Iago By William Shakespeare 's Othello

In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in

A key figure, if not the most important in the play, is that of the malcontent Iago, who sows the seeds of jealousy in Othello’s mind, and presents him with ‘proof’ to back up his suspicions. Iago acts as a catalyst to Desdemona’s murder and it is his intricate

He fears the exposure of his actual character and wants to execute his plan by keeping other individuals believing that he is an honest and a trustworthy man. Firstly, Iago undermines Emilia not to say another word in regards to the handkerchief that he utilizes as a major aspect of the arrangement to devastate Othello. He advises Emilia to “Be wise and get you home.” (Act 5.2.221). Emilia disagrees with what Iago says and soon after, Iago draws his sword. This shows Iago really thinks about his personality and notoriety, his trepidation of presentation is fierce to the point that it drives him to execute his own particular wife. Also, there is not a single line written in the play, which uncovers Iago presenting his reality to someone else. In spite of the fact that everybody makes sense of Iago's two-sided personality towards the end of the play, despite everything he doesn't have the quality to uncover his actual two- sided character or translate why he has done such offensive deeds. When Othello demands Iago for a reasoning behind his actions, he responds back saying, “Demand me nothing; what you know, you know. / From this time forth I never will speak word” (Act 5.2.300-301). Iago's instability of character is powerful to the point that is prohibits him to talk up and give a sensible reaction to Othello regarding why he has done such malevolence activities. Identity, as well as reputation, is what a man is acknowledged for, a wide range of wrong decisions will destroy this part of Iago

W.H. Auden once said, "There is more than meets the eye", suggesting that there may be a hidden or deeper meaning behind a person's initial appearance. Lies and deceits are common in society, and many individuals mask their true intentions with a veneer. In Shakespeare's play Othello, the character Iago is no different from those deceptive individuals. Behind his façade as a trustworthy ensign and friend, Iago is a multilayered, deceptive and manipulative villain, concocting chaos and causing mishaps toother characters for revenge. Iago uses his deft and astute strategic acts of manipulation to undermine each character‟s weaknesses. He exploits Roderigo‟s love for Desdemona, cajolesCassio under the guise of friendship, and toys with Othello‟s

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

The tragic plot of Othello hinges on the potential of the villain, Iago, to deceive other characters, above all Roderigo and Othello, through encouraging them to misinterpret what they see. Othello is prone to Iago 's ploys seeing that he himself is so sincere and

In the play, Iago skillfully manipulates Othello saying that Desdemona is unfaithful to him through telling false stories, tormenting him with thoughts, and persuading him to kill Desdemona and Cassio. These perceptions of truth from “Honest Iago” lead to Othello’s downfall; the truth in is often manipulated to Iago’s personal benefit, “Or to be naked with her friend in bed, an hour or more, not meaning any harm?” (IV, i, 1, 5-6) Iago is able to do this because of his honest reputation and is verbally skilled. He’s easily able to manipulate the real truth because of his name “Honest Iago.” From Plato’s The Republic and his Allegory of the Cave, the sunlight causes the shadows that the prisoners see inside the cave, “[...] they only

"Keep your friends close and your enemies closer" is a quote that very well describes how two-face Iago really is. In William Shakespeare's play, Othello, Iago's hatred toward the Moor, Othello, leads him to devise a plan against him. As a result, Othello goes from truly loving his wife to hating her with a passion. Othello's hatred and anger proves fatal for Desdemona, Emilia, Roderigo, and Othello, himself. Iago effectively manipulates Othello, Roderigo, and Cassio by; presenting himself as an honest individual to Othello, lying to Roderigo about getting him married to Desdemona and helping Cassio with his problem to obtain the lieutenant position from him.

Iago suggests to Othello that Cassio looks like “a guilty man” when he sees Othello, and Othello believes Iago, thus beginning Othello’s tragic downfall. From then on, everything that Iago says, he believes, and everything that Desdemona says he believes is an offense or a lie. This causes conflict and anger between the two former happy lovers, and Iago’s vicious plan begins to unfold, along with the demise of many

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

Iago has struck at Othello’s core by revealing to him the alleged betrayal of Desdemona, of whom Othello feels is integral to his being. Iago forces Othello into a position where he has no armour to protect himself, and no foundation to support himself. Once the seed of doubt begins to sprout within him, Othello can no longer trust his “gentle” Desdemona, creating this resentment filled obsession over her alleged

Iago is one of the most interesting characters in the tragedy "Othello" by William Shakespeare. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him and gets him closer to his goals. He is the driving force in this play, pushing Othello and everyone else towards the tragic ending.

Othello is the character with whom most of Iago's methods have success. His weakness as a jealous lover is apparent early on, but only after Iago’s has planted the seeds of doubt within his mind. Such is Othello’s trust for Iago that he uses the misnomer of describing Iago as ‘honest Iago’ and irony considering the action held within the play.  The trust is obvious and implicit and thoroughly entrenched within the language. Othello surmises on the aforementioned doubts during the last act of the play when he says;

In each case, Iago manipulates Othello into seeing and believing what he wants him to, rather than the reality of what is actually happening. In this way, Iago becomes a kind of ‘director’.

Shakespeare’s tragedy Othello deals with various issues in the tragic vein of tragedies such as Hamlet and King Lear. Marriage and associated issues stands out as a key theme and preoccupation in Othello. In Othello, various issues such as race, patriarchal attitudes and other general human frailties complicate marriages. Shakespeare portrays marriage in a very bleak light. In the beginning of the play, we see that marriage is not only a union of man and his wife but also involves various familial considerations that add to the complexity of the marriage relationship. Shakespeare opens the play with an argument between Othello and Desdemona’s father. Desdemona’s father is unhappy about her daughter’s elopement because he views her daughter as one of his properties. Later, Shakespeare reveals a similar possessive attitude in Othello and other male characters, which shows the role that patriarchal attitudes and associated male chauvinism play in creating the tragedy of the marriage institution as shown in the tragedy Othello. Therefore, the essay proposes that patriarchal attitudes create the fertile ground for the eventual destruction of the marriages and loving relationships in Othello.