is to fit the women who has been faithful to her husband or lover. Guinevere is singled out by the author as the "incarnation of unfaithfulness" (Bloch 95). In medieval literature, women are also portrayed as adulteresses such as the Lady in Sir Gawain and The Green Knight.

In the sixteenth century the role of women in society was very limited. Women were generally stereotyped as housewives and mothers. They were to be married, living their life providing for her husband and children. The patriarchal values of the Elizabethan times regarded women as the weaker sex.’ Men were considered the dominant gender and were treated with the utmost respect by females. Women were mainly restricted within the confines of their homes and were not allowed to go school or to university, but they could be educated at home by private tutors. Men were said to be the ones to provide for their families financially. Women were often seen as not intelligent. Property could not be titled in the name of a female within the family. Legally everything the female had belonged to her husband. Poor and middle class wives were kept very busy but rich women were not idle either. In a big house they had to organize and supervise the servants.

During a high point in medieval chivalric romance, both Marie de France’s Lanval and the anonymous Sir Gawain and the Green Knight tell fanciful tales of knighthood, chivalry, and spiritual and temporal (courtly) love. Both Lanval and Sir Gawain and the Green Knight portray their female characters as possessing considerable power and influence, within the events in the story and in the structure of the plot. Indeed, the female characters in both works function as the catalysts of the events within the stories, and also as instruments for each author's conveyed meaning. While Lanval presents its female characters in an unorthodox reversal of gender roles, Sir Gawain and the Green Knight employs the female characters as moral and spiritual trials for the hero, Sir Gawain. I will examine how the fairy princess and Queen Gwenevere in Marie de France's Lanval present a reversal of gender roles as was traditionally understood; she presents femininity as powerful, inspiring, and morally dynamic (for a woman can be ideal, or she can be corrupt). I will compare this to the representation of Lady Bertilak and Morgan le Fay in Sir Gawain and the Green Knight, in which they are used to convey a “Biblical” warning for an ecclesiastical audience; particularly that of moral failure and the temptation of the flesh.

Women have had many different roles in the history of European literature but have generally been restricted to the roles assigned to them in a largely patriarchal society. As a result of this society, these roles have often been powerless ones. This calls into question the constitution of a powerful woman in literature: in Beowulf, being a powerful woman means becoming the bond between families and alliances; in Lanval, power comes from assertion and control-- a powerful woman is a woman in charge. The primary difference between the representation of women in Beowulf and Lanval is that the latter transcends overarching patriarchal boundaries, and the former does not; the reason for their respective representations lies in the literary time periods in which the stories were written. From this, one can see that the introduction of romance as a central theme gave way to new representations and roles of women in predominantly heteropatriarchal English literature and gives new meaning to the analysis of stories like these.

In Marie De France’s poem “Lanval”, the knight Lanval faces immense cultural pressure to get married and have a male heir, as it is the norm in King Arthur’s kingdom. It may appear that “Lanval” is supporting the concept of the institution of marriage, as the story had a heavy focus on marriage, and the court nearly punished Lanval for rejecting Guinevere. On the surface, the poem could easily mislead the reader to believe this is the case, but without further analysis, the reader may miss the courting that the mystery-lady has provided Lanval, which prove why the text critiques the establishment of marriage, as her courting is very much of the inverse of a typical heterosexual relationship in the culture. This misunderstanding can be

In the time period of the 14th century, many woman faced inequality. Women were not viewed to uphold the same quota as men. Most females were viewed as passive to males and were not able to make many demands in their relationships or make any contributions to their own survival or life. In the “Wife of Bath Tale”, written by Geoffrey Chaucer, Chaucer gives an insight into the struggles of a woman. Chaucer gives a voice for women who cannot speak for themselves. He creates a tale for the Wife of Bath that includes and questions the societal views of women. Written in the words of a woman, Chaucer undermines what it means to be a female in the fourteenth century who desires independence and

Even though these qualities are praised in this culture, medieval narratives commonly uphold unrealistic virtues of what a perfect woman is. After Lanval vows to keep their love a secret, the queen of the court tempts the knight with her love. She says, "Lanval, I have honored, cherished and loved you much. You may have all my love: just tell me what you desire! I grant you my love and you should be glad to have me" (pp. 1771). Shortly after Lanval rejects her advances, the queen further establishes her ill will towards the good knight by saying, "I well believe that you do not like this kind of pleasure. I have been told often enough that you have no desire for women" (pp. 1771). The importance of these accusations exemplifies the queen's power and influence over Lanval. Although he graciously declines the queen's love, he regrettably reveals his love to the queen in an attempt to prove himself to the court. He says, "And I will tell you one thing; you can be sure that one of her servants, even the very poorest girl, is worth more than you, my lady the Queen, in body, face and beauty, wisdom and goodness" (pp. 1771). The manner which the queen entices Lanval reveals that both power and evil can be easily compared to this woman's actions, showing readers the other side of the coin. The division between these two women illustrates how often this society feeds off of a virgin/ whore dichotomy, branding such women

Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; yet they use different tools to define the roles of men and women within a good community. Or, in other words, both stories paint a vivid picture of the role of women, by suggesting that one gender had more power over the other. However, these two narratives vary in their expression of such views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when relaying the experience of a woman that is highly different from that of other women of her time. Furthermore, another difference that is apparent to the reader is that men become the heroes in Beowulf, while “the wife” becomes

As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain

The portrayal of men and women has varied in different stories throughout history. Many portray women as beautiful, deceptive, manipulative, and smart, while men are portrayed as being strong, masculine, and easily tricked. In many of the works covered in the course “Major British Writers to 1800,” men are advised to refrain from acting lustful, believed that it would harm their overall ability to succeed in whatever the characters aimed to do. An example of this is seen in “Sir Gawain and the Green Knight” when Gawain is deceived by Lady Bertilak in an effort to prove that Sir Gawain is imperfect. The depictions of men and women are very similar in Fantomina by Eliza Haywood, Sir Gawain and the Green Knight, and Phyllis and Aristotle. .