Lady Macbeth Character Analysis

Macbeth, written by william shakespeare displays a diverse range of themes and topics throughout the play. These themes are represented through a wide range of characters throughout the dramatic text. One that is strongly underlined throughout the whole play is the theme of the connection between ambition and manipulation and one of the main characters; Lady Macbeth. Throughout the sequences of the play, lady macbeth is depicted as a head-strong ambitious woman who challenges her husband's masculinity in order for him to commit actions in order to gain power.

After the “deed” is carried out Macbeth is full of remorse. He is shaken by the sin he has committed and it is Lady Macbeth who soothes his nerves once he comes back to the castle. This shows Lady Macbeth’s remarkable strength of will through the murder. She even jokes about

Lady Macbeth comes off as one of the most oblique, yet determined characters in the play. She had her mind set on helping her husband conciliate the throne and encourages him to pursue his dreams of being crowned as the king. When his weaknesses appeared she remained firm and made Macbeth’s goals her own ambitions. Things do seem a bit outrageous at that particular moment where Lady Macbeth explains to Macbeth how they should kill King Duncan but it shows not only the true love and devotion for her husband, but how she would stop at nothing until he gets what he wants.

A deadly combination of ambition and guilt poisons both Macbeth and his wife and leads to their deaths in the end. Ruined by her desire for power, Lady Macbeth’s descent into madness is more vivid and guilt seems to affect her more than her husband, even though he is responsible for more crimes. Her request to the spirits to “unsex [her] here,/ And fill [her], from the crown to the toe, top-full/ Of direst cruelty!” is contrasted as the more guilty she feels, the more weak and sensitive she become, a polar opposite of her usual masculine and bold self (1.5.44-46). As a result, she is unable to cope with the guilt and meets her ultimate demise by taking her life. This has an immediate effect on Macbeth: the almost always apparent tension of ambition and guilt disappears. He does not seem interested in living and is ready to face death in a manner more relatable to his former self rather than the murderer he has become. Moreover, Macbeth’s final remark is “Arm, arm, and out!”,

Lady Macbeth, a leading character in William Shakespeare’s famous tragedy Macbeth, progresses throughout the play from a savage and heartless creature to a delicate and fragile woman, having no regard for mortality.

The banquet scene also reveals a few astonishing facets about her, as well as reinforcing her apparent cruelty and ambition. The first part of scene 7 shows a lengthy monologue of Macbeth weighing up the pros and cons of carrying out his wife´s wishes to kill the King. Although Macbeth wants to be King, he is unsure of himself, and it is obvious that he is cracking under the pressure already. Lady Macbeth however, when she sees him in such a state, immediately tries to rectify his weakness, using his pride to blackmail him to her will. It is impressive how she can bend him to her will so easily, to whatever she wished. She again uses veiled words to dupe him, stating that the crown is the "ornament of life" and it would be cowardly not to seek it. While Macbeth is in such an insecure frame of mind, these words infuse him with passion, while he lacks surety; his wife fuels him with pride in his cause. She makes it seem to him that murder is a small price for something so valuable as the crown. Although Macbeth said that he didn´t want to kill the King, I believe he was just trying to goad his wife into changing his mind, knowing that she would make everything seem all right, he does not reveal all his doubts to her, just enough to make sure

This is apparent when she deals with Macbeth leaving the gory daggers at the site of the murder, “Give me the daggers. The sleeping and the dead/ Are but as pictures; ‘tis the eye of childhood/ That fears a painted devil.”(scene 2 act 2 56-58). Macbeth is portrayed as emotionally unstable and soft as he is afraid to even go back into the room where the murder took place, “I’ll go no more/ I am afraid to think what I have done”(scene 2 act 2 54-55). This interaction between Macbeth and Lady Macbeth really shows the unusual roles one another play in there relationship because in a situation where someone is murdered or their is a serious crime, women aren’t usually the ones who are brave and strong minded about it, men are.

On the contrary, Lady Macbeth begins as a ruthless woman. She has a manipulative and controlling character, convincing Macbeth to kill King Duncan; she will do anything to gain power. When she says, “How tender ‘tis to love the babe…I would, while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out” (I.vii. 55-58), she shows her ruthlessness and her “bad” ambition. In her “role reversal” with Macbeth, she gains somewhat of a conscience and realizes her guilt. When she tells him, “You must leave this” (III. ii. 35), she wants Macbeth to forget about his plan to murder Banquo’s family. She is very hesitant about committing another murder and does not want Macbeth to follow through with his plan.

The audience’s initial perception of Lady Macbeth is of a confident and evil women. In her first scene she is reading a letter from her husband telling her about the witches predictions. Upon reading the letter she instantly decides to

Lady Macbeth is a complex and intriguing character in Shakespeare’s play, Macbeth. She is a difficult character to embody as her personality seems split between two sides, one that is pure evil, sly and conniving in contrast to her softer, vulnerable, weak and feminine side. In the play we see her in these two main ways. The reader may feel a certain animosity towards Lady Macbeth throughout the first few acts as her personality appears more and more distasteful, in spite of this towards the end she has a serious breakdown over the guilt that torments her, even in her sleep, regarding her hand in Duncan’s untimely death.

     Lady Macbeth progresses throughout the play from a seemingly savage and heartless creature to a very delicate and fragile woman. In the beginning of the play, she is very ambitious and hungry for power. She pushes Macbeth to kill Duncan in order to fulfill the witches’ prophecy. In Act I, Scene 6, she asks the gods to make her emotionally strong like a man in order to help her husband go through with the murder plot. She says, “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty!” Also, she does everything in her power to convince Macbeth that he would be wrong not to kill Duncan. In Act I,

Macbeth is Shakespeare’s shortest play containing 28 scenes in total. Of these, Lady Macbeth appears in or is referred to in 11 scenes. In the last two scenes, she is briefly discussed by Macbeth and the doctor, and then she contributes nothing more than a cry off-stage, and in two other scenes, she has a total of seven lines. This means she is on stage for barely one-third of the play, yet she ranks as one of Shakespeare’s greatest female villains and one of the most notorious female villains in Western literature. In a well-structured essay, account for the power of Lady Macbeth as a character and as a villain.

Immediately, after reading Macbeth’s letter, Lady Macbeth’s malevolence urges her to plot the murder for the king. She decides to encourage Macbeth and calls for evil spirits to aid her brutal plans, “Come, you spirits… you murd’ring ministers… You wait on nature’s mischief. Come, thick night”. Her talk about defeminising herself and making her the superior amongst the couple, “That tend on mortal thoughts, unsex me here”, suggests Macbeth is weak and powerless in her presence. She implicates her husband of not being physically impotent but soft hearted and sentimental. She confronts him of this and warns him of his manliness and cowardice. She uses these various, manipulative strategies (challenging his manhood, being more aggressive, and defeminising

Lady Macbeth can be said to be one of Shakespeare's most famous and frightening female characters. She fulfills her role among the nobility and is well respected, like Macbeth. She is loving, yet very determined that her husband will be king. At the beginning of the play, when she is first seen, she is already plotting the murder of Duncan, showing more strength, ruthlessness, and ambition than Macbeth. She lusts after power and position and then pressures her husband into killing Duncan. Upon receiving the letter with the witches' prophecies from her husband, she begins to think and knowing that Macbeth lacks the courage for something like this, she calls upon the forces of evil to help her do what must be

Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.