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In the Skin of a Lion Essay

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In the Skin of a Lion Historical Obliviousness in Michael Ondaatje's In the Skin of a Lion

Michael Ondaatje's In the Skin of a Lion narrates the forgotten stories of those who contributed to the building of the city Toronto, particularly immigrants and marginal individuals. In the very first page of the novel, Ondaatje stresses the concern with personal narratives and the act of storytelling: "This is the story a young girl gathers in a car during the early hours of the morning [...] She listens to the man as he picks up and brings together various corners of the story..." (4). Similar to Crossing the River, there is a framework story, that of a man telling a story to a girl, that opens and ends the novel and gives coherence to …show more content…

However instead of employing historical contexts to create the tension, Ondaatje makes subtle but explicit comments on historical oblivion to individuals and their stories. History is implicitly considered as a master narrative that allows no space to articulate local narratives and to account for the richness, variety and complexity of human experience. To counterbalance the omissions and partiality of the historical master narrative, the alternative Ondaatje proposes is to privilege and celebrate a plurality of private and local narratives that give voice to the forgotten of History. Caravaggio, for example, is sadly aware of his being left out of the History of the city he has helped to build. Like Nicholas Temelcoff, he is painfully conscious of his anonymity and marginality: "He was anonymous.[...] He would never leave his name where his skill had been. He was one of those who have a fury or a sadness of only being described by someone else" (199). His story has never been legitimised. When Nicholas Temelcoff realises "how he has been sewn into history. [He decides] he will begin to tell stories" (149) to appropriate his own life. As the title of the novel indicates, to take responsibility for one's own story and for its narration is a way of legitimising and appropriating one's life in order to compensate for historical omissions. Alice's explanation of the meaning of the title emphasises the importance of telling personal stories: "Each person

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