The Sixties began as a very joyful and optimistic time for American society as the hope for a better tomorrow was on the horizon. This decade is often remembered as “the unspoiled Sixties” (Strain, p.18); however, similar to the fifties, there were many issues that the American society appeared to push aside. The idealism of this “better tomorrow” was present throughout the sixties but much of it seemed to have disappeared in 1963, following the death of President John F. Kennedy (Strain, p.18). As the optimism dwindled down the urge for change in gender, racial, and social norms increased , which can be seen through media outlets such as newspapers, television, and even music. As stated in The Long Sixties,“The predictable, three-cord, dance …show more content…
The Rolling Stones are a prime example, as their 1965 song “(I Can’t Get No) Satisfaction” captured the spirit of times specifically alienation, as stated by Mick Jagger. The song title itself alludes to the unhappiness with how media projects American society to be, but the discontent can be seen in lyrics such as “when I’m drivin’ my car, and the man come on the radio, He’s telling me more and more about some useless information” or “when I’m watchin’ my tv and a man comes on and tell me how white my shirts can be”. Although this song is often associated with its sexual connotations, as seen in the lyrics “And I’m tryin’ make some girl, who tells me Baby, better come back maybe next week can’t you see I’m on a losing streak”- clearly a reference to menstruation- the song still has a negative view of commercialism and other aspects of modern culture; Paul Gambaccini, a famous critic, stated “The lyrics to this were truly threatening to an audience. This song was perceived as an attack on the status quo”. The Rolling Stones and their release of this song in 1965 can be seen as …show more content…
The 1967 song by Bob Dylan, “All Along the Watchtower”, is a great example as in just a few verses he manages to “identify the primary issues of [the time] as one of values” (Bowie). The song brings about ideas thought of by modern writers, such as Ken Wilber, who state that “everything is seen as neutral, and devoid of value”. In Dylan’s previous songs he talks endlessly of how the government misunderstands the significance of issues like war, freedom and proverty; however, in this song he takes a very different approach and “reduces confrontation to its essential element: human values against the established order”(Bowie). In simpler terms, the song is enforcing the importance to remember the past historical mistakes and not to allow them to reoccur- that we must put the values of human rights over those put in place by the government and push towards change. The song begins by throwing the listener into a conversation that seems to be urgent- “There must be some kind of way out of here-said the joker to the thief”. The “joker” and “thief” are archetypal characters, as suggest by Bowie, which Dylan uses to invoke a sense of timelessness. The joker can be seen as representative of an individual whose role is to amuse other members of the “established order”/government, but also provoke them in suggesting alternate ways of reality- in this case the
Rock ‘n’ roll music came of age in the sixties which was a period in the nation’s history when a young generation expressed their anguish and sense of alienation to the country’s social establishments by searching for new answers to the age-old questions concerning the meaning of life, the value of the individual, and the nature of truth and spirituality (Harris 306). The classic rock music which was created during this period gave form and substance to this search. Songs such as “My Generation” by the Who recorded the keen sense of alienation that young people felt from the past and the “Establishment” and it also showed the keen sense of community they felt among themselves. Classic albums such as the Beatles’ “White Album,” the Who’s “Who’s Next,” Dylan’s “Highway 61 Revisited, and Pink Floyd’s “Dark Side of the Moon” capture what was essential about the time because they were both a result of that time and because they helped to produce it by reinforcing the younger generation’s feelings of alienation and separation. Although
Terry H. Anderson The Sixties takes us back to that controversial decade where citizens not only believed change was important but demanded it to occur. The author beings his discussion on the Cold War era and how it seeded the growth of the sixties. The conventional and orthodox of the fifties was a vast improvement for many of the old-generation who lived through the great depression. The decade was referred to as “Happy Days,” however, it was only truly happy for white American males. The rest of the population was tired of the unfair treatment and the lack of national problems being addressed by the government. This anger was beginning to manifestation and would eventually take center stage in the era of the sixties.
With the overwhelming amount of Levittown houses, the obsession to obtain the perfect American “ideal family” as seen on TV and the unspoken agreement to fear any and all foreign ideas and values, the 1950s were revealed to be a decade of prosperity, conformity and consensus. Just ten years later the atmosphere in America was shockingly different; the 1960s were a decade of turbulence, protest and disillusionment due to the ongoing struggle for civil rights, arising feminism, and the Vietnam War.
For example, “ I feel like I'm fixing to die” a song by Country Joe and The Fish, 1965, was one of the popular protest songs. The song was an anti-war song that drew people's attention to the point that the war was a bad idea. The author includes antiwar lyrics like “Whoopee! We’re all gonna die” and “Be the first one on your block, to have your boy come home in a box.” people hearing lyrics like that made them rethink their kids going into war as it seemed like they were going just to die and come home in boxes.
“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.
The Sixties, by Terry H. Anderson, takes the reader on a journey through one of the most turbulent decades in American life. Beginning with the crew-cut conformity of 1950s Cold War culture and ending with the transition into the uneasy '70s, Anderson notes the rise of an idealistic generation of baby boomers, widespread social activism, and revolutionary counterculture. Anderson explores the rapidly shifting mood of the country with the optimism during the Kennedy years, the liberal advances of Johnson's "Great Society," and the growing conflict over Vietnam that nearly tore America apart. The book also navigates through different themes regarding the decade's different currents of social change; including the anti-war movement, the civil
The Rolling Stones was one of the first bands of the 60’s to have their song “(I Can’t Get No) Satisfaction” banned from the radio due to the fact that some could consider it indecent (Rutledge-Borger, 2012). The Stones’ music was enjoyed by many, but the lyrics had the potential to spark controversy, especially during live performances. Producers and planners of live performances were more conservative and cautious of keeping television clean and suitable for all ages, and would go to great lengths to make sure that all was kept modest. That is exactly what happened on The Ed Sullivan Show on September 11, 1967. The Rolling Stones were allowed to perform on the show as long as they agreed that they would change the “let’s spend the night together” lyrics to a more appropriate “let’s spend some time together” (Richin, 2015).
American life was transformed in the 1960s from the start of the decade. The 1960s consisted of new rights and new understandings of freedom. The sixties consisted of rights for racial minorities to be involved in the mainstream of the American lifestyle. However, unsolved issues of urban poverty still existed. Women in the 1960s established a conversion in women’s status, for instance, women entered the paid workforce. America experienced a growth of conservative movements, consequently, the 1960s would confront judgment for social ill, crime and drug abuse and drug abuse as well as decline respect towards authority. In despite of crisis, America became a tolerant nation. The sixties are known as a decade of drastic change, rebellion, and backlash. Also, for the American individuals that came of age during the sixties, the generation known as the “Baby Boomers,” wanted to change the culture of their parents. Terry Anderson and Peter Clecak both present different judgment of the social activism of the 1960s. Terry H. Anderson, from the The Sea Change, implied that the sixties achieved a positive transformation within politics, society culture, and foreign power. Anderson believed that America became more democratic as well as comprehensive. (361) On the contrary, Peter Clecak, from The New Left, argued that radicals failed to revolutionize in the sixties and additionally became powerless against the dominant social order. (361) Although certain Americans opposed and judged
“Let the word go forth from this time and place, to friend and foe alike, that the torch has been passed to a new generation of Americans” (Kennedy 916). With these words, John F. Kennedy in his inaugural address in 1961 described the 1960’s decade. This era in American history encapsulated a belief in the power of young people to change the world, a desire to help others globally and accept their differences, and a war that would eventually destroy all that America stood for. It was a time for new ideas in all aspects of life. This shift in thinking is apparent when looking at the happenings in society, the younger generation, and the media. The sixties were the beginning of many great revolutions in society.
For Americans, the 1960’s were a time of both unnerving turmoil and exciting change. Following on the heels of the 1950’s themes of tradition and conformity, the contrasting events and attitudes in the sixties constituted a perfect storm leading to a reconstruction of American social, cultural, and political ideals. Although each decade has experienced identifying features, events occurring during the sixties provided for a definitive coming of age era for the United States. While much of this revolution can be attributed to the events themselves, the medium used for disseminating these ideas bears some of the responsibility. Throughout the decade television replaced radio and newspaper as the primary source of news and entertainment.
The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular
The Rolling Stone’s music made my grandfather understand the importance of bravely chasing love and sex. As a boy who grew up in a very conservative family, my grandfather knew that pre-marital sex was prohibited, and his father would arrange a proper marriage for him at the age of 23. He got used to be obedient to his parents and had never go against their words. Although he fell in love with a girl in his class, he never told her. He knew that his love would not be recognized by his family; he could only marry a Chinese girl. He still remembered that someday in July in 1965 was the first time he listened to the “I Can’t Get No Satisfaction” performed by the Rolling Stones on the radio. He was intrigued by the melody and lyrics. According to
We all want to change the world,” The Beatles’ Revolution, 1968. In their call-to-arms lyrics above, Lennon and McCartney are instructing their listeners to revolt and rebel against harmful social norms in a peaceful, yet powerful, manner. Ironically, while telling their listeners to resist the societal norms created by “Minds that hate,” The Beatles were inadvertently caught up in gender stereotypes and social norms upheld by the music industry in order to sell records, tickets, and merchandise. The music industry has long been criticized for its often blatant display of gender inequality and the promotion and exploitation
The 1960s are frequently referred to as a period of social protest and dissent. Antiwar demonstrators, civil-rights activists, feminists, and members of various other social groups demanded what they considered to be justice and sought reparation for the wrongs they believed they had suffered. The decade marked a shift from a collective view on politics, to a much more individualistic viewpoint. The 1960s could easily be characterized as a period during which political, ideological, and social tensions among radicals, liberals, and conservatives in American society are seen to have rapidly unfolded. Due to this, the decade has had an overwhelming effect on the decades that have followed. The sixties have had the greatest impact on American society out of any decade in recent history. Whether for better or for worse, the decade has had a profound influence on politics, society, foreign policy, and culture.
The 1950’s and early 1960’s was a time of consensus in the US. By the middle of the 60’s the US experienced a series of shocks which undermined consensus. The assassination of President Kennedy in Dallas in 1963. The differences in the civil rights movement. The escalation of the Vietnam War. All of these factors undermined American confidence to change the world and improve the country. By the late 60’s, US society was polarised: divided between different viewpoints: Youth culture; counter-culture, and multiculturism.