Iago Jealousy Essay

However strong Othello's and Desdemona's marriage seems, it begins to deteriorate as a result of Othello's self-pride. At first, Iago convinces Othello that Desdemona is unfaithful. Iago suggests to Othello that Desdemona slept with Cassio. Iago uses a handkerchief given by Othello to Desdemona that he got Emilia to get for him as his proof against

Evil masterminds are always successful in their diabolical schemes, but each one does it in their own special way. Some may be highly ranked and powerful, but some may be simple people in a simple community. In the play Othello, the simple ancient, Iago is very successful at his schemes. Iago is able to get the trust of everyone around him, and to appear honest. He is also driven to continue with his schemes and to never quite.

In the play, Othello, jealousy and envy are prominent themes from the beginning to the end. As the play starts to unwind, you can see jealousy is the major cause of all the drama in the play. Jealousy or envy is a feeling of discontented or resentful longing by someone else’s possessions , qualities or luck. Iago becomes engulfed by jealousy and it causes him to corrupt Othello. They are two men that cause similar crimes but we sympathize for Othello and hate Iago because they have different attitudes towards their crime.

Iago is jealous of Cassio because Cassio received the position of Othello’s Lieutenant, a position which Iago thought he should have won. This is shown throughout the play but an example of this Iago’s soliloquy at the end of Act I Scene 3. “Cassio’s a proper man…To get his place and to plume up my will in double knavery.”

Even though he genuinely respects her, he can be perceived as provocative. Moving on, Iago tries to get Cassio drunk. Since Cassio is very kind, he eventually gives in and takes some alcohol, which leads to him getting into a brawl with Montano and Roderigo, staged by Iago. Othello becomes aware of the irrational fight and strips Cassio of his lieutenancy, for his foolish behaviour. (II.iii.264-265)

Her silence causes Othello to become in rage with his wife this leads us to believe that Emilia is a liar. Although Emilia doesn’t intentionally lie to Desdemona she fails to tell her that she took the handkerchief as a token to win praise from Iago. This causes conflict between Desdemona and Othello just as it is the reason for Othello’s jealousy.

From the beginning of the play, Iago is left in displeasure since he was incapable of achieving his endeavour to wind up as a lieutenant and his physical appearance, both in which Cassio has a critical contribution. In any case, what makes Iago desirous to a great degree is the way that Othello elevates

Coupled with Emilia’s obedience to Iago, his ploy can finally convince Othello of Desdemona’s unfaithfulness. Emilia does not agree with her husband, Iago very much, but she does obey him when she has the opportunity to do so. However, Emilia picks up Desdemona’s handkerchief, with no thought, only that it will please her husband, “what he will do with it /heaven knows, not I; /I nothing but please his fantasy,” (OTH.III.III.297-289). Subsequently, this handkerchief may not have much meaning to Emilia at this moment, but once she finally discovers the truth about her husband, she immediately accuses her husband of being a villain, and dies by his hands. Correspondingly, Emilia is also loyal to her husband, to such an extent as to lie to Desdemona about where her handkerchief has gone. As Desdemona worryingly searches for her handkerchief, Emilia denies knowing where she could have lost it, and suggests a different reason for Othello’s uneasiness, “I know no madam… /Is he not jealous?” (OTH.III.IV.14, 20). Emilia knows where the handkerchief has gone, but remains silent because her husband, Iago has told her to. As a result of Emilia’s loyalty Iago does not need to worry about others discovering where Othello’s handkerchief

Since the two used to be so intimate, the key to understanding Iago’s superobjective is to understand what made him harbor such hatred for Othello. To put it simply, Iago was hurt that Othello gave Cassio the lieutenant job instead of giving to him. At face value, that reason doesn’t seem to be a strong enough motive to destroy another man’s life. There had to have been more to this than just the fact that Iago didn’t get a promotion. Iago “believes Cassio got the appointment because of an old friendship with Desdemona, and probably because he carried messages between Othello and Desdemona during their courtship.” (Crawford). Iago, knowing this, felt as if the entire system of military honor and merit had crumbled. Had the promotion been based on merit, Iago would’ve gotten the job, because “…[Othello’s] eyes had seen the proof/ At

Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.

Roderigo taunts Michael Cassio into a drunken brawl. Montano and other men try to hold Cassio back; knowing Michael has no clue what he is doing due to be intoxicated. The fight quickly turns dangerous when Michael Cassio turns against Montano and stabs him! Othello get word of the brawl outbreak and arrives with armed men to assess the situation. Iago is pleased with the brawl; he knows that the arrival of Othello will bring punishment to Michael Cassio. Othello demands to know what has happened to bring him away from his wife. Montano is in excruciating pain and unable to tell the whole story; Iago speaks for him. Telling Othello that he does not know how the fight had broken out. Michael Cassio, thinking Iago is being a friend and covering for him, goes along with Iago’s story. Othello immediately demotes Michael Cassio from his position as lieutenant. This is another achievement for Iago; he has gained trust from Michael Cassio and has the victory of Michael Cassio not being Othello’s lieutenant.

The second event to this process of tragedy is when Iago uses the handkerchief that he had his wife take to create “proof” that Desdemona was cheating on Othello with Cassio. Already ridden with jealousy, Othello demands Iago that he must have “ocular proof” to Desdemona's “deception.” In line with his devilish plan, Iago tells Othello that, “but such a handkerchief—I am sure it was your wife's—did I today see Cassio wipe his beard with” (Shakespeare 1330), knowing full well that the handkerchief was a precious symbol of love between the moor and Desdemona, although he pretended to be oblivious. His plan once again works its “poison” upon Othello as the moor says, “now do I see

In act One, scene one we see Iago's conversation with Roderigo about Cassio being promoted ahead of him and how Iago believes that this is because of favourtism. This suggests one of many reasons why Iago plots against Othello. From this conversation we see that Iago is envious of Cassio being promoted ahead of him, and plotting against Othello as a means of seeeeking revenge. “I follow him to serve my turn upon him”. Iago believes that he

In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.

William Shakespeare’s Othello uses different and unique techniques in his language to express the nature of evil throughout the play. Verbal twists and the characters most importantly stress the act of evil. Iago, most of all is portrayed as the “villain” or “protagonist in the play. Shakespeare uses this character to set the basis of evil. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language towards the other main characters.