Honesty In The Importance Of Being Earnest

In The Importance of Being Earnest Oscar Wilde revealed that animalistic traits can tint a character’s intellectual attributes. All of the characters possess an overwhelming desire which seems to diminish their morality. Wilde uses Jack Worthing’s animalistic behaviors to reveal that his animal self is damaging his intellectual self. The play is presented to show that the characters retain an exaggerated pleasure with food, which shows their pleasures in inanimate objects. Every character in the play is drawn into lustful relationships, thus mutilating their psychological self. By embracing their animalistic traits the characters in The Importance of Being Earnest begin to blemish their intellectual character which inhibits their overall

The deception of appearance is also echoed in “The Importance of Being Earnest” with Wilde immediately addressing the point that “appearance blinds” through the main protagonists of Jack and Algernon with both of these characters assuming the name of “Ernest” in order to deceive Gwendolen and Cecily respectively. Wilde is explaining to the audience the shallow nature of the upper class by depicting how easy it is in constructing a deceptive appearance, with a simple name change allowing this. Fitzgerald also emphasises how a name can easily be used to deceive when he describes Gatsby as changing his name from “James Gatz” to “Jay Gatsby” in order to hide his middle class roots. “The fact that Jack, like Algernon, has been leading a double life…

The reason Dorian was so successful in misleading society was with his ability to lie. More often than not Dorian is able to get himself out of potentially problematic situations by disorienting the truth. “Eighteen years! Set me under the lamp and look at my face!”, “Forgive me, sir’ ‘I was deceived” (Wilde, 182- 183). James Vane was on a murderous rampage and if Dorian had not lied he would have been killed on the spot. Lying has consumed his life so much that in a life or death situation his first instinct is to lie, which worked out well in this instant but what will happen when he no longer speaks any truth? Lying physically saved Dorian’s life however he was also saved socially. “No; I did it myself. The light was too strong on the portrait” (Wilde, 108). Basil has asked to see the portrait and why Dorian covered it up, Dorian simply brushes it off talking about the light. When in reality the reason he covered it up was because the portrait began to alter showing his cruelty and sin. Had Basil seen the portrait then Dorian’s secret of the aging portrait would be out and he would plunge towards a social death resulting in shunning by the British

In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.

Dorian Gray shows his moral ambiguity by breaking up with Sibyl Vane over her terrible performance. After Sibyl’s performs badly, Dorian becomes increasingly furious with Sibyl saying to her, “You have killed my love” (63) and "You simply produce no effect” (63). It was Dorian’s cold hearted behavior that causes Sibyl to take her own life, cementing Dorian’s horrible actions forever. It is the first time Dorian acts on his own impulses without Lord Henry’s direct influence, evidence of a change in Dorian’s personal values. Conversely, as Dorian began to think about his actions, he realizes “how unjust, how cruel, he had been to Sibyl Vane.” (70) and that “it was not too late to make reparation for that” (70). Dorian’s moral ambiguity is prevalent in the guilt he feels for abusing Sibyl’s feelings. He realizes briefly what he did was dreadful, proving he still has a slight glimmer of good intentions left in him . Morally, Dorian switches his stance on his feelings for Sibyl, revealing his intentions to be good, though his actions are twisted.

Basil Hallward and Henry Wotten are quite the opposite of each other—Basil is unwaveringly conventional in his values while Henry instead enjoys entertaining the idea of radical and inappropriate ways of thinking (on page 4, he claims that “the one charm of marriage is that it makes a life of deception absolutely necessary,” to which Basil responds that he “hate[s] the way [Henry] talks about his married life). Because of their profoundly contrasting ideas, they are not so much foils for each other as they are for Dorian Gray. It is by these two men that one measures Dorian’s place on the scale of morality.

In The Importance of Being Earnest Oscar Wilde portrays a relationship between two men, Algernon and Jack, which is filled with constant arguing and disagreement. Their first dispute over a cigarette case is presented early in act one, leaving the reader with a lasting impression of the flaws in their relationship. Algernon and Jack disagree over who holds ownership over the cigarette case leading Algernon to remark “I think that is rather mean of you, Ernest, I must say” (Wilde 462). Being that both of these men are members of the upper class, the case clearly does not have true monetary value to them except to use an a manipulating factor. Algernon eventually trades the case in order to receive an explanation from Jack about why he is “Earnest in the town and Jack in the country” (464). The trivial nature of this strife shows the weak bond between Algernon and Jack. This weakness is reinforced when Jack and Algernon meet again in the middle of the play. After returning from town, Jack finds Algernon at his house and is forced to listen to Algernon lie about being his brother. In response, Jack says “nothing will induce me to take his hand. I think his coming down here disgraceful. He knows perfectly well why” (498). This is another example showing the poor relationship between Algernon and Jack. Jack’s distrust of Algernon due to his habitual lying goes hand in hand with several of their disagreements, further preventing a successful friendship between them.

One might believe that honesty is one of the building blocks of a society and is what initiates trust between people; furthermore, the Victorian era was a time period in British history where rules and morals appeared to be strict. The Importance of Being Earnest, by Oscar Wilde, a nineteenth century author who was one of the most acclaimed playwrights of his day, is a play set in the Victorian time period that demonstrates how trivial telling the truth was. Different characters throughout Wilde’s play establish their dishonestly through hiding who they really are and pretending to be someone whom they are not. In an essay titled “From ‘Oscar Wilde’s Game of Being Earnest,’” Tirthankar Bose describes the characters from The Importance of Being Earnest as playing games with one another, which is a result of the deceit that was present in the play. Although the Victorian time period is a time characterized by strong morals and values, The Importance of Being Earnest proves this notion to not apply to telling the truth and ultimately questions why truth is not valued in the Victorian time period amongst other strictly upheld values. Honesty is not valued throughout the play because some of the characters felt to need to appear as if they represented the strict morals that were common throughout the time period.

In this novel, beauty and youth reign over everything. In Victorian period, The Picture of Dorian Gray was characterized as scandalous and immoral. Typical idealistic image of behavior and modesty inherent to old time Victorian England was discredited in the novel. The Picture of Dorian Gray contained radical ideals for the period of time it was written. Dorian represents all what was disgraceful and forbidden condemned in Victorian

This idea of superficiality is later magnified by the evidence that Wilde gives proving Algernon and Jack to not be at all earnest. Wilde takes advantage of the name Ernest and makes it a pun, as both women have the logic that a man named Ernest must be earnest. Wilde ensures the audience knows this and uses this pun to create irony, as many times Algernon and Jack are presented as morally askew, and not at all earnest. On the subject of Bunburying, Algernon says “in married life. Three is company and two is none.” Which states his view on having two different lives, and this is seemingly how he justifies him lying, as he sees cheating as a normal part of married life. There is also the matter of Jack and Algernon’s acceptance of them having to change their names to be able to marry Gwendolen and Cecily. Of course, lying about their names in the first place is a clear indication that Jack and Algernon are not very honourable, but their acceptance of the fact that Gwendolen and Cecily would not have accepted their proposals if their real names had been revealed presents Jack and Algernon as characters who aren’t bothered by the prospect of lying to their wives for their entire lives.

It was highly moral for a man to have a family and to be current in marriage; it boosts up his image and role in society. A man, who has been out of marriage for too long, is seen as idle. Wilde presents two characters, Algernon and Jack, who have a dispute whether marriage is silly or not. It suggests that not every Victorian man were keen on the idea of marriage. In the Importance of Being Earnest, Wilde displays a

Oscar Wilde's, "The Importance of Being Earnest" revolves around the dichotomy of the true definition of honesty versus the victorian definition of honesty. It is apparent that Wilde's opinion is that true honesty is expressed through being genuine to one's self as opposed to putting on a front as is important in victorian ideals. In this work, Wilde uses humor to off-set the seriousness of the theme of the story. One who has studied this work can also clearly see that Wilde is using sarcasm to say things that would not have been accepted by society if they were said bluntly. For example he exemplifies in a very sarcastic manner the hypocracy that victorian society represents by the very fact that they pretend to uphold honesty above all

One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces

In some ways, Algernon, not Jack, is the play’s real hero. Not only is Algernon like Wilde in his dandified, exquisite wit, tastes, and priorities, but he also resembles Wilde to the extent that his fictions and inventions resemble those of an artist.

In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.