Hamlet is prevented from avenging his father's death until the end of the play because of his uncertainty in how to act. Society is governed by its rules of conduct and in the play the rules are defined by religion and an aristocratic code of honour requiring revenge if honour has been soiled. Hamlet, a Protestant and educated in Wittenberg, is unique; he has a delicate, sensitive intellectual view of morality which differs immensely from others. He is more concerned with moral questioning than bloody action, and very philosophical and contemplative. When the ghost demands he kill his father's murderer, his moral instincts oppose the idea. He discovers that society's morals are contradictory; the reasons for revenge are muddy and the idea of …show more content…
Religion opposes revenge, revenge would hurt his soul, killing Claudius would ruin the family reputation and himself, it would be detrimental to the rule of Denmark, and cause turmoil among the public. When considering revenge, he can find no moral truths or answer his questions with any moral certainty. He needs proof that the ghost is his dead father, and proof that Claudius murdered his father.
Faced with proof that Claudius murdered his father, Hamlet is plagued with questions about the afterlife, the wisdom of suicide, and what happens to bodies after they die. After seeing the ghost, he worries whether he can trust his perceptions, he doubts the authenticity of his father's ghost and its claims, or if it's an evil demon from he'll come to tempt him to destruction. Hamlet doubts that the ghost was real; he stages a plan to confirm his suspicions about Claudius: "The play's the thing wherein I'll catch the conscience of the King" (2.2.602-603). This creates a spiritual ambiguity for Hamlet which causes confusion about
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He is morally conscious and obsessed with honour and retributive justice. Trying to find a reliable basis to establish Claudius' guilt, he reads his behavior for signs of psychological guilt. He believes that the play and Claudius' prayer has proven his guilt and wants to know that his punishment will be sufficient. On the surface it seems he waits because he wants a more radical revenge. He completely oversteps the bounds of Christian morality in trying to damn his opponent's soul, as well as kill him, but how can he know the fate of Claudius' soul? Since his father was killed without having cleansed his soul by confession, why should his murderer have the opportunity? Hamlet suddenly finds something else to be uncertain about; he has gone beyond his need to know the facts of the crime, to craving knowledge of the afterlife and of God, before he acts. The dread of the afterlife leads to excessive moral sensitivity that makes action impossible, “conscience does make cowards of us all…thus the native hue of resolution/ Is sicklied o’er with the pale cast of thought.” (3.1.84-86) Hamlet is fascinated with philosophical questions. In the case of his "to be or not to be" soliloquy, his philosophizing was a way to avoid thinking about, or acknowledging, something of more immediate importance; killing a human being in cold blood, was too much for him to
”Thus conscience does not make cowards of us all;/ And thus the native hue of resolution/ Is sicklied o’er with the pale cast of thought;/ And enterprises of great pith and moment,/ With this regard, their currents turn away,/ And lose the name of action.” Hamlet here combines some themes of this play: death and life, the connection between thought and action. In act five scene five, he goes into Claudius’ room to kill him. Like the last time he went to kill him, he was on his knees praying. Why send him to Heaven when he should go to Hell? His father wasn’t given a chance to repent his sins before he was murdered, so why should King Claudius? Hamlet thinks about this for a minute, and decides to wait for a more reasonable
Hamlet does not only value his own morality, but also the morality of others. Besides worrying about his own morality, his mother's morality has much significance to him. As Robert Luyster states, "Hamlet would have Gertrude, like himself, become purified, but this can only be done through the acceding to consciousness' claim to be hard"(Luyster 77). Hamlet contemplates his every action. This problem eventually overwhelms him while also causing his madness. The depth of his thought concerning the murder of Claudius following Hamlet's play reveals his madness. "Reason and action are not opposed in Hamlet, but for most of the play, they fail to coalesce as either we or the characters would like them to" (Kastan 48).
This all sets the stage for Hamlet’s mental state prior to learning that he was killed by somebody in his family. These themes of death and betrayal lead into the end of the first act when Hamlet is tasked by the ghost of his father to seek revenge against Claudius for what he did. Hamlet believes that he was “born to set it right” (1.5.190). The extremes of this line reveal that Hamlet believes that the whole reason for his existence is to avenge his father. This need for revenge drives Hamlet for the rest of the play. He wants justice for his father, but he also wants to punish Claudius for his murder and marrying his mother. He gives in to human nature when he starts striving to avenge his father’s death.
As the play goes on, Hamlet encounters his father's ghost. Upon discovering that his father's death wasn't natural, he says with much feeling that "Haste me to know't, that I with wings as swift/ As meditation, or the thoughts of love,/ May sweep to my revenge" (1.5.29-31). The ghost tells him that he was murdered by Claudius. His motives were his love for Gertrude, without her knowledge or consent. Hamlet is furious and seething with rage with the news of his father's murder. Knowing the truth makes Hamlet's subconscious realize that killing Claudius would be similar to killing himself. This is so because Hamlet recognizes that Claudius' actions of murdering his brother and marrying Hamlet's mother, mimicked Hamlet's inner unconscious desires. Hamlet's unconscious fantasies have always been closely related to Claudius' conduct. All of Hamlet's once hidden feelings seem to surface in spite of all of the "repressing forces," when he cries out, "Oh my prophetic soul!/ My uncle!" (1.5.40-41). From here, Hamlet's consciousness must deal with the frightful truth (Jones).
In the play by William Shakespeare, the ghost of King Hamlet approaches his mourning and depressed son, Hamlet, who is still affected by his death. The ghost explains to Hamlet how he died and demands that Hamlet avenge his death. Note how the ghost approaches Hamlet when he’s the weakest and still mourning to persuade and manipulate him into taking revenge for him. In Act one Scene 5 the ghost states, “If thou didst ever thy dear father love-/ Revenge his foul and most unnatural murder.” The way King Hamlet words his request is more as a challenge; in which Hamlet’s love for his dead father can only be proven by carrying out whatever his father wishes. The ghost influences most Hamlet’s behavior, which not only affects the plot, but also the relationships with other characters. The ghost influences the relationship between Hamlet and his mother, Gertrude. He becomes angry at Gertrude because of her fast marriage with his uncle Claudius. Through the use of innuendos, antic disposition, and metamorphic plays, Hamlet makes it his duty to get King Claudius back for killing his father. Hamlet agreed to avenge his father without second thought. As the play advances, Hamlet begins to doubt the apparition. In act 3 Hamlet begins to have second thoughts and states, “The spirit that I have seen/ May be a devil…” This shows Hamlet’s inner conflict between listening to his father and avenging his death or following his ethics. To be sure that Claudius
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
When Hamlet is first encountered with the ghost that resembles his father, it is revealed that his uncle Claudius might have been the cause of his father’s death. Hamlet is then confused about what he should believe and how he
The relevance and significance of the revenge tragedy is in the way it explores human nature and forces audiences to evaluate ideologies such as revenge and justice. The concept of revenge is accompanied by moral conflict and Shakespeare demonstrates that by acting immorally society is likely to be riddled with corruption. Hamlet seeks to avenge the death of his father but struggles with the ramifications of seeking righteous revenge through an immoral act. The imposition of revenge instills the existential questioning on Hamlet as it contradicts his with his social expectation. His
The ghost already has an idea in his own mind about his revenge when he says, "But howsomever thou pursues this act, / taint not thy mind, nor let thy soul contrive / against thy mother aught" (1.5.91-93). Hamlet hides his desire for revenge by saying, "There's never a villain Dwelling in all Denmark but he's an arrant knave" (1.5.137-138). When Hamlet finds out that his friends had heard the whole conversation between the ghost and himself, he makes them swear not to say a thing, and intentionally pretends to be crazy. Hamlet's madness also allows him to avoid truth in his pursuit of revenge. Although Hamlet overtly wants to know the truth, his behavior is quite contradicting. By avoiding a confrontation with Claudius and accusing him directly of wrongdoing, Hamlet also avoids the possibility of truly knowing what happened.
When Hamlet's father appeared to him in the form of a ghost claiming the current king, Claudius, Hamlets uncle, had murdered him; Hamlet did not heed the information and obtain his revenge right away. Hamlet's reaction was that of a wise methodical individual. It took Hamlet some time to convince himself that the ghost truly was a good spirit of his father, relaying truthful words in order that his soul may rest in peace, and even then Hamlet still wanted more proof. Only until Hamlet was certain and had confirmation of Claudius's guilt was he ready to take action. The reader sees how Hamlet finds his final convincing piece of verification through a conversation Hamlet has with his good friend Horatio:
he can kill Claudius in an act of sin and hence condemn his soul to an
Although deeply sorrowed by his father?s death, he did not consider payback as an option until he meets with the ghost of his father. The ghost tells Hamlet King Claudius, his own brother, murdered him. The ghost then tells Hamlet ?to revenge his foul and most unnatural murder? (I.v.25). Although murder was an acceptable form of revenge in Hamlet?s time he is uncertain about killing Claudius. However, upon his father?s command, Hamlet reluctantly swears to retaliate against Claudius. Hamlet does this not because he wants to, but because his father makes it clear that it is his duty as a son. Hamlet promises to prove his love and duty by killing Claudius.
Hamlet went from a mourning Prince of Denmark over the death of his father, to a revenge seeking murderer as the play progresses. This transition in character is evident through Hamlets meaning of life; the desire for justice. After the meeting with the ghost, his worldview completely changed to a craving for revenge. In today’s ever changing world, people who act on revenge are no longer socially acceptable. These people who act on revenge often commit mortal sins and heavy crimes and are set to life in prison. Hamlet is the only person to blame for his death because of his worldview. “A villain kills my father, and for that I, his sole son, do this same villain send to heaven.” (Shakespeare 3.3 76-78) At this point, Hamlet’s worldview is completely based on getting revenge for his father. There is nothing more important in life at the time. Hamlet has just killed Polonius mistaking him as Claudius. Moments later Hamlet is face to face with Claudius, but chooses not to kill him because he wants the worst for him. Hamlet says “ I, his sole son, do this same villain send to
In Shakespeare’s Hamlet, the character Hamlet grieves the loss of his father and wants to find out who murdered him. After seeing his father’s ghost, he is seeking revenge for his father’s death. While giving his soliloquy, he shows two different attitudes. He initially starts by saying how he feels guilty and how he could have prevented his father from being murdered. He then goes on to talk about how he wants to find out who really murdered his father and how.
Hamlet concerns about his actions and of the characters around him to be moral to ensure everyone is on the path of morality. During his depression, Hamlet thinks of suicide, but constraints himself," Or that the Everlasting had not fixed His canon 'gainst self-slaughter! ", where Hamlet shows his concern of suicide being a crime in the books of God (I,ii,131 - 132). In his perception, there is more to life than just moments of sadness, and there is no clue of what happens next in one's life so ending life is not an option for him. Hamlet's perception is based on the ideology of right and wrong in the society. Later in the play, witnessing his own mother's second marriage to his uncle, Hamlet overwhelms," O most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good ", where his concerns for his mother's actions are apparent (I,ii,157 - 159). Hamlet distinguishes his mother's act as disgusting and wicked. Such reaction of Hamlet suggests his concern of morality within other characters' actions for the welfare of the society. Finally, upon knowing of his father's murderer, Hamlet still wants to confirm Claudius's guilt in the crime. To investigate of his guilt, Hamlet devises a plan of a play in which he will show Claudius the murder scene," Observe mine uncle. If his occulted guilt Do not itself unkennel in one speech, It is a damnèd ghost that we have