Hamlet, By William Shakespeare

In this play “Hamlet” written by William Shakespeare, there are many soliloquies that are said by Hamlet to depict various meanings of his thoughts, feelings, and actions that are inside of him. More specifically the soliloquy in Act 3, Scene 1, in lines 57-91 starts off with the famous saying known as “To be, or not to be”. Throughout this soliloquy, Hamlet is asking himself the question of whether it is better to live or not to live. In life, we are faced with many situations where we feel the need to give up our life and not face the problems. Only by facing all the troubles, will a person become stronger and more courageous to handle anything in life. By believing in one’s self, can man have the courage to follow what they think is right. Killing yourself or giving up is never a solution in life. This soliloquy reveals Hamlet’s fearful personality by showing that his decision-making process is slow and that he fears risks or uncertainty. These character traits are depicted thoroughly by Hamlet throughout the play.

The male characters in Hamlet continually abuse both Ophelia and Gertrude, physically and psychologically, as a pathetic attempt to gain power and control over the situation. One of the greatest examples of psychological abuse comes from the harrowing scene where Hamlet and Ophelia have their final conversation before Hamlet leaves for England. During this rage-induced altercation, Hamlet refuses to accept Ophelia’s returning of the gifts previously given to her from him, saying “I never gave you aught” (3.1.97). Ophelia is appalled as Hamlet continues to insult her and laugh in her face. In the climax of the argument, Hamlet tells Ophelia that she “should not have believed me; for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not” (3.1.117-119). The immense amount of psychological damage received by Ophelia between the addition and removal of love by Hamlet and her father’s death is enough to drive anyone to madness. David M. Smith recounts this as Hamlet’s necessity “to genuine outsideness because of the danger of being co-opted by love” (Smith, 1). However, Hamlet no longer needed to protect himself in his situation. His actions from this scene were not only uncalled for, but added to the slow mental demise of his sweet Ophelia. Hamlet’s next scene of abuse come shortly after this when he goes to speak to Gertrude about her participation in the murder of Old Hamlet. His rage, yet again, takes over, but this time he adopts physical abuse

While Laertes and Ophelia are talking, their father, Polonius, enters the room, and after some words of advice to his son, not the least of which is to be true to himself, Polonius bids him farewell. Polonius then turns to Ophelia and asks what it is that Laertes has said to her (1.3.57-89). Ophelia tells her father that Laertes has spoken to her of Hamlet, and Polonius responds that he has been informed of the time she spends

Hamlet responds “But I have that within which passion show, these but the trappings and the suits of woe”(1:2:86). Claudius in unaware that he's the cause of Hamlet’s sadness behavior. He sees right through Hamlet and doesn’t understands he’s the main issue. On the other hand, Polonius is a caring and loving father. Before Laertes left for France, he says “This above all: to thine ownself be true, And it must follow, as the night the day,

The effect of Laertes’ talk with Ophelia in Scene 3, is the background information it gives to the reader of Hamlet’s personality, and how caring he is, but also others thoughts on Hamlet and how he acts towards the ones he loves.

Polonius played a vital role in Hamlet even though he was not one of the main characters. He continued to reinforce the theme of corruption and displayed the social and ethical collapse of Denmark. His deceitful actions show the reader that he is one of dishonesty and chicanery. In the play, Polonius was portrayed as someone who is a deceiver and pretender that betrays people he is supposed to be devoted to; and who only cares about things that will benefit him. These characteristics of Polonius are seen through his interactions with Ophelia, Hamlet, Laertes, Reynaldo and the King.

This shows how much lack of confidence he had in Laertes when he went to college. Polonius has little faith in Laertes that he needs a spy to find out if Laertes has committed a wrongdoing. This proves how shrewd of a man Polonius is because he has a sharp judgment, but he also follows his judgments to extremes. Another example is when Polonius pit Ophelia into a rough discussion with Hamlet.

In the play Hamlet by William Shakespeare, the character Hamlet must deal with both external and internal conflict. Hamlet encounters many struggles and has trouble finding a way to deal with them. With so many corrupt people in his life, Hamlet feels as if there is no one that he can trust and begins to isolate himself from others. A result from this isolation leads Hamlet to become melancholy. Hamlet struggles with suicidal thoughts, wants to kill King Claudius, and is distraught over his mother’s hasty marriage with his uncle Claudius.

Polonius, the Lord Chamberlain of Claudius's court and the father of Laertes and Ophelia, appears to speak the truth to characters in the play. Polonius hopes to have things in Denmark go his way, especially with Laertes, Hamlet and Ophelia. Therefore, to keep the real reasons behind his actions to himself, he uses a mask. Polonius's son, Laertes gains permission to leave to France. Before he leaves, Polonius says;

Within both Historica Danica, and Belleforest, the characters similar to Hamlet are able to kill the nobleman (Polonius) sent by their uncle to spy on them without consequence. This in turn paints all other characters within the sources negatively allowing the reader to agree with Amleth or Hamblet’s decisions. However, in Shakespeare’s Hamlet, Laertes is able to showcase the negative affects caused by Hamlet, crafting more shades of complexion for

The relationship is between Polonius and Laertes, is the ultimate bond. It is a bond, which contains the necessary love and respect in a father-son relationship, but yet it lacks the closeness, or real emotional bonding required in a true relationship. Polonius as a father loves Laertes and listens to him and councils him on different topics. He is proud of his son and his intelligence, yet he does not altogether trust this intelligence enough to let him use his own discretion in France. In the first scene of Act Two, we see Polonius

Laertes serves a foil to Hamlet, although they are not similar in birth, they are similar in that they both have a dear father murdered. Using this parallel, Shakespeare uses Laertes to show what Hamlet should be doing, contrasting Laertes’s words of action to Hamlet’s own words of action. We see this most clearly when Laertes is talking with Claudius and he says that he will “cut [Hamlet’s] throat i' th' church” to avenge his father, this contrasts directly with Hamlet who decides not to kill a praying Claudius when he has the chance (4.7.144). Laertes also serves as external conflict as he challenges Hamlet to a fight and is convinced by Claudius to kill Hamlet with a poisoned sword. Without this fight, who knows if Hamlet would have gotten around to kill Claudius? But when we really look at Laertes’ words and consequent action, we see another similarity with Hamlet, both are rash and passionate. This is significant because

One of the most important subplots of the play Hamlet is the character of Laertes and how he demands revenge for the slaying of his father. Laertes is an antagonist character in the play Hamlet and works against the main character. However, Claudius is Hamlet's real enemy in the play so Laertes might be classified as a foil rather than a true antagonist. Laertes is an extremely important character to the plot, although his importance is only seen at the end of the play. Therefore, he should be classified as a major character. His actions ultimately begin the final climax of the play's plot. Laertes is the son of the priest Polonius and the older brother of Ophelia, late female companion of Prince Hamlet. At first, Laertes seems to only be a peripheral character but functions to further the plot in the latter half of the play upon his return to Denmark.

In Hamlet, Polonius is a well-respected and important person. It seems appropriate that he investigates and controls the behavior of his son Laertes and daughter Ophelia. He, as the Lord Chamberlain of Claudius' courts, is no longer a private person but a public one. What he or his children do has important communal, not just personal implications. However, if his actions and speeches are examined closer, it is evident that he is a limited and vain person who is overly concerned with his appearance and wears many masks to communicate with different people. By analyzing the speech in Act II, scene ii, 85-112 it is closely revealed that there are

In the play Hamlet the character Polonius is a courtier to the king Claudius. He is the epitome of everything that Hamlet hates in the court of Denmark. Polonius’s character is at many points in the play is a comic character who contradicts himself constantly and finds incredibly long winded ways to embellish his points. Shakespeare uses the persona of Polonius, as a satirical figure and as a foil, to show what is wrong with the court of the time. Polonius is also the father of Laertes and Ophelia who are integral to the final downfall of the Danish kingdom. The tensions that arise from the death of Polonius is prevalent throughout the remainder of the play, and his passing