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Intertextuality Interlace Stories In The Hakawati

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The Hakawati utilizes the intertextuality interlace stories which are popular in the real world such as Arab/Persian tale of “Qays and Layla.” This story is about a young man who loves a woman whose father prohibits their marriage. Unfortunately, this young woman is married to another man and dies far away from Qays. At this point, Qays roams the earth missing her as Majnun, the crazy one. Similarly in The Hakawati, Layl and Shams fall in love, but Layl and Shams are of the same sex (male). Layl disappears and Shams goes insane when he misses him and Shams is referred to in the novel as “Majnoun, the crazy one” (The Hakawati 479). Thus, the iconic images of Layl and Majnoun marks The Hakawati in its tendency to interlace with popular myths. …show more content…

Osama is raised on hearing tales from all the above mentioned sources; Fatima’s meeting with Efreet Jehannan as well as the story of how his grandfather becomes a hakawati; the story of his neighbors who are killed in the battles of the Lebanese Civil War as well as the love story of how his father meets his mother. In A New “Arabian Night”: A novel of Life in the Middle East Relies on the Art of Storytelling C. Crossen writes that some of the stories that Osama hears “come directly from Mr. Alameddine’s Tecnicolor imagination.” Thus, every story is equal to identity in which each person has his/her own individual …show more content…

The closest friend of Osama’s mother, Mrs. al-Farouk, leaves to Italy by force with her younger daughter while her husband and elder daughter stay in Lebanon and die. Elie, who is the leader of the militia, gets Osama’s sister Lina pregnant and as a result he marries her, but he never shows after the wedding. Thus, the disruptive narrative of The Hakawati is the result of the violent experience of the Lebanese Civil War. The civil war expanding over two decades of Lebanese history, intensely affected the narrator

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