King Lear: Lear the Tragic Hero

Lears’ works all tie together in the end, but over subject only, beginning with No Place of Grace and ultimately coming to Rebirth of a Nation, the book I describe to you now.

A tragic hero is a person who has qualities of a hero such as intelligence and strength but makes choices that lead to their self-destruction. The tragic hero is usually from a noble family or high position. Oedipus from The Sophocles is a tragic hero because he possesses tragic flaws such as hubris, hamartia, and too much curiosity. Marcus Brutus, a Roman politician, also serves to be a tragic hero since he is too naive, honest, and sometimes impulsive. Both Oedipus and Brutus have certain characteristics that determine them to be a tragic hero.

Dividing the Kingdom is not the only indication that order is disrupted. The separation of Lear's family also provide evidence that disorder is inevitable. The banishment of Cordelia and Kent is a harsh act carried out by Lear while blinded by anger. By banishing the only daughter who truly loves him, and a loyal servant who refuses to stand around and do nothing while Lear makes a big mistake, Lear surrounds himself with people who only loved him for his money and power. As Lear's family breaks apart, one must wonder if Lear is capable of ruling a country when he cannot even keep his family together. Again, Lear's desire to fuel his ego is the cause of the separation of his family. When Cordelia refuses to speak lovingly, "Unhappy that I am. I cannot heave My heart into my mouth." (I,i,92-94), Lear becomes angered and banishes her. As an act of loyalty, Kent stands up

At this point in the play, King Lear has completely lost his sanity and is yelling at his surroundings during a storm. Upon saying these words, he takes off all his clothes and declares himself free of the trappings of civilisation. The importance of this quote lies in the symbolism of nakedness. Nakedness is representative of many things, including insanity and loss of status. As stated before, Lear’s insanity is at its

Due to this flaw, Lear has given way to the two older daughters to conspire against him.  Lear is finally thrown out of his daughters’ homes and left with a fool, a servant and a beggar. This is when Lear realizes the mistake that he has made and suffers the banishment of his two eldest daughters.  Lear is caught in a storm and begins to lose his sanity because he can not bear the treatment of his two daughters as well as the error he has made with Cordelia and Kent.  Lear also suffers from lack of rest when he is moving all over the place and the thing that breaks him is the death of his youngest daughter, Cordelia.  This suffering can be contrasted with other happier times like when Lear was still king and when he was not banished by his two daughters.

Additionally, other characters in the play noticed a change in Lear’s demeanor. From the beginning of the tragedy in Act 1, Scene 5, Lear himself even stated that he was fearful of losing his mind to age: “O, let me not be mad, not mad, sweet heaven! I would not be mad. Keep me in temper. I would not be mad.”

proposes only half of that Lear is agrees. Knowing he would do this they keep emphasizing that followers and unnecessary

to put it differently, Lear learns from the mistakes he made and regrets making those mistakes, and was lucky that Cordelia forgives

The entire play is built around one man’s laziness. As the play commences one may question why Lear would decide to prematurely give up his kingdom. It is quite possible that he transferred his authorities before it was

            As the country has come to a transition point, so has Lear. In his old age, he feels compelled to put aside the mantle of authority and spend his last days in the comfort and warmth of his youngest daughter Cordelia's affection. There is in Lear an inner urge to renounce the satisfactions of power with which he is saturated and grow into the satisfactions of the heart. But there is also much in him which is so accustomed to the privileges and pleasures of absolute power that to give them up would itself seem like death. What takes place is a working out of the forces within his being, compelling and resisting a shift in consciousness from the vital to the emotional center.

beginning of the play proves to be false. Lear discovers that his necessity to keep

In addition, he strips himself to expose the true nature of man which he realizes as insignificant. It's as if he is intentionally trying to alienate himself. As if he views all mankind to be a foreign concept due to the irrational state of life. He curses, “You cataracts and hurricanoes, spout Till you have drenched our steeples, drowned the cocks!(III. ii. 32)” to defy the elements. We can't help but see Lear act against nature as if he is the storm itself. Moreover, he tries to justify his temper by mentioning that nothing can hurt him more than his daughters. Not even the elements can corrupt this poor, old man. We see the storm bring about awareness when Lear exclaims,“You sulfurous and thought-executing fires, Vaunt-couriers of oak-cleaving thunderbolts, Singe my white head!(III. ii. 33)” as if he begins to finally discover his true hair color which directly correlates with his age. I see that Lear is becoming aware of his age, but not willing to accept the anemic state of his body and mind. He intentionally makes note of his hair color, but the realization leaves him in a state of mental insanity soon to discover his impending death.

In Act III, a violent storm had broken out. Lear, not wanting to dismiss any of his knights, refused to stay with either of his daughters and headed out into the storm. It is out in the storm, where Lear and Kent meet Poor Tom (Edgar). Lear seeing Poor Tom, with no luxury admires him and tries to imitate his style.

The definition of tragedy in Webster’s dictionary is, "drama of elevated theme and diction and with unhappy ending; sad event, serious accident, calamity."  However, the application of this terminology in Shakespearean Tragedy is more expressive.  Tragedy does not only mean death or calamity, but in fact, it refers to a series of steps that leads to the downfall of the tragic hero and eventually to his tragic death.  Lear, the main character in King Lear was affirmed as the tragic hero because the play meets all the requirements of a tragedy.   In order for a character to be qualified as a tragic hero, he must be in a high status on the social chain and the hero also possesses a tragic flaw that initiates the

King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day