Katherine Anne Porter's The Jilting of Granny Weatherall Essay

Two more pertinent points are made by the author, in regards to the grandmother, follow in quick succession; both allude to further yet-to-be seen gloom within the story. O’Connor writes of the grandmother “[s]he didn’t intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself” (1043) and of the way she is dressed “[i]n case of an accident, anyone seeing her dead on the highway would know at once that she was a lady” (1043). These two observations are innocent enough on the surface but provide true intent on the foreshadowing that O’Connor uses throughout the story. It is these two devices, irony and foreshadowing, that I feel are prominent and important aspects of the story and are evidenced in my quest to decipher this story.

Porter's "The Jilting of Granny Weatherall" depicts the story of a dying woman's life. Throughout her eighty years of life Mrs. Weatherall has had her fair share of disappointments, heartaches, and unfavorable outcomes. This short story is written in a manner that allows the reader to get an outside view looking in; similar to looking at the story through a window as if being acted out in front of you in the theater. The story is eloquently written and leaves the reader with a sense of familiarity towards the family. The populations of readers who have had the pleasure of experiencing this pathetic story have come to relate their own experiences and disappointments towards the story and have empathetic feelings towards the main

The poem begins to wind down with the undressing of the newest generation, the daughter. Just like her dad used to as a child, she is getting tired. The daughter is old enough to understand that a person needs to remove clothing to get comfortable before sleep “she has learned, recently, to undress herself” (21). The narrator has passed the knowledge he has learned from Frieda to

“A Sorrowful Woman” features a superficially simple narration style. “Now the days were too short. She was always busy,” Stylistically clipped, with a clear passive, detached, voice the narration style seems to be a banal, unimportant feature of the text. Yet the exact mendacity that prompts this description actually serves as a prerequisite to developing an understanding for the principal character’s mindset, and consequently the theme of the text. The last passage contains numerous examples of detached narration but the clearest occurs when “She was always busy. She woke with the first bird. Worked till the sun set. No time for hair brushing. Her fingers raced the hours.” The concise, third person narration in this segment allows the reader to experience the slightly off viewpoint of ‘the mother.’ Specifically, given the lack of motivation present through the text coupled with the concluding suicide it becomes evident in the text that ‘the mother’ is suffering from depression. Given the societal stigma surrounding mental illness authors generally face an uphill

As a dying person, Granny Weatherall is losing her powers of deliberate control over events, which she has evidently learned to master along with the various disappointments that life has dealt her but is also subject to a number of intense anxieties. "While she was rummaging around she found death in her mind and it felt clammy and unfamiliar. She had spent so much time preparing for death there was no need for bringing it up again." In a semi-conscious state the feisty and irritable Granny reviews her life by remembering the important happenings, disappointments, crises, achievements, and feelings.

The final theme of memory is shown as Granny weaves in and out of reality and memories of her past. She seems to find strength from being left at the alter and then finds comfort in the memories of her late husband, John, and her children. The memories of the other man make her a bit uneasy with thoughts that her children would find the letters in the attic. There is one moment that she actually wants to tell her daughter to find George and “be sure and tell him I forgot him.”

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

The following passage is an excerpt from Katherine Anne Porter’s short story “The Jilting of Granny Weatherall.” Read the passage carefully. Then write an essay in which you analyze how such choices as figurative language, imagery, and dialogue develop the complex emotions the character is feeling.

The short stories, “The Jilting of Granny Weatherall” by Catherine Anne Porter and “A Worn Path” by Eudora Welty, have many similarities as well as differences. Both stories have a simple plot with a theme that is symbolic of their lives. These stories include great characterization, description of elements in the stories, and the point of view.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

This theme of social facade and hypocrisy is seen throughout The Jilting of Granny Weatherall in the character of the grandmother. For example, the grandmother had an illegitimate child,

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

The narrator’s feelings of inferiority and powerlessness parallels the female figure she sees trapped behind the pattern in the wall-paper adorning her room. She gradually withdraws from both John and reality by locking herself in the room and ultimately merging with the figure. Through the changing image of the pattern from a “fait figure” (Gilman 46) to a “woman stooping” (Gilman 46) behind the paper and “shaking the bars” (Gilman 46) as if she wanted “to get out” (Gilman 46), we can see her becoming one with the figure: “I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.”(51) Her collapse into madness as reflected in her behavior with the “bedstead [that] is fairly gnawed” (Gilman 51) and her “creeping all around” (Gilman 50) is a direct result of her passive submissiveness to John’s control of her life.

She engages the reader with very descriptive language so the reader can visualise what it would have felt like to be with her in the boat. Her language is also very emotive and you feel what she felt. She uses imagery such as a half-moon had risen and alliterations like the sea a slivery sheen. Watson uses short and long sentences creating an interesting piece. She uses short sentences to add effect after something dramatic has happened. The pause before and after how quickly everything had changed creates anticipation. A metaphor was used the sky was a wall of black steel.

Firstly, stages of emotions are prominent throughout the events. Morrison pours out her personal feelings to reinforce the effects of her experience. She explains feeling “cheated, puzzled, but also amused” (Morrison 130). The conflicting feelings of being