Henry James' The Wings of the Dove
This paper will present briefly Henry James and his thoughts about the art of fiction that is presented by his same titled essay before thoroughly analyzing his novel: The Wings of the Dove. James’ ideas on his article The Art of Fiction will be applied to The Wings of the Dove and the narrative style that he uses will be indicated by certain quotations taken from the novel.
James had read classics of English, American, French, and German literature and Russian classics in translation. His models were Dickens, Balzac, and Hawthorne. Then, there is a harness of French, British, and American culture in his works. His first novel, Watch and Ward (1871) was written while he was travelling through
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James suffered a stroke and died three mouths later in Rye in 1916.
It is also significant that Henry James lived between the years 1843 and 1916 that form the period between late nineteenth century and early twentieth century. James’s “main themes were the innocence of the New World in conflict with the corruption and wisdom of the Old” (Books and Writers). We may easily view the reflections of his themes on his novels which has characteristically understanding and sensitively drawn lady portraits. Among his masterpieces is Daisy Miller (1879) where the young and innocent American girl finds her values in conflict with European sophistication, in The Portrait of a Lady (1881) a young headstrong American woman becomes a victim of an intrigue played upon her during her travels in Europe. The Bostonians, (1886) was set in the era of the rising feminist movement. What Maisie Knew (1897) depicts a young girl who must choose between her parents and a motherly old governess and in The Wings of the Dove (1902) a young American girl Milly’s victimization because of her heritage is told.
James’ novels, The Portrait of a Lady, Washington Square, and The Wings of the Dove were made film versions in 1997. Cathleen Myers who wrote an appreciation on “Washington Square and The Wings of the Dove” claims
In this essay I will discuss and analyze the social forces that influenced American women writers of the period of 1865 to 1912. I will describe the specific roles female authors played in this period and explain how the perspectives of female authors differed from their male contemporaries.
Nathaniel Hawthorne is one of the greatest American authors of the nineteenth century. He published his first novel Fanshawe, in 1828. However, he is widely known for his novels The Scarlet Letter and The House of Seven Gables. His novel, The Scarlet Letter, can be analyzed from historical, psychological and feminist critical perspectives by examining his life from the past, as well as his reflections while writing The Scarlet Letter. In order to understand the book properly, it’s necessary to use these three perspectives.
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
Consequently, in “Daisy Miller”, it is clear to see that the author, Henry James, uses the
The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is
Comparing Hope Leslie or Early Times in Massachusetts and The Scarlett Letter is interesting because at first glance both novels don’t appear to have much in common aside from having a female protagonist and taking place within Puritan society of early America. (keep but not as first sentence). However, despite obvious differences between both novels such as the character presentation of the female protagonists in Hope Leslie who range from the free-spirited Hope Leslie, obedient Puritan Esther, and character of Magawisca as a noble but proud Native American contrasts with the Hester Prynne’s presentation as a shamed but deeply contemplative woman in The Scarlett Letter. The different purposes all these characters each serve in their respective stories begins to show commonality in that Hope Leslie’s Hope, Esther, and Magawisca and The Scarlett Letter’s Hester Prynne all have to overcome the adversity and social expectations with Puritan society so they can follow their hearts and do what they feel is right by relying on their wit, intelligence, and inner strength. By examining how both Hope Leslie and Hester Prynne overcome the challenges they face in their respective Puritain socities it will be easier to observe how these novels presentation of their female protagonist illustrates the gender politics of each text.
Two-hundred years is a sizeable gap of time that allows plenty of room for change. American society had been rapidly changing from the early seventeenth century to the late nineteenth century, but despite this, the roles and rights of women have remained locked in place. There were many factors to consider as to why women were not allowed to flourish in their time and exceed these boundaries, and while some accepted it, there were many that opposed and faced these difficulties head on. Two female authors, one from colonial times, and one from nineteenth century America, have written about the obstacles and misogyny they’ve overcome in a male dominated literary career. Despite the two-hundred-year gap between the lives of Margaret Fuller and Anne Bradstreet, they both face issues regarding the static stereotype that women are literarily inferior and subservient handmaids to men.
James' manipulation of appearances in Daisy Miller as well as other character's notions of these appearances provides us with a novella of enigmatic and fascinating characters. Daisy, the most complicated of these ambiguities, is as mysterious as she is flirtatious. James gives her a carefully constructed enigmatic quality that leaves the reader wondering what her motivations were and who she truly was. He structures the novella in such a way as to stress the insights that the supporting characters provide into Daisy's character, weather accurate or erroneous. Despite their questionable reliability, they allow James to make commentary on both European and American cultures and social class.
Taking Daisy with appreciation and without alarm, we also re-read her character and re-evaluate her moral status. We (the readers) seem to meet James’ sophistication with out own, by agreeing on a mixed interpretation of Daisy: she is literally innocent, but she is also ignorant and incautious. (1)
Women of the 1920’s compared to women today are seen as very passive and were usually domestic wives whose main responsibility was to take care of the house and children. But throughout this decade, women were starting to slowly modernize and become more independent. In The Sun Also Rises by Ernest Hemingway, Lady Brett Ashley is somewhat portrayed as “the admirable new woman” of the 1920’s-the woman who openly flaunts accepted conventions of the passive, dependent female role in society and emerges as a positive, inspiring, and risk-taking figure in Paris, Pamplona, and Madrid among the male expatriate artists. In the novel, we see Brett as a modern and somewhat inspiring woman through characterization and the analysis of specific moments
Written in 1850, The Scarlet Letter stood as a very progressive book. With new ideas about women, main characters’ stories intertwined, and many different themes, The Scarlet Letter remains today as a extremely popular novel about 17th century Boston, Massachusetts. Not only was the 19th century a time for the abolition of slavery movement but it was also the beginning of the first wave of feminism. Women such as Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott catalyzed the women’s rights movement. These prominent women believed that a woman’s role was no longer in the house and that women should be afforded the same opportunity as men. Nathaniel Hawthorne’s sympathy for women is evident in a feminist reading of his novel
James’ novella centers around a young governess who is in charge of watching her employer’s kids at an estate in Bly. The governess’ social standing and desire to keep her job reveal the instability of jobs for women in this era. Her employer, the uncle of Miles and Flora, is a typical wealthy
that she has an influence on her own future. She begins to develop what she
At the beginning of the Victorian Period, both single and married women’s rights were limited. The changes during this era in the identity of genders are represented in the characters the author Wilkie Collins describes. For example, Marian Halcombe is characterized as strong and predominant. She is Laura’s voice when regarding to her husband and protects her throughout the story. Although Marian knows her role as a woman in society, she disapproves with the beliefs of the era. On the other hand, Laura personalizes the conventional quiet woman that obeys customs. To emphasize this, in Collin’s novel, he lets the reader know that Laura is marrying the man that her father approved even though he is now dead. When she marries, her rights legally belong to her husband and is treated with the laws and customs of the Victorian era. Throughout this period, the distinction between classes was also notable. Comparatively, The Woman in White presents how the middle class as Laura and her uncle refer to the working class, Fanny the maid. Even though Fanny has always been their maid and is the only person they trust, they only communicate with her at their convenience. Moreover, Mr. Fairlie does not even call the maid by her name, but refers to her as “Young Person”. Certainly, the Victorian Period was a significant impact in the novel where
In 1878, Henry James wrote, Daisy Miller, a novella about a young American girl and her travels in Europe. Daisy Miller is a complex short story with many underlying themes such as appearance versus reality, knowledge versus innocence, outward action versus inward meditation, and Nature versus urbanity. In this short story, one is left to judge whether Daisy Miller, the main character of the story, is “a pretty American flirt” or a misunderstood, modern young woman. By probing into the complexities and contradictions of Daisy’s character, it is obvious that Ms. Miller is merely a misunderstood young woman.