House On Mango Street Irony

All the people on Mango Street were struggling to get by, but they seemed satisfied with just making it. Esperanza was not. There were characters like Esperanza’s mother who was a “smart cookie,” and could’ve been anything, but she let shame get the best of her and dropped out of school. There was also Rafaela who got married before the 8th grade just so she could move into her own house, but her husband never let her leave the house afterward. He never let her see her friends, and the highlight of her week was getting coconut or papaya juice from someone who would send it up in a paper bag attached to a clothespin since she couldn’t leave the house. Lastly, there was the time when she was left stranded by the tilt-a- whirl waiting for a friend that never came back and got molested by a group of boys. The only witnesses were the red clown statues that seemed to be laughing at her. Nevertheless, she let none of this stopped her from going forward and perusing her dream. She still seemed to be struggling with a sense of belonging, but maybe that’s because she didn’t.

First, the book starts off telling the story of how Esperanza grew up in a loving wealthy family who owned El Rancho de las Rosas in Aguascalientes, Mexico. She was surrounded by generations of family members who loved her. The family had lots of servants who worked for them during the grape harvest season and they also helped them with everything else during the off season. Esperanza was a young girl who really didn’t understand poverty and was known to have a snobbish attitude at times when she was little because of her family’s wealth. She was surrounded by families that were just as wealthy as her own so poverty was not a norm in their community. There are many examples of her snobby ways in the beginning of book like when she first boarded a train in Mexico and realizes that she and her friend definitely wouldn’t be traveling first class. Her reaction to this was basically like: "You expect me to travel coach?! Yeah right." It was evident Esperanza did not use to a present lifestyle. Esperanza father was her biggest mentor and she followed his teachings very closely. After the death of her father, it was people like Abuelita, Mama, and Miguel that help keep Esperanza diva 'tude in check which helped keep her

The neighborhood is not exactly a pretty place as Esperanza describes it. She says, “here there is too much sadness and not enough sky. Butterflies too are few and so are flowers and most things that are beautiful” (39). In the one year of Esperanza’s life that this book covers, she is raped, abused, and sees the death of the only person who would listen to her poetry- “Her name was Aunt Lupe and she was beautiful like [her] mother” (70). Her discontent with the neighborhood surrounding the house on Mango Street and the rough times that she experienced caused her to want to move away from

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

Cisneros uses irony in the vignette “The House on Mango Street” to show how Esperanza feels she doesn't belong on Mango Street which develops the overall theme of the struggle to find self-definition in an unsuitable environment. Sally is a very ironic character in the book. She married young and had an abusive father “He just went crazy, he just forgot he was her father between the buckle and the belt” (93). Esperanza thinks that Sally had married young to escape her dad. She marries a man who doesn’t give her the freedom she longs for and imprisons her in his home.

Esperanza is faced with several major events that forces her to mature at a young age. In these events readers can see how she grows as her emotions change. In the beginning of the book, Esperanza’s father passes away (p. 22) and their family home on the ranch, El Rancho de las Rosas, catches on fire (p.40). This is the beginning of Esperanza's quickly changed young life. As a young girl she realizes life will never be the same. She once was wealthy and lived life with the help of housekeepers. Papa also had field workers to help with his needs on the farm. Raised with a positive perspective on life, her hopes and dreams are soon challenged. Esperanza is forced to leave everything she has ever known to move to the United States. The fire is symbolic because the family is forced start all over, in life, along with her social

With all of the bad things going on around Esperanza, she was very optimistic and made the best of everything she could. For example, in chapter one, Esperanza explain how she and her family had always grown up poor and that they always had dreams of one day owning a big beautiful house like the ones that they saw on television. One with a back yard and a basement. When Esperanza's family was forced to move her parents had purchased the first house that they could afford so they wouldn't have to continue paying rent. The house was nothing like what they had spoke of or dreamt about. But Esperanza states, "I then knew I had to have a house. One I could point to. But this isn't it. The house on Mango Street isn't it. For the time being, Mama said. Temporary, says Papa. But I know how those things go.." Within this paragraph it shows that Esperanza isn't exactly happy about where she is living but she is going to make the best of it and do what she has to do to get out of there and have a house of her own. One that she can point to.

Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.

This relates to the theme of the struggle for self definition, because at first Esperanza was under the impression she could change a man, but as she’s exposed to these horrible encounters she comes to the conclusion that boys and girls live in different worlds.

Esperanza had to face many different obstacles in her life that have shaped her to become who she is. One of these obstacles was her house. From the first moment she moved into the house on Mango Street she knew she didn't like it. The way she described the house revealed how she must’ve felt, “...Windows so small you’d think they were holding their breath” and “Bricks… crumbling in places” (5). They way that Esperanza describes her house makes the house sound not very appealing, and possibly she is unhappy that she has to live there. This feeling of discontent that Esperanza has about her house evolved into something different as the book progressed. All Esperanza truly wants is a nice house that she can call her own. In the vignette “Bums In the Attic” Esperanza explains

Esperanza is a shy but a very bright girl. She dreams of the perfect home now, with beautiful flowers in their luscious garden and a room for everyone to live in comfortably all because of the unsatisfied face the nun made that one afternoon--when she moves to the house of Mango Street. She thinks it’s going to be a “grand house on a hill that will have a bedroom for everyone and at least three washrooms so when they took a bath they would not have to tell everybody.” (Cinceros 4) Reality is so different for her when her dream is shot down in a heartbeat when she

Cisneros uses simple syntax and tells the story in vignettes to present the story as if it were told in Esperanza’s eyes. Vignettes are short little descriptions of an event or idea. The House on Mango Street is strictly told in vignettes which makes sense as it is told in a child's eyes. These vignettes tend to get larger as the story progresses and as Esperanza becomes more aware of her surroundings. As a result of this, the vignettes not only become more complex, but more mature as well. In vignettes such as “Hairs” and “My Name”, Esperanza writes about simple innocent ideas like what she likes and does not like, but later in the story vignettes such as “The Monkey Garden” and “No Speak English” cover much more mature situations such as the patriarchy and rape in the near-poverty-line Latino neighborhood of Chicago. Esperanza finds herself in these situations because of how she begins to mature and become an independent sexual being. With all of this information in mind, Cisneros uses the power of the vignette convey the fact that Esperanza is becoming an individual sexual being.

Overall, this book is a brilliant tale of escape from poverty by finding your identity. Esperanza’s identity was stories and writing, and managed to discover that. Because of this, she broke free of the barriers that hampered her and found her own path in

Esperanza’s desire and struggle to find her identity is a prevalent main idea and persists throughout the novel. In the vignette “My Name”, she admires the names of the people around her, since their names allow them a title to identify themselves with. In contrast, she does not identify herself with her name, since she does not identify with her family background. Specifically, she inherited her name from her great-grandmother, who longed to remain unmarried, until her husband forced her to marry and live a life of oppression from her husband. she must find her own identity, since she does not identify with her name. Esperanza describes her life with, “She looked out the window her whole life, like so many women sit their sadness on an elbow. I wonder if she made the best with what she got or was she sorry because she couldn’t be all the things she wanted to be. Esperanza. I have inherited her name, but I don’t want to inherit her place by the window” (11). Her name is associated with the trapped life that her great-grandma lived. At the beginning, the only thing Esperanza knows is her ultimate goal to leave Mango Street and become free. She believes that her name is in opposition with that goal, so she looks for a way to identify her throughout the novel.

    To begin, Esperanza’s want to change can be seen through the self conflict she endures. For example, Esperanza always  reads pieces of writing with her Aunt Guadalupe when one day she decides to show her aunt her own piece of