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Human Dignity In David Lynch's The Elephant Man

Decent Essays

The Elephant Man, directed by David Lynch, is a biographical portrayal of John Merrick based on The Elephant Man and Other Reminiscences written by Dr. Frederick Treves and Ashley Montagu’s The Elephant Man: A Study in Human Dignity. It is important to note that John Merrick was in fact named Joseph Merrick, a fact that the film seems to ignore. The film’s narrative is mainly concerned with the relationship between Treves (Anthony Hopkins) and Merrick (John Hurt). As such, the film follows a narrative thread begging with Treves rescuing Merrick from the freak show and his abusive holder and bringing him to a hospital where he is cared for until he eventually decides to commit suicide in the film’s finale.
Because of the film’s promotion of …show more content…

This acts as a projection of the ‘problem’ body to the crowd of doctors. As the sheet is pulled away, Merrick is greeted by shocked gasps from the onlookers. Treves describes in lengthy detail everything that is wrong and different about Merrick’s body. In effect, Treves’ medical gaze stigmatizes Merrick, reducing his personal traits to only his physical deformities. As a result, this scene demonstrates how the disabled person is subjected to “the power of the gaze to control, limit, and patrol the disabled person” (Davis 12). This is made apparent by the camera focusing on the doctors reactions of disgust while ignoring Merrick’s own torment. From this scene forward, the tone is set for how others react to Merrick. The audience is subjected to numerous scenes of people screaming when they witness Merrick’s appearance. This normalizing gaze transforms Merrick into a marked person whereby his ‘abnormality’ contrast with the ‘normal’ bodies around him while, in turn, enforcing an idea of the ideal body type. Hence, the representation of Merrick portrays him as having a body that is not ‘normal’, and it is this notion that becomes a problem for him in his …show more content…

Inside the hospital, he is safe from the cruel stares of the crowds. This is made apparent when Merrick reacts joyfully when he finds out the hospital is now his home. However, this was not actually true in the case of the real Joseph Merrick. Darke states that “prior to Merrick being a case for care it must be remembered that he did circulate within society, as member of a specific community that valued him for his subjective self rather than the, supposedly, objective pathology that Treves places upon him” (337). The film largely ignores this truth, and, instead, inserts a sequence late in the film where Merrick is captured from the hospital only to be returned later in order to further establish the hospital as the sole place where Merrick

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