How Did Prince Prospero Survive In The Masque Of A Red Death

In the short story, “Masque of the Red Death”, Edgar Allen Poe uses characterization to illustrate the psychological destruction of the Prince. Throughout the story, Prince Prospero struggles with

In “Mask of the Red Death”, Edgar Allan Poe uses setting and symbolism to deliver the theme that no one escapes death. The story follows the naïve and pompous Prince Prospero, and his feeble attempt to escape dying from the Black Plague. As the plague spread through his kingdom, the prince called one thousand of his closest friends to reside within the safety of the castle in order to seclude themselves from the horror and death going on outside. During the last months of their seclusion, the prince decided to hold a masquerade ball in order to amuse his many guests living within the confines of the rather odd castle. The dance takes place in a variety of unusual apartments within the castle, spaced apart so the guests would only see one room at a time. The apartments flowed east to west, each decorated in a different color and theme while following a pattern of blue, purple, green, orange, white, violet and finally ending in black. During the ball, guests enjoyed a dreamlike atmosphere as they danced through the many colored apartments, each of them avoiding the final black room. This final dark patterned room contained a large ebony clock which chimed eerily every hour, causing the party goers to pause their merriment for a few moments of uneasy silence. As midnight drew near, a new guest arrived, sporting a costume more ghastly and morose than any other. The mask he wore resembled that of a plague victim, and his clothes resembled a funeral shroud. Prospero became angry

Prospero’s character is seen as incautious, and perhaps arrogant, which adds to the foreshadowing of the story’s ending. When nearly half of the town has died, Prosperous packs up his things and takes his close friends to live in the safety of one of his many palaces, leaving all the other citizens to fend for themselves against the Red Death. Upon moving to the castle “Prospero had supplied everything they needed for pleasure” (Poe 2) and never once stopped to consider his subjects, or their safety. In a crucial time of need, the leader could not be bothered and instead decides to flee, revealing the kind of person he really is. The king’s carelessness for everyone, except his own social circle suggests that this trait may get the best of him in the end. Karma is commonly a substantial factor in literature, and Prospero certainly appears to have something coming back to bite him. Similarly, the way in which Prospero’s character is portrayed proposes that maybe his own ego may

For instance, the panes were scarlet, a deep blood colour. The "bloody" red room thus becomes a place of ending not only due to the westward location, but also because of its color. Poe describes the last, black room as the dreadful endpoint, the room the guests fear just as they fear death. The room is feared by the guests because it reminds them of death, which is why no one enters the room. The room is involved in all of the main scenes throughout the course ofthe story. For example, this is the room Prince Prospero and his guests die from the Red Death and also where the clock is located. The reader sees how important the rooms are throughout the story and its main contribution to the theme.

Liz Brent states, ‘Edgar Allan Poe’s short story ‘The Masque of the Red Death’ may be interpreted variously as a parable for man’s fear of death.’ This specific quote gives great description on the feelings of the main character in this story. The conflicts overall play a major part in the story. As Kenneth Graham says, “If time is the destroyer of all things material, so, too, is the pendulum the destroyer in the pit, and the ebony lock in.” The critic is explaining the overall conflict of this story, and displays how the ebony clock is the symbol for death. In all, conflict is important to the story, as it ties back to the themes and describes the problems occurred.

inevitability of death and the futility of trying to escape death. The prince's name, Prospero,

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

Prince Prospero decorates lavishly for the masquerade ball. Each room has a different color as a theme, and the windows contain glass stained to match the respective colors of the rooms. Fair colors paint the faces of everyone. At first they wear masks for the ball, but at the story's conclusion, they all bear the bloody mark that signifies the Red Death. The Red Death, which is characterized by ‘scarlet stains upon the body and especially upon the face of the victim,’ has entered the palace unrecognized (“Explanation”

The standard perception concerning human limitations has it that the potential of humankind knows no bounds. Yet, the cycle of life disproves this recurrent opinion of human potential. Based upon the realistic scope of their own abilities, the phrase, “the sky’s the limit”, are well within the bounds of the timeless concepts of life and death. These ideas are common points amongst works of literature from the American Romantic Period. Moreover, one of the most prominent Romantics is Edgar Allan Poe, who utilizes seemingly natural attributes of human interactions, and expands them out of proportion in order to reveal the gloominess of those said attributes. Poe’s literary works encompass many aspects that are reflective of the Romantic Period; his works include the acknowledgement of nature or setting, emphasis on individuals and groups of people, and elements of the supernatural; such use of Romantic attributes also leads to a plausible interpretation of an indirect rejection of the establishment of religion. The utilization of these qualities appears frequently in Poe’s short story, “The Masque of the Red Death”, which is a fictional account of a burgeoned plague and its multitude of effects on the wealthy survivors. Furthermore, a key point in the short story is the particular choice of setting: a gothic quarantine, which intertwines many Romantic elements. In particular, the quarantine of “The Masque of the Red Death”, is a symbol of human limitations and the

Prince Prospero does not care for the outside world and leaves them to die at the plague’s hands. Poe details Prince Prospero’s response to the plague with, “When his dominions were half-depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys.” (Poe) Prince Prospero makes no effort to aid his people, instead, isolating himself and his friends to seek protection from the disease. Isolation plays a powerful role here in providing a means of protection that ultimately proves false when the Red Death itself comes into the abbey and all succumb to it. Isolation also serves to prove the failings of self-importance in that no one is above one another. In attempting to shield only themselves, those in the court exhibited a selfish importance that isolation fails to corroborate. Even isolating themselves, Prince Prospero and his courtiers fall victim to the Red Death the same as the rest of the world. As a theme in “The Masque of the Red Death”, isolation does not equate protection and to seek it with a self-important worldview is to bring destruction to yourself. In seeking isolated protection, Prince Prospero is thus exposed in his cowardice and is proven as equal to those dying outside the walls, for he falls victim to the Red Death as well.

the Red Death shows the futile attempts by a prince and his guests of a party,

Poe uses allegory to allude to the double meanings of the characters Prince Prospero and the masked figure, as well as the setting of the chambers. Prince Prospero represents prosperity. While his nation is suffering from the “Red Death”, “…he summoned to his presence a thousand hale and lighthearted friends…and with these retired to the deep seclusion of one of his castellated abbey” (420). His nobility and wealth give him the ability to ignore the horror around him and live in luxury. This refers to real life in that the privileged are the ones who are able to still live comfortably even if others are in a crisis. Prince Prospero also represents an ignorance, selfishness, and arrogance that come with wealth through right instead of hard work. He believes that “[t]he external world could take care of itself” and that it is “…folly to grieve, or to think” (420). Instead of taking action to help his people, he just leaves them in the grips of the “Red Death”. The “Red Death” is

Poe used the rooms of the fortress as a symbol of the progression of a human life. The fortresses design contains seven distinctly different rooms. H.H. Bell, Jr., an expert on Edgar Allan Poe, has suggested that Poe seems to represent these rooms as an “allegorical representation of Prince Prospero’s life span” (Bell 241). The greatest piece of evidence for this is the order in which Poe arranged the rooms. The first room is positioned in the far eastern side of the mansion and the last room’s placement resides in the far western side. Just as the sun rises in the east and sets in the west each day, the arrangement of the rooms suggests the beginning and the end of life. Poe exemplifies this idea with the coloration of the last room. Black, a color connected with night and death, covers the walls in the last room. Also, the color of red seeps through the stained glass windows representing the bloodiness often incorporated with death, particularly the Red Death so feared at this party. Prospero’s guests avoid the last room out of fear, just as the living avoid reminders of death. Meanwhile, music and dancing

With a kingdom in ruins and people dying of disease all around him, Prince Prospero is consumed with no worry except to throw a fabulous masquerade ball for his knights and maidens safely tucked away in his castellated abbey. Separated from the rest of the kingdom dying from disease, Prince Prospero is a coward, afraid of Red Death. Prince Prospero is not an admirable character because of his attempts to cheat death which make him a fool, and by leaving the people of his kingdom to fend for themselves.

There is a terrible sickness spreading throughout their town. “No pestilence had ever been so fatal, or so hideous.” (Poe 78 ) In the story “The Masque of the Red Death” fear is the main theme. Prince Prospero invites a thousand of his friends to his castle. There are seven different colored rooms in the castle. The guests fill all the different