I Know Why The Caged Bird Can Not Read Essay

In the essay, Disliking Books at an Early Age, Gerald Graff talks about his transition from being displeased and uninterested in literature, to having intellectual discussions about it and even teaching it. He did not begin to enjoy reading until he had discussions about the books that he read, which showed him a different perspective. Overall, his essay explains how readers can only enjoy literature if they turn it into a social activity by freely interpreting and discussing the pieces they have read.

The text I know why the caged bird cannot read Francine Prose describes the reasons why high school students seem to dislike reading. She supports her idea with saying the problem starts with teaching moral values through literature, instead of teaching the value of literature itself. She also blames the education system that enforces these books to be placed in the curriculum. These books only focus on a reoccurring problem like racism religion or gender identity. And the curriculum works around that to teach the student right from wrong and moral values. Which puts the student on a path of hatred to literature.

Prose starts off with very strong language in her essay “I know Why the Caged Bird Cannot Read”. Prose’s opening paragraph includes words such as “appalled”, “dismal”, and “dreariness”, which establishes negative connotation, a central feature of the essay(Prose 176). These words signify the lack of confidence that Prose has in the trends of American education. By beginning her essay with judgemental and cogent language, Francine Prose develops a clear and concise argument. She intends to hook her readers by immediately stressing the importance of the subject and conveying her justifiably strong perspectives. Prose claims that she is “ appalled by the dismal lists of texts that her sons are doomed to waste a school year reading” (Prose 176). Prose’s use of negative connotation allows her to clearly and effectively convey her message regarding the negative influence that American education has had on literature.

The inevitable had happened; I, as a small child, was demanded to read. A little antisocial human being launched into a world of, at first, difficult words and lengthy phrases. While words and literacy were forced into my mind, I had reluctantly begun the adventure to enjoy and accept the art of literature. Later however, my hopes and dreams were crushed to pieces by a gruesome teacher with an interesting form of a so called “grading policy.”

She does not understand why the older and well-known authors are not being read in high school. Prose uses a personal experience from her son’s sophomore English class. He had to read a “weeper and former bestseller by Judith Guest” (424), about a dysfunctional family dealing with a teenage son’s suicide attempt. “No instructor has ever asked my sons to read Alice Munro, who writes so lucidly and beautifully about the hypersensitivity that makes adolescence a hell,”(424). She again mentions books she approves of that should be read in English classes.

It is agreed that if an author is stating his assertion to a topic, then he should incorporate what the opposing view has to say; therefore, without the other view he writes nothing but fallacies. However, in Gurdon’s case she offers support from the other side allowing them to state their claim. She recognizes the use of first person in these particular YA books, permitting the reader to take on the “persona of the narrator” (Gurdon 2). Then, she detects the claim of the book industry writing that “kids have a right to read whatever they want” and that “the world is a tough place; and that there’s no point shielding children from reality” (Gurdon 3). Refuting this assertion she calls out the incorrect logic of the claim stating that in other words the authority adults have over the content children absorb should “somehow vaporize when it comes in contact with the printed word” (Gurdon 3). The things children read teach them what to presume about the world around them, and that “books don’t just cater to tastes. They form tastes” (Gurdon 4). Subsequently, she offers her proposal that people associated with the publication of books would “exercise better taste” (Gurdon 2) than that of every teen experience. The comprehension of Gurdon’s claim becomes clearer after integrating the opposing view and using it to support her

African Americans living in the south face a lot of hate and prejudice. The civil rights movement improved the lives of many blacks. Maya Angelou in her memoir I Know Why the Caged Bird Sings, uncovers the racism that blacks face and how Maya begins to think she is less equal that whites.

I know why the caged bird cannot read, by Francine Prose, is basically her opinionated article in which she tries to show the audience different reasons why the high school students have a lack of interest in reading. This article was definitely showing her ideas and thoughts about books and literature chosen for high school students. When it comes to me, I think that this article in many ways is irrelevant and vague, when she talks about the types of novels or books chosen for high school students. In this era, high school curriculum has some of the best well-crafted and adulated works of writings. Moreover, these masterpieces are written by some of the most adroit writers. We cannot argue about the value of these writings, because these are

Prose assumes that most high school students do not read on their own and that students do not enjoy the literature they read in school; she also assumes that many students stop reading in their adult life and that what books students read in high school affect them for the rest of their lives.

The essay “Disliking Books” by Gerald Graff gives reason to why so many kids and young adults dislike reading. Graff mentions things from his childhood, and things from his time as a college student to explain his reasoning. Being a part of a middle class family, Graff explains the stigma surrounding studying and enjoying books in his childhood. Graff then shows us his experience that changed his mind. Graff uses details from his life to give meaning to his ideas.

In the article, I Know Why the Caged Bird Cannot Read (1999), Francine Prose claims that the force reading of books that high school students must struggle through hinders their ability to want to read when they do not have to. Prose supports her claim by comparing her own experiences during high school, to her both her son's high school experiences and coming to the realization that she and her sons both have had bad encounters with novels they had to read in high school. The author’s purpose is to persuade high school students and grown adults alike in order to show that the reason they can no longer enjoy reading is because they were forced to read unappealing books in high school. The author writes in a stern formal tone for an audience

Dana Gioia persuades her audience through a mix of emotions. With a lack of reading, young adults are missing out on the joys and challenges of literature.They are bypassing the cultural, emotional, and historical benefits of books and works of literature. By doing this, they are damaging their civic, personal, and economic health.

In the article, “Why Literature Matters”, the author, Dana Gioia, states how reading is taking a turn downhill as young adults are not reading literature. Gioia addresses that in order to fix the issue, politicians and business communities need to try and fix the problems. Dana Gioia uses a series of logical appeals to show how the decrease in literature is affecting the society.

In the article “I Know Why the Caged Bird Cannot Read” (1999), Francine Prose asserts that high school English teachers are teaching classic novels so insultingly that their students actually end up loathing reading altogether. Prose supports her assertion by asking what it even means to be educated, informing the reader that the same boring novels are still being taught in classrooms twenty years later, and explaining how teaching methods have plummeted to the point where every teacher has their students relate experiences back to themselves. The author’s purpose is to question whether English classes are even needed anymore in order to not only understand but to enjoy classic literature. The author writes in a contemptuous tone towards parents

Throughout her life, Marguerite experiences many different situations and people that all contribute to the way she grows up and the person she becomes. Despite some of her tragic circumstances, she learns a lot growing up, mainly because of the African-American women in her life who teach her all different life lessons. In I Know Why the Caged Bird Sings, Marguerite gets to absorb teachings from her mother (Vivian), Mrs. Bertha Flowers, and her grandmother (Momma). These women allow Marguerite to learn and grow as an African-American female, all while paving her own way.