Gender Stereotypes In Much Ado About Nothing

Traditionally, men are viewed as strong, dominant and logical, while women are regarded as the weak sex, thus being dependent on the males to make decisions and to protect them as well as their children. These roles go far back in time when males in fact had to protect their families from other tribes, wild animals etc. Even today the same values are applied both in real life and in media. In general a woman is depicted as wife, mother or a sex object. (Sex, Gender, Gender Identity, Sexual Orientation”, Year unknown).

Beatrice lives the jocular life of a bachelor man, but will not take on the "man's office" of killing Claudio. In the same way, Viola wishes to retain the freedom and anonymity that life as a man grants her, but balks when it comes to drawing swords. Both attempt rely on the subtler feminine tools at their disposal instead of steel, but in doing so confine themselves to the frailer role of woman. Beatrice maneuvers Benedick into promising to right Hero, and Viola attempts to talk her way out of a swordfight.

Mean Girls is a comedy, yet accurate portrayal of the body image issues that high school girls face today. This movie is more than just high school clique and popularity; it is critical representation of the boundaries women in our society are not allowed to cross. Societal monstrous expectation of female bodies has led to a problematic matter of self-acceptance. Berreby extends this view in his essay “Rituals and Traditions: It Takes a Tribe” where he mentions the idea of “us” vs. “them” in which he states that society has created the idea that if one does not act in a certain way, they are automatically considered “them”. Furthermore, it is essential to acknowledge that stereotypes found in movies like Mean Girls, although a classic Hollywood movie, provokes a critical view of women and contributes to perpetuate traditional gender stereotypes as it reflects dominant social values.

'No; and he were, I would burn my study' she indicates that she has a

The Middle, is a sitcom about the Heck family. The show focuses on a family of five and their tight finances, overscheduling, communication issues, and balancing work, and family time. The episode’s setting was spring break. After making some extra money, Mike surprises his family with a spring break vacation at Mammoth Cave. His wife, Frankie gets another family to join the. While Mike visits all of the attractions on his own, Nancy and discuss their children’s lives. Axl makes Brick help him pick up women and Sue reveals her summer plans of moving away.

Hero is quite, kind, respectful and modest while Beatrice is witty, independent and fierce. Beatrice is a powerful woman and is not afraid to question the validity of a man’s honour. Beatrice has strong beliefs about what a real man is and should be. Beatrice: What should I do with him—dress him in my apparel and make him my waiting gentlewoman? He that hath a beard is more than a youth, and he that hath no beard is less than a man; and he that is more than a youth is not for me, and he that is less than a man, I am not for him. (2.1.128–132). In these lines Beatrice explains why she must remain unmarried, according to her there is no man who would be the perfect match for her. According to Beatrice a man who has no facial hair is not manly enough and a man who has facial hair is not young enough. Beatrice is untraditional and has her own opinions. Beatrice is not an accepting character like

Beatrice and Benedick, however, in much contrast to Hero and Claudio are the ideal couple who are both equal in the relationship. Beatrice is an opinionated and stubborn woman who will have no one if she doesn't have the one she wants, which she makes clear throughout the play by refusing to marry lightly and by the conversation in Act One between her and Pedro. She chooses

Hero, just like her suitor, follows the model, at least in the eyes of Claudio, of the perfect ideal woman.  Even though Benedick does not like her and thinks that she is "too low..., too brown..., too little..., [and] unhandsome" (Shakespeare 1.1.138-141), Claudio thinks that she is "the sweetest lady that ever [he] looked on" (Shakespeare 1.1.151-152).  Throughout the play, Hero is   a model of speechless modesty.  She has very little to say or do in the play except live up to the expectations of the courtly lover.  For example, rather than violently or angrily objecting to the false accusations made against her by Claudio at the alter, she, as would be considered proper for the ideal woman, only swoons, blushes, and blanches.

Don Pedro successfully gets Hero to marry Claudio. Will marry Don Pedro who is disguised as him.

She throws away her old self, stating "Contempt, farewell! and maiden pride, adieu!"(3.1.109). She also choses not to be so protective of her independence and declares love for Benedick, claiming "I will requite thee, Taming my wild heart to thy loving hand"(3.1.111-112). However, the true change in Beatrice does not show until the first church scene in which Claudio publicly humiliates Hero. Beatrice shows deep concern for her cousin Hero, the first time in the play where Beatrice shows concern for another. She is the first to claim Claudio is a liar and declare "on my soul, my cousin is belied!"(4.1.145). Beatrice then proves once again that she is a better person by demanding justice for Hero is met. Through Benedick, Beatrice plots to right the wrong and asks Benedick to "Kill Claudio"(4.1.290). It is in this scene as well that Beatrice, proving a complete turnaround in behavior, confesses to Benedick that "I love you with so much of my heart that none is left to protest "(4.1.287-288). This shows Beatrice transforming from someone who would scoff at marriage and love, declaring things like "I may sit in a corner and cry heigh-ho for a husband"(2.1.312-313), to someone who easily embraces love from the person she once mocked. But such a dramatic change is seen in her love as well.

For thousands of years, established gender roles have been a part of our society. Women are commonly known as sensitive, emotional, or passive. On the contrary, men are described as rational, competitive, independent, or aggressive. Believing women are more emotional than men is stereotyping. However, the stereotype is not entirely untrue. Development of gender roles is often conditioned more by environmental or cultural factors than by hereditary or biological factors. The development of gender roles between men and women involves the inference of peer community of each gender, the communication style of male and female and the intimacy or connection level of men and women.

In the play the audience is also told in so many words that there has

Since the beginning of time, gender has played a big role in how one acts and how one is looked upon in society. From a young age children are taught to be either feminine or masculine. Why is it that gender plays a big role in the characteristics that one beholds? For centuries in many countries it has been installed in individual’s heads that they have to live by certain stereotypes. Women have been taught to be feeble to men and depend on them for social and economical happiness. While men have been taught to be mucho characters that have take care of their homes and be the superior individual to a woman. For the individuals who dare to be different and choose to form their own identity whether man or woman, they are out casted and

There is no doubt that certain books children read are made especially for boys or for girls. Like any developmental form of entertainment, from toys to movies, children's books are often littered with hints that dictate whether they were originally meant for male or female enjoyment. Sometimes these hints can be as simple as the specific gender of the main characters, for example Carolyn Keene's Nancy Drew series calls for a female audience while the extremely similar yet sexually opposite Hardy Boys mysteries fall into the hands of boys, yet other times more important factors decide who the book will best be suited for. Gary Paulsen's Hatchet and Katherine Patersons's The Great Gilly Hopkins are books for a boy and a

As I walked out of my nine-story apartment complex, I saw an interesting array of faces. Mixed genders, some male, some female, all very different deep down inside. I study their faces, wondering what it'd be like to walk a day in their shoes. Some people are like open books, you can look at their facial expression and instantly guess what their emotions are, yet others are like locked diaries. You can't tell what they're thinking and you'll probably never know. I shake the thought out of my head as I rummage through my pathetic excuse of a handbag, pulling out my most recent bank statement. Thirty-two cents to my name. How do I live like this? My train of thought is lost as my mind ponders elsewhere. Do you think people can tell I'm a broke