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Langston Hughes And Zora Neale Hurston Essay

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Langston Hughes and Zora Neal Hurston uniquely shared the written word during the Harlem Renaissance in the Modernist movement. Because of the individualistic style throughout their works, some people argue that they do not artistically belong within the Modernist movement and need their own separate category. Even with the rare sense of hope found at the core of their words, Hurston and Hughes truly do use Modernist techniques to convey ideologies. Thus, even though their approach looks different, they do belong in the Modernist movement. Modernist wrote with the inner-self in mind, in hopes to portray “modern” life. These authors used their own consciousness to portray ideas. Both Hurston and Hughes did this in their pieces. In Hughes’, “I, Too,” he …show more content…

Consequently, the differences that separate them from other authors should be noted. Most authors in this time period highlighted their sense of alienation and the desire to escape from their past mistakes. White modernists authors often omitted a sense of hope, ambition, and feelings of joyful perseverance. For example, in the passage used earlier, “I, Too” by Hughes, he finishes it by saying, “But I laugh, / And eat well, / And grow strong” (Hughes 872). Later in the same story, he says, “I, too, am America” (Hughes 872). There is no feeling of remorse for being different. Only hope for the future and joy remain. Unlike most modernists, he does not use sorrow to further alienate himself. Hughes speaks of what he hopes to see in the future of America. Additionally, Hurston follows the same pattern. Later in her story, “How It Feels to Be Colored Me” she says, “But I am not tragically colored. There is no great sorrow damned up in my soul, nor lurking behind my eyes” (Hurston 539). Like Hughes, she remains true to herself and joyful. She hopes in the future of America without falling into

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