Gender roles are norms created by society that dictate the behaviour of each gender. The main types of gender stereotypes are personality traits, domestic behaviours, occupations, and physical appearance. In the play, Macbeth by William Shakespeare, the main character Macbeth gets very ambitious about becoming King. He commits murder once after listening to his wife, Lady Macbeth. He also gets other people killed in order to reach his goal of becoming King. Shakespeare explores and challenges the traditions of society by creating creative circumstances. In the play, Macbeth, Lady Macbeth, Macduff, and the witches subvert the stereotypical gender roles.
Paragraph 1
Topic sentence: To begin, Lady Macbeth shows masculine and feminine characteristics through a variety of events.
PEE#1: Lady Macbeth convinces Macbeth to kill King Duncan in order to live up to his ambition. She states, “ Was the hope drunk/ Wherein you dressed yourself? hath it slept since?/ And wakes it now, to look so green and pale/ At what it did so freely?/From this time/such I account thy love. Art thou afeard/ to be the same in the thine own act and valour/ As thou art in desire?” (1.7 36-41). Lady Macbeth uses the ambition that Macbeth has of becoming King against him. Macbeth was scared to commit the deed while Lady
…show more content…
Lady Macbeth states “Infirm of purpose!/ Give me the daggers: the sleeping and the dead/ Are but as pictures: ‘tis the eye of childhood/ that fears a painted devil. If he do bleed,/ I’ll gild the fears of the grooms withal,/ For it must seem their guilt.” (2.2 52-57). Macbeth manages to kill King Duncan but is unable to hide the evidence after the deed. Lady Macbeth takes initiative as she takes the dagger from Macbeth and makes sure it is placed in the right place. Also, she kills the guards Macbeth was not able to kill due to his fear. She subverts the gender roles as she is fearless opposed to being
In the modern 21sr century, the roles and behaviors expected of individuals remains analogous despite gender. This ideology stems from the preceding movement in equality, which preaches that differences of sex appear insignificant. Despite this notion, there remains distinct differences in the physical and psychological makeups of both men and women. In most cultures, certain duties remain associated with specific genders. With this in mind, Shakespeare’s Macbeth heightens the supernatural evil possessing Lady Macbeth as she condones murder for her own selfish ambition, while in Shakespeare’s time women were regarded as peaceful and full of feminine sympathies. This anachronism with the reality of Shakespeare’s day, illustrates the immense sense of wickedness and abnormality emphasizing her character’s influence on her husband and the plot of the play. In contrast, Macbeth appears to some extent a more acceptable evil due to a greater compliance with the gender standards and moral transition during the Shakespearean era. Shakespeare utilizes numerous literary intentions in order to express these diverse levels of evil to provide an element of depth behind the mental reactions and deteriorations of the characters until their final decease into the complete darkness of death.
With social and cultural stereotypes in this era, men were viewed as more powerful while women were portrayed as weak. William Shakespeare tries to interpret the roles between genders by having characters of the opposite sex. In the play Macbeth, William Shakespeare uses rhetorical devices to demonstrate Macbeth’s and Lady Macbeth’s switch in traditional gender roles, which arise from the consequences for each character’s actions and speech.
Lady Macbeth states, “Glamis thou art, and Cawdor, and shalt be what thou art promised. Yet do I fear thy nature; It is too full of the milk of human kindness to catch the nearest way. Thou wouldst be great, art not without ambition, but without the illness should attend it” (1.5.16-21). Lady Macbeth depicts her husband as being ambitious, but he is also too kind to murder Duncan and take the throne for himself. She also says, “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe topful of direst cruelty…”(1.5.41-44). In this quote Lady Macbeth is praying to the spirits to literally deprive her from her femininity because she desires to take the initiative in seizing power for her husband. Another example of reversed gender roles is when Lady Macbeth says, “O,proper stuff! This is the very painting of your fear. This is the air-drawn dagger which you said led you to Duncan. O, these flaws and starts, impostors to true fear, would well become a woman’s story at a winter’s fire, authorized by her grandam.Shame itself!”(3.4.62-67). In this quote Lady Macbeth yet again takes on the dominant role in a relationship and tells Macbeth that he is yet again hallucinating just like he did with the floating dagger that led him to Duncan and he is also acting like a woman. This quote further connects to the thesis in which the roles of the Lady Macbeth and Macbeth is reversed in
A prominent and permeating theme in Macbeth is the roles and characteristics of masculinity and femininity. Throughout the play Shakespeare presents the audience with strong and sometimes conflicting views of these gender roles. What exactly defines being a man or a woman? How does an individual’s grasp of these roles effect their actions? Shakespeare shows that a clear and accurate understanding of the concept of masculinity is of critical importance in the success of a ruler. In particular, he illustrates how Macbeth’s acceptance of a perverted, violent view of masculinity leads his kingdom into chaos and turmoil, and leads Macbeth to his inevitable demise. Moral order can only be restored
The play Macbeth, written by Shakespeare, describes Macbeth’s rise to power and the obstacles he faces on his journey. The witches prophesied his rise of power that will lead to him becoming King. He must make many drastic decisions that will lead to becoming king and powerful. Males often strive to obtain supremacy and glory. In Shakespeare’s Macbeth, male roles are strictly defined as cruel and violent; however, not all men follow these standards. Male gender roles and the stereotypes they reinforce, may or may not define the way a male acts in society.
Throughout history, the role of women in society has changed drastically but pieces of literature from different times tend to shed some insight into the way that the majority women lived in that time. Shakespeare uses contrasting female characters in Macbeth to show the expectations for women in his time period.
account thy love. Art thou afraid to be the same in thine own act and
In The Tragedy of Macbeth, Shakespeare attempts to define manhood and explore the different perceptions held towards what it means to be a man. As William Liston notes in his essay, “Man appears more than 40 times, almost always with a conscious sense of defining the term—or rather, of defining a person by the term” (232). Lady Macbeth is used as a tool to not only convey this theme, but she instigates the plot as well. Without her consistent scorn and ridicule of Macbeth and his “femininity”, he would most likely have never killed King Duncan or performed any of the other murders that occur throughout the play. Specifically speaking, the word choice of Lady Macbeth as well as her actions are what propel her husband into acting himself. Eventually, Macbeth’s overall attitude changes as a result of his wife’s ridicule. While Lady Macbeth undoubtedly spurs her husband into action, it is important to note that by the end of the play, she has lost what influence she had over him as well as her ability to control her own emotions.
Firstly, Lady Macbeth is defiant to her role as a woman because she is able to take initiative, deceive others, and commit violent acts. To begin with, more than often times, husbands are controlling and lead their wives to complete certain tasks they have in hand; however through multiple occasions in Macbeth Lady Macbeth takes initiative over her husband:
Thesis: In Shakespeare's Macbeth, Lady Macbeth's ultimate fragility is caused by society's demands of her as a woman, as is demonstrated by the application of feminist theory in Caroline Asp's article, "Be Bloody, bold and resolute': Tragic Action and Sexual Stereotyping in Macbeth", in Peter Sallybrass's "Macbeth and Witchcraft," and "The Paradox of Masculinity in Shakespeare's Macbeth" by Howayda Mohamed Elenany, as well as the dark, rainy setting and Lady Macbeth's shaky voice in David Wilson's film adaptation.
In Macbeth, one of the most tragic and well known plays, William Shakespeare changes women’s part in society. During this time period, women are known to be both mentally and physically weaker than men. Women are called to be only housewives. Shakespeare reflected the image of women in society by giving the men bigger leads in his plays. Only in a few of Shakespeare's plays did he give women strong leading roles. Macbeth is one of the few plays where women play a more powerful role than the men. In Macbeth, he gives the women unusual traits like manipulation and betrayal. In William Shakespeare's play Macbeth, women like Lady Macbeth , the trio witches, and Lady Macduff portray non-feminine traits.
In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the
Lady Macbeth continues to convince and persuade Macbeth into thinking her plan will pay off. Eventually Macbeth decides against the murder of his king but Lady Macbeth shames him for not being able to murder, threatening to take away her love from him if he does not. This threat shocks Macbeth into saying “yes”. Lady Macbeth outlines her plan to kill King Duncan while asleep as a guest in their castle.
Subservient, ignorant, passive, timid: these are the qualities that described the ideal 17th century woman in the eyes of Europeans. In the play Macbeth, author William Shakespeare explores the roles of these women through his female characters, challenging preconceived notions and setting up his personal perspective on what a woman's niche in society truly is. Through his contrasting female characters of the gentlewoman and Lady Macduff versus the witches and Lady Macbeth, Shakespeare depicts the reality of how women actually function is society.
Generally, Macbeth is thought of as Shakespeare’s most feminist play. With a supposedly powerful female character and an inversion of gender roles, it is easy to see how this idea came into being. However, it is totally wrong. Macbeth, written by William Shakespeare, is a play about an ambitious nobleman who would go to any measure to become king and retain that position after receiving a prophecy from three witches. At first, he is unwilling to resort to violence to become king but his wife, Lady Macbeth, manipulates him into doing so. Once the first murder is complete, he has found a thirst for killing and continues to kill various people until he is eventually killed and the rightful king takes his place. The claims of this being a feminist play stem from Lady Macbeth’s character and her relationship with Macbeth. Lady Macbeth is violent and evil, while Macbeth is originally too kind, showing a gender role reversal. Even so, there are many problematic aspects of Macbeth that completely negate the few progressive components in Shakespeare’s writing. Macbeth is a misogynist play because it promotes strict gender roles, gender non-conforming women are demonized and seen as responsible for men’s problems, and by the second half of the play, any innovative gender role reversals are themselves reversed.