Hope In The Metamorphosis

At this point in the story Gregor is completely captivated with Grete, which is an unexpected consequence in her plan of manipulation. Grete began to practice her violin to show her parents just how classy she was even though she was able to take care of Gregor. While entertaining guests and playing the violin Grete captivated Gregor with the sweet sound of music. “On hearing all this, his sister would break out in tears of emotion, and Gregor would climb up to her shoulder and kiss her neck, which, since she had been going out to work, she had keep free without any necklace or collar.” Gregor also feels bad about what has happened with his sister. Due to Gregor’s situation Grete has to work and this is keeping her from wearing her beautiful necklaces. Grete has effectively manipulated her parents and Gregor. In the final paragraph of the novella it talks of Grete and how highly her parents think of her. The novella ends with one final dehumanization of Gregor. The last sentence shows Grete stretching her young body after Gregor has died with a horrid

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

Although Gregor’s mother defends him throughout most of the story, she starts to have her doubts once she sees how difficult Gregor has made life for the rest of the family. Before his transformation into this vermin, Gregor and his mother have a stable relationship. But, after Gregor’s metamorphosis is complete it was not until after “two weeks…[that] his parents could not bring themselves to come into see him,” (Kafka 29). The strength of the mother’s unconditional love for Gregor has diminished over the process of his metamorphosis, so much so, that she is repulsed by Gregor’s presence and is afraid to even be in the same room as him. The mother further rejects the physical state of her son by “pointing to Gregor’s room,” (Kafka 40) and telling Grete to “close that door,” (Kafka 40), therefore leaving Gregor in isolated and in the dark. Gregor’s mother has now caught on to the idea of distancing herself from her deformed son by

Grete has to work closely with her parents in order to overcome the changes throughout the book. In doing this, she and her parents develop a stronger alliance. All three of them try to become acquainted with Gregor in the bug form, especially Grete; instead they all go against him which causes them all to become closer. In the “Clinical Social Work Journal,” Alexandra says “In the end, what appears to be a stable sibling-parent triangle has been established”(Kivowitz 38). Alexandra then

Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.

On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.

The Metamorphosis, a story written by Franz Kafka, is about the sudden transformation of Gregor Samsa into a bug. The narrator describes how Gregor’s transformation negatively affects his work, family, and social relationships; it also takes readers through Gregor’s journey of trying to regain his humanity. Throughout the story, Gregor denies his loss of humanity and attempts to preserve his previous work and family relationships because these relationships make up a great deal of his identity. Throughout his life as a bug, Gregor realizes just how much of an influence his work and family have on who he is, and life becomes difficult for him now that he is letting down both his family and his

Frank Kafka is considered one of the most influential writers of all time. Helmut Richter would agree with this statement. Richter agreed that Kafka was a very prominent figure in world literature and was amazed by his mechanics and word usage. I feel that his essay is supportive of Kafka’s writing, but also leaves out many important details in its brevity. Richter did not include Kafka’s flaws and tendencies in his essay.

While the weeks and months passed Grete and his mother and father struggled to give little any compassion or concern for Gregor as their finances plummeted to the ground. Prior to his metamorphosis Gregor was physically alienated from any semblance of a social life due to his job and financial obligation to his family afterward the transformation and he was deemed a burden to his family that he had provided for countless months he was psychologically isolated from them as well. Notably while Gregor had finally been emancipated from his dreaded job as a salesman, he had become a parasitic to his family without being labeled as a provider they slowly began to turn against him only worsening his mental state and exile.

the family representative of Gregor, in a sense, to a mother who does not understand and a father who is hostile and opposing. The father is physically violent toward his metamorphosed Gregor, pushing him through a door in Part I: "...when from behind his father gave him a strong push which was literally a deliverance and he flew far into the room, bleeding freely" (20). Grete appears to concentrate on protecting Gregor from this antagonistic father and an indecisive mother. In Part II, when Grete leads her mother into Gregor's room for the first time, we see the strange way in which Grete has become both the expert and the caretaker of Gregor's affairs (Nabokov 271). She convinces her mother that it is best to remove all of the furniture from his room. Kafka attributes her actions partly to an adolescent zest: "Another factor which might have been also the enthusiastic temperament of an adolescent girl, which seeks to indulge

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back”

Without the constraints of external forces, is human nature inherently good or evil? In Franz Kafka’s novella, The Metamorphosis, Gregor Samsa’s transformation into a "monstrous vermin” serves as a window into the human psyche. Through lack of obligations, decreased sense of shame, and increased sexual drive, Kafka reveals Gregor’s relationship to the outside world weaken, as his internal instincts grow stronger. Kafka utilizes Gregor’s transformation as a symbol to show the dangerous potential of the human “id”, a term coined by Sigmund Freud, to break down social norms. This psychological venture reveals humanity’s true instincts as animalistic, when not contained through personal and societal pressures.

Grete Samsa is Gregor’s sister. Grete immediately feels pity for her brother and wants to help him. This continues until near the end of the story when Grete gets a job and takes over the role as the main provider. It seems at this

He was the son, the sole breadwinner of the family. Before Gregor’s transformation Grete really had no place in the family. Now since Gregor was unable to help the family Grete became important, needed and most of all appreciated. “He often heard them expressing their appreciation of his sister’s activities, whereas formerly they had frequently scolded her for being a somewhat useless daughter”(99). Now Grete’s parents need her for something. Grete by making herself responsible for Gregor gains a certain power over her parents. This however in not presented to the reader clearly because Gregor is unable to grasp the fact that his sister might have ulterior motives.