Infectious Death Through Lack of Living in The Snows of Kilimanjaro by Ernest Hemingway

The text “Letting the air into a relationship: Metaphorical Abortion in ‘Hills Like White Elephants” by Wyche David aims at analyzing and synthesizing the short story by Hemingway “Hills like White”. The analysis would provide new knowledge to readers of the short story or provide the readers with a new point of view of analyzing it. The subject of the text is to present his ideas on the short story and well as critique other critics who had previously critiqued it. The story illustrates broken relationships of Hemingway and the pain it caused him, which led him to write the short story. The whole text is therefore an analysis and synthesis of the short story written by Hemingway.

This essay will focus on the theme of death in this story. There are lot

Ernest Miller Hemingway is known for his unique style and theories of writing, especially the iceberg theory. In the Death of the Afternoon, Hemingway says that “The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.” (92) Simple words, vivid images, rich emotions and deep thoughts are the four basic elements of the iceberg theory. Talk about how these stories illustrate four elements of theory. In both short stories, Hemingway describes scenery and characters with simple words directly to give readers a vivid image. Under this sketch, readers can know characters’ emotion and get the theme through their imagination and analysis.

Readers tend to look closely at the chapter structure and interpret them as individual pieces without stepping back to see them as a whole; yet, Hemingway notes that there is, in fact, a sense of unity between the chapters and vignettes. An obvious unifying thread is the presence of the Nick Adams stories. “Indian Camp” introduces the reader to a young, impressionable Nick. What follows are several interspersed stories that trace his coming of age in pieces such as “The Three Day Blow” and “The Battler.” The book concludes as the post-war Nick Adams provides an account of a fly-fishing adventure, bringing a sense closure to this central character. What complicates the book are the vignettes that are interspersed within the story sequence. This structure works to juxtapose thoughts and ideas, perhaps even disorient the reader, thus challenging the reader to find new interpretative strategies, much like a perspective one might need to look at modern art. Hemingway carefully chose this structure (just as he so mindfully chose his prose) as a way of framing Modernism through the written

Benson, Jackson, J. The Short Stories of Ernest Hemingway Critical Essays. Durham: Duke University Press, 1975. Print.

Killinger continues to highlight the presence of “the bifurcation of life into the authentic and the unauthentic; the moment of existential choice, in which a man decides to be either authentic or unauthentic; and in nontheistic existentialism, the exaltation of a humanistic ethic and the transmutation of aesthetics to the level where it becomes confused with ethics and a low kind of spirituality.”, all of which are “elements vital to existential thought”, present in Hemingway’s writing (Killinger, 1960). Killinger also brings to attention Hemingway’s preoccupation with death and its presence as the reoccurring theme in all his work. This has also been noted by other critics. In Essays in Criticism (Cash Jnr., 1951) Cash

The words and works of an author are like a fingerprint. They are unique, distinct and enable you to identify the owner. Some writers choose to remodel techniques, while others choose to create their own. This is the case with Ernest Hemingway. I chose this author because he not only respects his audience but, trusts them to discover the true meanings of his works. Between each line and word is an emotion and purpose that transcends the dialogue. The former reporters roots have caused him to create his own style of writing now coined as “The Iceberg Theory”. This direct, minimalistic style leaves and enduring impression on the reader and has made his writing instantly recognizable. In Hemingway’s works, the dialogue brilliantly executed technique subtly exposes the reader to his theme that revel dark parts of the human psyche when it comes to war, love and humanity.

He uses symbols effectively, which helps him to explore the theme of disillusionment and death. Death in his stories has many names; for example 'nada' or 'nothingness' – it may be assumed that it is always present. “Hemingway and the Lost Generation thereby explored more than just death, but the possibility of escape from the corruption of the old dreams – of being able to “resume again unknowing” – without returning to the past” (Currell 2009: 39). His short stories contains an excellent portraiture of society struggling with their personal waste lands. Even though they are not literally about the Great War, they display the inner significance of the Roaring Twenties; they show society's mentality and confusion. “Themes of Hemingway’s works have their roots in journalism and in topic or events that he believed were representative of the post-war world his grown-up characters and his readers alike had to confront” (Stewart 2001: 31). Further-more, in Hemingway’s fiction all the values seem to be no longer valid; a reader encounters disappearance of religion, which failed to provide emotional support for traumatised socie-ty. It also does not present valid answers. Finally, in Hemingway’s short stories appears a very important theme of anomie – the state where there are no law or norms. It can be also defined as an individual’s alienation (Idema 1990:

Hemingway’s usage of theme, setting, persuasive writing, and verbal irony helps to create different moods throughout the story. The theme “talk without communication”

Comparison Between Pale Horse, Pale Rider By Katherine Ann Porter And The Snows of Kilimanjaro By Ernest Hemingway

“This is a story of a soldier who returns from World War I as a different person. The story describes his inability to fit back into the society. Krebs is at home, but he doesn’t feel at home.” He is with the family, but he doesn’t feel he belongs there. I feel Hemingway tried to portray his own life after he came back from the war throughout the character of Harold Krebs. “As much as Krebs believes in the truth, people around him shove him to lie. The story indeed shows the conflict between Krebs value, which has naturally changed after his war experience and society's suspense toward him to conform to its values.” Eventually to keep up his existence Krebs has to choose isolation by detaching himself from social relations, love, and ambition.

In Hills like white elephants we identify six stages of human grief regarding to dying, and loss: denial; isolation; anger; bargaining; depression and finally acceptance. Hemingway apparently innate understanding and dramatization, of these stages of grief.

Ernest Hemingway was an intricate and dedicated writer who devoted a significant portion of his life to writing multiple genres of stories. Throughout his stories, the similarities in his style and technique are easily noted and identified. Two of the short stories he wrote contain themes and motifs that specifically explain the plotline. The first story, “The Snows of Kilimanjaro,” sets its scene in the depths of a desolate area in Africa, where the main characters, Harry and his wife, decide to make their home. After living there for a few years, Harry ventures out and falls into a thorn bush, thus infecting his leg with gangrene. A few weeks later, he finds himself on the brink between life and death, unable to treat such a severe

Hemingway's world is one in which things do not grow and bear fruit, but explode, break, decompose, or are eaten away. It is saved from total misery by visions of endurance, by what happiness the body can give when it does not hurt, by interludes of love which

There is perhaps no greater an example of exemplary Modernist writing than that of Ernest Hemingway. The Modernist movement defined itself with its opposition towards traditional American values. With a tendency to suggest rather than state, show rather than tell, and focus on questions rather than answers, the Modernist movement changed the course of American Literature, and one of the most influential members of that movement was Hemingway. Amongst a sea of notable works, Hemingway's “Snows of Kilimanjaro” serve as a testament to the subtle craft of the Modernist style of writing. The symbolism and dialogue within the “Snows of Kilimanjaro” is superb and helps reinforce the Modernist themes of Hemingway's writing. Hemingway frames Harry's wife in a way that negatively equates her with American wealth. Hemingway then suggests that such wealth ruins the natural gifts of a writer, symbolized through Harry's gangrene. This is further expanded upon with Harry's salvation in realizing that his writing is what was truly important, a salvation symbolized within the snow leopard and the mountains of Kilimanjaro themselves. Hemingway's symbolism is well constructed, and helps to illustrate the theme of the dangers of corrosion under wealth, while expressing salvation in purpose.