Immoderation In William Shakespeare's Twelf

“Twelfth Night” presents many characters who can be regarded as foolish, whether it be through their illogical declarations of love, idiotic nature or characteristic drunkenness indicative of the festival from which it is based on. However, none more so than the “puritan” Malvolio, who deludes himself completely throughout the play presenting him as the “real fool”.

For instance, when he finds the love letter that is supposedly written by Olivia, confessing her love for him, and telling him to smile, wear yellow stockings and go cross-gartered, he says, “I will smile, I will do every thing that thou wilt have me.” (2, 5, 165-6). He thinks the letter is from countess Olivia, who he is in love with, and believes that the greatness of being her husband is about to be given to him. Before finding the letter, he wanders around in Olivia’s garden and dreams about himself “To be Count Malvolio!” (2, 5, 32). He imagines how the other characters of the play would serve him, which again shows that Malvolio thinks he stands above everyone. In addition, when Malvolio is hailed by Olivia, he arrives smiling, wearing yellow stockings and cross-gartered, which makes Olivia think he has gone insane: “Why, this is very midsummer madness.” (3, 4, 51). Consequently, in this part of the play Malvolio’s inside does not match his outside. Throughout the play he is a grave character, that detests other persons having fun, so his actions of smiling and wearing strange dress make him look like a madman, which is why he gets locked up in Olivia’s basement. Towards the end, he returns to his initial manner, and declares that he will “be reveng’d on the whole pack of you!”, referring to the characters that tricked him into believing that the letter was

Adding to the humor of the comedy, Feste dresses up as Sir Topaz, the curate and visits the imprisoned Malvolio with Maria and Sir Toby. There he uses his humor to abuse Malvolio who is still unaware that he is actually talking to the clown rather than to the real Sir Topaz. Feste (disguised as Sir Topaz) calls Malvolio a "lunatic" (IV.ii.23), "Satan"(IV.ii.32) and confuses him by wittingly making him a fool. Throughout the play, Malvolio has always been the person who intentionally spoils the pleasure of other people.  He is Feste's worst nightmare in the play, but in

In the play “Twelfth Night”, Malvolio is a steward for Lady Olivia. He’s very in love with her and only she has to deal with it. On the other hand, Olivia is plainly not in love with him; she is in love with Cesario. He tries everything to try and win her love but he also has a negative attitude towards others. Malvolio’s behavior is unacceptable and other people shouldn’t have to deal with it.

The effort and the input are sometimes not deserved or appropriate with reward in the future. In this play, the use of violent and brutal language helps the playwright and the characters to reveal people’s effort to achieve things that are not so much important or needed. That form of language is used to heighten the tension and create the impression that whatever is at stake is crucial, whereas in reality they are talking about love and marriage based on cheating and cunning. Shakespeare manages to reveal the hypocritical nature of the society where people will fight and defend their positions only to end up losing everything or having not gained anything in the first place. The use of brutal language is also tactical in the sense that Shakespeare is able to attract attention of the audience while convey his message of a brutal, insensitive

In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household.

Malvolio?s conceitedness was broken and then he sees that he did not truly love Olivia, but was only flattered that he had been loved by someone so beautiful and young.

Malvolio’s lack of self-criticism or self-awareness makes him vulnerable to Maria's plan to ridicule him.

himself just to suit his outlook on the situation. For example, the play he twists Olivia's words around to make it seem like she likes his yellow cross-gartered tights when in reality she dislikes them. Sir Toby just considers himself and no one else, not even his companions. He ignores Maria's notification about drinking into the night, and he continues to push Sir Andrew and Olivia to court. Even though he believes that Sir Andrew doesn't have a chance. Olivia considers the all-inclusive community around her, yet she furthermore assumes that no man is meriting her brilliance. She assumes that she is "all that," and that no one can organize her. For Shakespeare to incorporate this sort of just a single was most likely to demonstrate that Malvolio who thinks excessively of himself isn't right about Olivia cherishing him.

In the later part of the play a different side of him is exposed. Malvolio is Olivia’s steward and his job is to manage Olivia’s house; he is her chief servant. It’s a very responsible job that he takes very seriously. He enjoys telling people what to do.

Critics of William Shakespeare’s Twelfth Night, such as L. G. Salingar in his essay “The Design of Twelfth Night,” constantly dwell upon its inconsistency of happiness. Indeed, Twelfth Night is a romantic comedy of joy that brings audience laughter and applause. Yet, under the atmosphere of mirth and liberty suggested by Twelfth Night, a Saturnalian Carnival where pleasure rules, we are constantly reminded of misery, hatred, and depression. Over the course of different character’s pursuit in “what [they] will”, we witness their conflict, laugh at their madness, sense the darkness in their society, and ultimately cast doubt on whether this immoderate pleasure will sustain. Through his use of multiple foils, Shakespeare guides his audience to unfold the limits of festivity.

Maria and the conspirators decide to mislead Malvolio into thinking that Olivia is in love with him. Maria decides to lead him on by writing a letter, but means to be from Olivia. This love letter is meant to instruct Malvolio to do actions that Olivia despises. Maria is able to mislead Malvolio because she has the same print and seal as Olivia. Shakespeare is able to trick the characters and create many portrayals of them.

Meanwhile Olivia's drunkard uncle, Sir Toby; his pawn in the story Sir Andrew Aguecheek, are trying in his hopeless way to court Olivia with Sir Andrew. When Sir Toby takes offense at Malvolio's, the houses Stewart, constant efforts to spoil their fun, Maria engineers a practical joke to make Malvolio think that Olivia is in love with him. She forges a letter, supposedly from Olivia, addressed to her beloved, telling him that if he wants to earn her favor, he should dress in yellow stockings and crossed garters, act haughtily, smile constantly, and refuse to explain himself to anyone. Malvolio finds the letter, assumes that it is addressed to him, and, filled with dreams of marrying Olivia and in hopes of becoming noble he, happily follows its commands. He behaves so strangely that

Another example is the way in which Olivia adopts the pretence of mourning and the puritanical Malvolio is tricked into the role of Olivia's suitor and becomes a smiling courtier.

Through the play each character’s behavior is changed. The biggest change in behavior was that of Malvolio who began to believe in his own delusion. This delusion made him believe that the fair Lady Olivia loved him. His delusional state got him locked up in a shackles and isolated. This state of mind is an effect of love for him. Then the Lady Olivia’s behavior when she is not in love is a melancholy state. She had just lost her brother and her