Gender Roles in the 16th Century

By any metric, the middle ages in Europe was not an egalitarian society. Gender roles were heavily ingrained in the culture, with men meant to have aggressive masculine traits, and women to have fragile feminine traits.The practice of minting coins was perfected by Roman Emperors such as Augustus, Vespasian, and Diocletian, and as many Roman customs did, it became adopted by medieval kings, particularly Anglo-Saxons ones. The minting of coins not only served as a way to facilitate the exchange of goods and services, but they also were political tools utilised by leaders. Cynethryth, Queen of Mercia and Wife of Offa the Great, was the only Anglo-Saxon Queen we know of who issued her own coinage1. This not only has implications for the political eptitude of Cynethryth, but also has significance to understanding of medieval gender roles and how women in power operated and exercised authority.

The Taming of the Shrew examines the way traditional 16th century notions about gender and its hierarchy are tested and reinforced in tempestuous relationships. While patriarchy rules supreme at the plays end, it’s vital to consider the constant attempts to undermine the sexist assumptions about a women’s place in marriage. In The Taming of the Shrew gender plays a

“ The belief that women were inherently inferior in intelligence, strength, and character was so persuasive that for men like Knox, a woman ruler was almost a contradiction in terms” (“Documents for Chapters 5&6”). In the 16th century, women were looked upon as a gender that should stay in the house and work, not have power and rule over a country. Discussing the govern of Queens during the 16th century, such as Mary Tudor, Lady Jane Grey, Mary, Queen of Scots, and Elizabeth I, allowed prejudices to be lessened but never completely be erased. No matter how these four notable ladies came into power, the accomplishments they overcame, achieved and wrote about proved to be great and substantial in making history as it is written today.

The historical and cultural contexts of Shakespeare’s The Taming of the Shrew (TTS) and the 1999 film 10 Things I Hate About You (10TIH) differ exceptionally, resulting in the film’s expression of values unlike those expressed in Shakespeare’s original text. Shakespeare’s play was written during the Elizabethan era, during which the belief that men were superior to women was prevalent. This concept is centralised in TTS, through incorporation of a disputably misogynistic tone and the dominance of men consequently forcing Katherina into marriage and submission. In contrast, 10TIH, a modern film appropriation of TTS, largely challenges the values of Shakespeare’s play. It presents to

The second area that saw the littlest change for women in the Renaissance was the expectations that came with their social status. Overall women were deemed to be a lower class in terms of gender, and men often treated them with less respect as a result. Within social classes, stereotypical beliefs regarding women and their role were held. Lower class women were expected to be housewives and take care of everything to do with the house. The expectation of working-class women, however, was slightly different. They were expected to work for their husbands and help them run their business, although they couldn’t partake in any of the work by themselves or outside of the house. However, this different expectation wasn’t necessarily new and was upheld from previous times, supporting this idea of women not receiving a Renaissance in the area of social class. Some women in the elite were able to become slightly more independent from their husbands and gain more responsibility, but the vast majority of women in the Renaissance continued to be used for the sole benefits of the men; as providers of a dowry, homemakers

In the play Taming of the Shrew, written by William Shakespeare, many characters are reshaped and given new personality traits. Petruchio is known as being a cocky man who intends to help tame a shrewish young lady named Kate. There are many critics that believe Petruchio is solely obnoxious and a bully but through out his interactions with Kate it is shown that he truly cares about the well being of others. Of course at the beginning of Petruchio’s plan to tame a young lady he is acting off of his confidence and trying to impress those around him but this soon changes once he begins to interact with Kate. Petruchio proves that his ways have changed and he is only taming Kate to make her feel better about herself, “Petruchio uses psychological methods, not aggressive or barbaric ones, to tame Kate, which alls her to still be witty and intellectual, but also happily married, at the end of the play”(Natale,98). Petruchio truly believes that by taming Kate he is preforming a good deed and helping her accept herself in this process.

Women in Medieval Europe lived the life one may expect them to live from the 5th and 15th centuries. We know today that women are treated equal compared to men (in most cases), and we also know that Women were not always given the freedoms that they have today. This was no different in Medieval Europe during these times. Women were expected to hold jobs in which they took care of children and tended the household, occasionally helping their husbands with crops during the busy part of the planting year (bl.uk). Also as we would expect, men had complete power and say in the relationship (wikipedia.org). Women lived a lot more different back in Medieval times than they do today, but it was their lifestyle, and they did what society asked of them, whether they wanted to or not.

Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.

In the play, The Taming of the Shrew, Petruchio is a foolish nobleman who tames the character of Kate because she is a shrew. A shrew is ill-spoken woman who has a negative reputation in the Elizabethan period. Petruchio tames Kate by abusing her physically and mentally, Petruchio starves Kate and deprives her of any sleep, finally he humiliates her. Kate is forced under submission because of Petruchio trying to “...cure her wild and willful nature...” (Act 4, Scene 1, Pg. 10). Petruchio explains that all his abusing is because he loves her and for her own good, when in fact he is trying to break her down. The Taming of the Shrew is about the conflict between Kate and Bianca in which their father’s rule which does not allow Bianca to get married

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

During the Middle Ages there was an influx in the growth of urban life, thus there became a need for more commerce in the marketplace and workers to fulfill that responsibility, which in turn allowed women to join men in the guild sector. Therefore, the third division of women was the free townswoman or a tradesman’s wife. This group of females was skilled in a specific trade and sold their products in the open market alongside their husband’s guild enterprise. The types of jobs that the skilled female laborer might possess were silk worker, midwife, barber, apothecary, book producer and decorations, and manufacturer of food and beverages. In addition, many women within this class distinction worked beside their husband in his guild business, selling whatever product the family association provided the public. More so, the middle class female would act for her husband in his absence, and if the man died the woman was able to continue the business. Although the tradesman’s wife was capable of

In the 17th Century, men and women were viewed and treated very unequally especially compared to today's time period. Of all factors in the hierarchical arrangement like class or race, gender was considered the most distinct of them all which caused it to be the most arguable. Men and women had their own rules and responsibilities that were given to them by what has always been traditionally practiced. Society created a box in a way, that each sex was to remain in and it was looked down upon for anyone to stray from that theoretical box.

Sexism is the stereotyping and discrimination based upon gender. Typically steered towards women, it has played a large part in not only our society today but in the past as well. In the play The Taming of the Shrew by William Shakespeare, it is shown in the treatment of the women by their male counterparts. It is most prevalent in the way that fortune-seeking Petruchio goes about taming his aggressive and sharp-tongued wife Katharina. By examining Petruchio’s actions and Katharina’s reactions towards his efforts at taming her, once can see that the play is indeed sexist.

One of the most notorious topics of interest in the works of Shakespeare is the role women receive in his plays. The way Shakespeare wrote his plays, women were very submissive to men and had no will and choice of their own. Women were extremely reliant upon the men in their lives, believing that they were inferior and thus following their desire for the women’s lives. This included that marriages were usually arranged by a powerful male, instead of giving the woman the opportunity of choosing marriage for love. It is not surprising that Shakespeare portrayed women in a way that was familiar to him and the time era in which he lived. In A Midsummer Night’s Dream and The Taming of the Shrew, both focus on the development of love and not, with

The role of woman in the society has always been really controversial, whether it was 400 years ago or now. Shakespeare's two very famous comedy plays, The Taming of the Shrew and The Merchant of Venice challenge a very serious social issue, the role and importance of woman in society. We all know the stereotypical image of woman in the society but Shakespeare questions the society on these thoughts through his plays. While Shakespeare expresses his ideas in a very unique way in each of his plays, this issue is common in both plays and is portrayed very similarly. Whether it is the way woman are treated, portrayed or judged, Shakespeare repeats the same idea through difference acts and events between the two comedies. There are some