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How Does Frye's Character Change Throughout The Novel

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The Bluest Eye is a 1970 novel written by American author Toni Morrison. The novel depicts a year in the life of an 11 year-old black girl named Pecola who believes that having blue eyes would make her beautiful and worthy of the love of others. Throughout the novel, Morrison takes us through the perspectives of important figures in Pecola’s youth, including her father, Cholly, who drunkenly rapes her and leaves her pregnant. Morrison explores the psychological repercussions of a young black girl who is raised in a society that base their ideals of beauty on “whiteness”. I will be using a blend of Frye’s fictive modes and Hero From Across the Sea and Female Archetypal Imagery in order to demonstrate how Toni Morrison in her novel The Bluest …show more content…

In The Bluest Eye, we this idea of the hero sweeping in to rescue the maiden in many scenes. In the second section of the novel, Winter, Pecola is being victimized by a group of boys in a playground and Frieda intervenes to save her. In this case, Frieda is the hero, Pecola is the king’s daughter, and the boys are the sea monster. Frieda goes to great lengths to enter the “belly of the beast” in order to rescue Pecola. Pecola portrays the king’s daughter because of her inability to save herself from the boys that are victimizing her. The boy’s act as the sea monster as they pick a victim to “sacrifice to the flaming pit” (65) until the hero, which is Frieda, defeats them and saves the king’s daughter (Pecola). Morrison describes how the boys “seemed to have taken all their smoothly cultivated ignorance, their exquisitely learned self-hatred” (65), in order to make racial slurs at someone of the same race as them. It is here that Morrison shows how deeply rooted racism really is, and how it doesn’t only embed itself in white culture but in black culture as well. Morrison shows the reader that it didn't matter “that they (the boys) themselves were black” (65), but that it was their “contempt …show more content…

The intermediate marital is a woman who is not perfect; they do sin, but have been/can be redeemed and integrated into the community. They also demonstrate the capacity and effort to make a change for the better. Pecola is arguably still a child, which definitely puts our morals into question, but for the sake of argument and according to Frye’s theory, Pecola would be categorized as intermediate marital. From the start of the novel Pecola is denied the ideal due to her rape by her father at 11 years old, thus making her sinful but not a perpetual sinner. Pecola is then cast into intermediate because she can still be redeemed and possibly integrated back into the community. In the eye’s of the community Pecola would definitely be cast as demonic because in the end she is actually pushed further away from the community for having her fathers child, as well as for being black. But because of Pecola’s innocent intentions, she would not be cast demonic. Everything that happens to her is simply because she is black and for that people pity her and think less of her. Because of Pecola’s blackness in a society where their ideals of beauty are based on “whiteness”, she is instantly cast out, making the pregnancy with her fathers child even more “sinful”. Pecola is used as a scapegoat throughout the

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