Irony In Edgar Allan Poe's The Cask Of Amontillado

Edgar Allen Poe's brings us a twisted tale of vengeance and horror in "The Cask of Amontillado." Poe's character, Montresor, acts as our guide and narrator through this story. He grabs a hold of the reader as he tells the story from his own apathetic and deceptive mind to gain vengeance from the weak and dismal Fortunato. Montresor's mentality is disturbing as he uses his clever, humor, ironic symbolism, and darkness to accomplish this.

In “The Cask of Amontillado,” Edgar Allen Poe skillfully integrates dramatic irony and portrays Fortunato’s ignorance as a way to engage the reader. He utilizes the power of human emotions and compassion to capture the audience’s attention. In the story, Montresor uses reverse psychology to coax Fortunato deeper into the catacombs and towards his own death. An example of dramatic irony occurs when Montresor says, “‘Come, (...) we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as I once was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchresi-’” (Poe 868). Only the reader and Montresor know of his plan to end Fortunato’s life. Through Fortunato’s point of view, it would seem that Montresor is trustworthy and worried about his health. However, Montresor could care less about Fortunato’s well being and is using this mask to hide his true intentions to complete his master scheme. At the end of this quote, Montresor sneakily mentions getting help from Fortunato’s rival Luchresi instead, knowing that Fortunato is extremely egotistic and greedy. Fortunato is the kind of man who thinks he is the finest and most sought after wine connoisseur in the area. He believes that Luchresi should not be trusted in the wine tasting business, especially with something as precious as Amontillado. This undesirable quality leads Fortunato to his death while the reader could do nothing to help. Unlike Fortunato, the reader can see Montresor’s tactics and can’t help but feel a twinge of sympathy for the victim. This emotional attachment intrigues the reader since they want to find out the result of the story and Fortunato’s fate. After taking another drink of Medoc, Fortunato performed a movement that symbolizes the Mason Brotherhood. Montresor did not understand what he meant by this unpredictable action. Fortunato got a little suspicious and said “‘A sign, (...) a sign.’ ‘It is this,’ I answered producing from beneath the fold of my roquelaire, a trowel. ‘You jest,’ he exclaimed, recoiling a few paces. ‘But let us proceed to the Amontillado’” (868). At this point in the story, the audience knows

In the short story “The Cask of Amontillado,” it deals with how someone can turn a seemingly nice night into a horrible and tragic ending. Montresor lures an inebriated Fortunato to show him a rich wine. But in a twist, Montresor chains him up and suffocates him. It uses an exceptional amount of irony, verbal, situational, and dramatic irony. Edgar Allan Poe, author of “The Cask of Amontillado,” writes using three different variants of irony to create an eerie and suspenseful atmosphere within the plot.

In the Cask of Amontillado, Edgar Allen Poe uses verbal irony to emphasize the evil intentions of Montresor. Poe does this all throughout the story like when Montroso and Fortunato first meet. Montroso says, “‘My dear Fortunato, you are luckily met’” even though it is not lucky they met at the carnival because Montroso plans to kill Fortunato. Another way Poe uses verbal irony is, ‘"And the motto?" "Nemo me impune lacessit." "Good!" he said.”’ The motto Montroso uses means no one attacks me with impunity and in the beginning Montroso says that Fortunato insulted him so Fortunato just clapped to the saying that will be implemented on him by

There are many uses of irony throughout “The Cask of Amontillado.” One example that Poe includes states, “I drink,” he said, “to the buried that repose around us. “And I to your long life.” (passage 3) This statement shows a use of dramatic irony because the reader knows that the narrator, Montresor, has no intention of cheering the life of Fortunato and has a careful plan to murder him. This quote also demonstrates dramatic irony because it shows how Fortunato genuinely believed in the good intentions of Montresor, which would eventually result in his demise. This use of irony helps build up the rising action and suspense of the story leaving the reader wondering when the narrator is going to strike and kill Fortunato. Overall this use of

The Cask of Amontillado is about a man named Montresor who believes this other man named Fortunato insulted him. Montresor’s family motto is “no one insults me with impunity”, he feels justified in taking revenge on Fortunato. In the short story by Edgar Allen Poe, there are many examples of irony to convey Montresor’s crime, while using another layer of irony to undermine his revenge.

Irony plays a key role in the events that take place within “The Cask of Amontillado.” There are three different types of irony: verbal, situational, and dramatic. Verbal irony is when something has a different intended meaning then what is said. Situational irony is when what is expected to happen is different then what actually happens. Finally, dramatic irony is when the reader/audience knows something that a character in the story does not. Poe uses each of these types of irony in “The Cask of Amontillado.”

For me it is no matter. We will go back; you will be ill, and I cannot be responsible…” (Poe 5-6) and Fortunato persisted to continue, ultimately his death. Despite being the fortunate one, Fortunato lead himself to his own demise. Montresor’s lust for revenge goes all the way back to his family crest “No one Provokes me with impunity.” This highlights how Montresor feels like he needs to get revenge to keep his family name intact. Furthermore, there are also many ironic parallels made between the story and Catholic rituals. Montresor wears a roquelaire covering both his face and the back of his head. Looking like a hood, sleek, black executioner, Montresor resembles death while in contract Fortunato. In contrast Fortunato is dressed in motley carnival garb like a fool or clown (Clendenning). Coincidentally, after leading Fortunato to his grave by burning him alive as he laid the last brick he finished by shouting “for the love of god” (Poe 10) where Fortunato would lay for 50 years. Ironically despite Montresor enacting his revenge with impunity and never getting caught he is still filled with rage and anger even fifity years after while Fortunato was able to die peacefully (Clendenning).

Ultimately, it can be argued that the whole short story has the overall theme of dramatic irony, because Montresor knows all along that he is going to kill Fortunato, and Fortunato is completely oblivious towards the whole situation (Poe 1-6). A specific example of dramatic irony, however, could be when the audience finds out that Fortunato is dressed as a jester, which is also known as a fool (Poe 1). This is ironic, because as the audience, we already know that he is going to be tricked into something fatal. Another example of dramatic irony can be seen through the dialogue between Montresor and Fortunato discussing masonry; Fortunato states, “You are not one of the masons”, Montresor replies with “Yes, yes” (Poe 4). The conversation goes on to where Fortunato asks Montresor to show a sign of him being a mason, where Montresor then presents a trowel, a tool for masonry. This is ironic, because little does Fortunato know, that same trowel that Montresor offers, is the same one that will, figuratively and literally, seal Fortunato’s fate in the catacomb wall (Poe

Fortunato. The story begins with Montressor’s vow of revenge. This is proven in the first sentence when Montressor says, “The thousand injuries of Fortunato I had borne best I could; but when he ventured upon insult, I vowed revenge.” Montressor is a manipulative and vengeful person. These characteristics lead to the death of Fortunato. Through the words, acts, and thoughts of Montressor, one is able to see him carry out his plan for revenge.

Poe and “The Cask of Amontillado” were interlocked in many ways, but Poe wanting comeuppance was his largest connection. Montresor wants to get back at Fortunato, but nobody knows exactly why. In the story, Fortunato accidentally gives hints talking about a girl when he mentions “Will not they be awaiting us at the palazzoㅡthe Lady Fortunato at the rest? Let us be gone” (239). Fortunato was intoxicated, he did not even know that he was going to be murdered. He did not know what he was really saying, and him unintentionally commenting about a lady, was not the most intelligent thing to state. Poe relates to the story because his lady was taken away in his own life. The author of “Edgar Allan Poe Biography” under “Early Life” states “He

Vengeance and murder infects the minds of Montresor and Fortunato upon an exchange of insult in Edgar Allan Poe’s "The Cask of Amontillado”. This is the story of pure revenge after Forturano disrespects Montresor. The story follows the characters meeting up at a carnival and eventually the disguised Montresor lures Fortunato into the catacombs of his home by convincing him that he acquired something that could pass for Amontillado, a light Spanish sherry. Fortunato grows eager to taste this wine and to determine for Montresor whether or not it is truly Amontillado. He leads him back to the catacombs of his home and carries out his plot to bury him alive. Edgar Allan Poe writes from a mysterious first person perspective, uses colorful symbolism and situational irony to present the man's inner self, in turn revealing that revenge is fundamentally infeasible.

Him saying this is dramatic irony because Fortunato will not be lucky to have seen him because Montresor plans to murder him. Another example of dramatic irony in Cask of Amontillado is the word in the title "Cask". The word cask refers to a casket where

“The Cask of Amontillado” by Edgar Allan Poe is a story full of irony. Irony is defined as a literary technique in which what appears differs radically from what is actually the case. In addition, irony can be divided into three groups: dramatic, verbal, and situational. Dramatic irony is when the readers notice something before the characters do. Verbal irony is when the characters say something that differs significantly from what they really mean. Situational irony is when the actual result is different from what was initially expected. In “The Cask of Amontillado,” Poe combines all of these ironies to tell the story and to construct the personalities of the characters in an entertaining way.

In the Story the Cask of Amontillado the mood is suspenseful through the setting which is underground with catacombs. In the catacombs the bodies might not be there it sometimes is just bones. The reason the mood is suspenseful is because how Montresor acts with Fortunato. At first Montresor says he hates him and talk badly about Fortunato then whenever he sees him in person he was all nice telling him about how he had the best wine in a cask which is a big keg used to store wine. The wine was inside the catacombs which were going down the tunnel.