Atwood’s short story in particular Gertrude Talks Back, focuses on the infamous closet scene in Hamlet in which Gertrude is responding to the scene. This is presented in a light-hearted, slightly mocking way, whereas Shakespeare’s play is haughty and serious. Atwood’s story allows more depth to be brought to the character of Gertrude through the use of her thoughts and feelings towards Hamlet and other matters in the play. In Shakespeare’s play, the main focus is directed upon Hamlet and his struggle to come to terms with his mother’s incestuous affair.
In passage 65 - Act 3. Scene 4, Hamlet discusses his father’s importance and physical appearance and in return, contrasts Claudius’ appearance, referring to him as a “mildewed ear” and the
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For instance, In Gertrude Talks Back, Gertrude narrates the short story in modern day tongue, such as “know what I mean?”. Atwood’s use of modern language lets the reader know that the story is going to be playful and non-reverential to Shakespeare’s original play.
Another difference is the context/setting. In Shakespeare’s original play, Hamlet, the conversation being unfolded is between the two of the characters (Gertrude and Hamlet) is happening ‘in person’, whereas in Atwood’s story, it seems as though Gertrude is writing a letter or perhaps an email to Hamlet (the possibility is there since it is written in a modern way).
In Shakespeare’s play, the audience is inclined to feel an uneasiness about Gertrude because of her lack of modesty when it comes to Claudius, however in Gertrude Talks Back the reader begins to grasp a slightly better understanding of the character or Gertrude because of the rawness of this text.
Claudius is presented very differently in both passages. In Atwood’s story, he is not presented as the villain of the story who happens to “like(s) a drink every now and then”, but in Shakespeare’s play, Claudius is considered as a “mildewed ear” and/or a
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than
The Extent to Which Gertrude was the Center of Evil in Hamlet by William Shakespeare
In the Introduction to Twentieth Century Interpretations of Hamlet, David Bevington enlightens the reader regarding the similarities between Gertrude and Ophelia as the hero sees them:
The nature of Shakespeare’s plays, with its notable lack of stage directions, gives way to multiple different interpretations of the characters, plot, and even of the purpose of the play itself. The character of Gertrude is no exception. Gertrude’s character and motives, being left ambiguous, have been interpreted in many different ways in various productions of Hamlet. Was she implicit in the death of King Hamlet, or was she merely a clueless bystander? Did she drink the poison as an act of motherly self-sacrifice, or was it an accidental tragedy? Zefferelli’s Hamlet (1990) and Almereyda’s Hamlet (2000) provide two different interpretations on Gertrude’s characterization. In particular, there exist substantial differences in their renditions of Gertrude’s death—while Almereyda portrays her death as a noble suicide, Zefferelli paints her death as a by-product of her unceasing lust for pleasure. Furthermore, in that scene, we also notice a difference in Hamlet’s attitude towards Gertrude. By analyzing these points along with other scenes within the context of the entire film, we manage to develop an understanding of Almereyda’s and Zefferelli’s view on Gertrude and how use that to develop the tragic conclusion of the final scene.
Is Gertrude, in the Shakespearean drama Hamlet, a bore? A killer’s accomplice? The perfect queen? A dummy? This paper will answer many questions concerning Claudius’ partner on the Danish throne.
Hamlet also manages to both degrade himself and his uncle in another comparison, saying his uncle was “no more like my father / Than I to Hercules” (1.2.152-3). Though such strong comparisons to romanticized and mythical figures could are partially simple hyperbole, they also underscore some of the insecurity in Hamlet’s character. The value in recognizing this comes as Hamlet descends into his madness, whether real or imaginary, where the reader can see that, even before Hamlet deliberately decides to appear to be “mad” he has certain issues and insecurities with his own feelings. Even more significantly, this passage begins to elaborate on Hamlet’s relationship with his mother. Gertrude represents an interesting dilemma for the deconstructionist critic, as she does not create or involve herself in many conflicts or oppositions. She manages to significantly affect the plot and the subtext of the play while seeming almost insignificant as a character at first glance through the deconstructionist lens. She does not overtly affect events, and often plays the victim of circumstance. This very insignificance creates an issue for Hamlet, who is clearly quite disgusted with her behavior. He vehemently disapproves of the speed of her marriage to Claudius, saying that “a beast, that wants discourse of reason, / Would have mourned longer” (1.2.150-1), but can find no other strong criticism of her other than how fast she remarried. This strikes at the
As the act progresses, Hamlet encounters the Ghost of his father, King Hamlet, who confessed the man who murdered him was not Fortenbraus but, his own brother, Claudius. The Ghost orders Hamlet not to permit "the royal bed of Denmark [to be] a Couch for luxury"(1.5.82). His father then vanishes and Hamlet enters a state of great rage and drives to complete his father’s task in aniliating Claudius. He is young so his “sinews, grow not instant old”(1.5.94) which gives him the physical strength. Hamlet is so focused on his task, he agreed to, "...wipe all trivial fond records"(1.5.99) and replace them with "...[King Hamlet's] commandment all alone..."(1.5.101). Shakespeare elaborates on the characterization of Hamlet in this soliloquy. The author not only displays Hamlet's anger and depression but, his determination in vanishing the injustice in his kingdom. To summarize, Shakespeare characterizes Hamlet by using imagery to express how Hamlet was originally depressed but, turned towards anger that later lead him to become vengeful.
From Hamlet’s actions in this scene, we gain insight into his cynical and morbid ideology and sense of humor, this being seen from his jesting about having killed Polonius and feeding his body to worms, his cynicism then being shown through his detailed description of how the matter
Angela Pitt considers Gertrude “a kindly, slow-witted, rather self-indulgent woman. . . .” (47). She joins in with the king in requesting Hamlet’s stay in Elsinore rather than returning to Wittenberg to study. Respectfully the son replies, “I shall in all my best obey you, madam.” So at the outset the audience notes a decidedly good relationship between Gertrude and those about her in the drama, even though Hamlet’s “suit of mourning has been a visible and public protest against the royal marriage, a protest in which he is completely alone, and in which he has hurt his mother” (Burton “Hamlet”). Hamlet’s first soliloquy expresses his anger at the quickness of his mother’s marriage to Claudius, an “o’erhasty marriage” (Gordon 128), and its incestuousness since it is between family: “Frailty, thy name is woman! . . . .” Rebecca Smith interprets his anti-motherly feelings: “Hamlet’s violent emotions toward his mother are obvious from his first soliloquy, in which 23 of the 31 lines express his anger and disgust at what he perceives to be Gertrude’s weakness, insensitivity, and, most important, bestiality. . . .(80).
Naturally, the initial reaction of Gertrude was extremely melodramatic, which is portrayed as her being weak and emotional. Hamlet automatically replies to Gertrude’s emotional outburst by accusing her of the “bloody deed” of assisting Claudius with killing the king, who also happens to be Hamlet’s father and Gertrude’s former husband. By saying “almost as bad, good mother, as kill a king and marry with his brother,” Hamlet points out that she acts as if she is such a wonderful mother, while in fact she is a murderer. This shows the categorization of Gertrude that occurs, the assumption that she could only be either a “Mary” or an
Descriptions in delivery portray his intellection in retrospect to his feelings towards Gertrude, the testament makes his love for her coherent. And, beyond to exhibit the gentleness to verge on the death of Hamlet in secret for Gertrude's sake. Despite, the insensitivity during
Gertrude is a pivotal female character in Hamlet, her role is the focus of both Hamlet’s and Claudius’ desires. Hamlet constantly criticizes
Shakespeare’s Tragedy of Hamlet is described by a wide margin as very complex and appealing. Appealing facets of the characters are that many of them are flawed. However, Shakespeare developed these characters to grow dramatically or insignificantly throughout the course of the novel. Gertrude is a character that grows insignificantly throughout the novel. Gertrude’s sudden decision to marry, her maternal care toward her son, and ignoring her son Hamlet leads to her downfall. Gertrude’s failure to realize her maternal flaws causes great upset to Hamlet and affects Hamlet’s character.
William Shakespeare’s play Hamlet is perhaps one of his most intriguing and scandalous pieces of work. One character who is liable for much of this excitement and outrage is Hamlet’s mother, Queen Gertrude. To some readers and critics, Gertrude is conceived as an erratic, superficial and sensual woman. Others discern the Queen as an earnest, intellectual and sagacious woman whose tragic fault is her yearning for sexual satisfaction. Throughout the text, there are several legitimate arguments for both sides, but in the end, Hamlet seems to sum up the Queen’s true persona with the words “Frailty, thy name is woman”. Evidence of Gertrude’s true nature can be found in many instances through out the play such
The purpose of this essay is to analyze the role of Gertrude in "Hamlet", which is counted as one of the famous plays of English language (Thompson and Neil Taylor 74) and the most popular work of Shakespeare (Wells and Stanton 1). This essay will evaluate the role of 'Gertrude', who was the mother of Prince Hamlet and also the title character of the play.