Langston Hughes and Zora Neal Hurston uniquely shared the written word during the Harlem Renaissance in the Modernist movement. Because of the individualistic style throughout their works, some people argue that they do not artistically belong within the Modernist movement and need their own separate category. Even with the rare sense of hope found at the core of their words, Hurston and Hughes truly do use Modernist techniques to convey ideologies. Thus, even though their approach looks different, they do belong in the Modernist movement. Modernist wrote with the inner-self in mind, in hopes to portray “modern” life. These authors used their own consciousness to portray ideas. Both Hurston and Hughes did this in their pieces. In Hughes’, “I, Too,” he …show more content…
Consequently, the differences that separate them from other authors should be noted. Most authors in this time period highlighted their sense of alienation and the desire to escape from their past mistakes. White modernists authors often omitted a sense of hope, ambition, and feelings of joyful perseverance. For example, in the passage used earlier, “I, Too” by Hughes, he finishes it by saying, “But I laugh, / And eat well, / And grow strong” (Hughes 872). Later in the same story, he says, “I, too, am America” (Hughes 872). There is no feeling of remorse for being different. Only hope for the future and joy remain. Unlike most modernists, he does not use sorrow to further alienate himself. Hughes speaks of what he hopes to see in the future of America. Additionally, Hurston follows the same pattern. Later in her story, “How It Feels to Be Colored Me” she says, “But I am not tragically colored. There is no great sorrow damned up in my soul, nor lurking behind my eyes” (Hurston 539). Like Hughes, she remains true to herself and joyful. She hopes in the future of America without falling into
The two poems by Langston Hughes “Theme for English B” and “ I, Too” both identify racism that permeates all stations of life. In both texts, Hughes represents the two speakers as African Americans and identifies how one tries to elevate himself through education and the other individual remains trapped at a lower station. In the poem “Theme for English B” skin colour and all that it represents emerges when the speaker searches for his identity as well as what is the truth about his abilities. The speaker expresses his view in how he deals with his white counterparts (the instructor). “I, Too” centers on the idea of racial oppression, looking at how whites do not recognize blacks as equals and how this affects the individual. Yet the texts attempt to show the basic human similarities between African Americans and white people despite their perceived differences and societal segregation. The two speakers within the poems struggle with their own self-worth in relation to their colour. The similarity between the two speakers is that they approach their issues confident in their capabilities and futures. The two speakers differ in that they appear to have different stations in life; servitude versus achieving higher education, yet both struggle with self-worth.
Paragraph: Published in during the 1900s, at a time when being colored was considered unbeneficial, “How It Feels to Be Colored Me” depicts Hurston’s audacious (for the time) pride in being an African-American woman. In order to emphasize her thesis, she employs pathos and figurative
In Hughes poem “Note on the commercial Theatre” he started off with an angry tone, upset that African American music was used by the whites, but the African Americans didn’t receive the credit for the artistic work: “You’ve taken my blues and gone you sing them on Broadway” (1043). Furthermore, at the end of the poem Hughes does expresses a powerful ending, our culture is beautiful, but you will never be me: “Black and beautiful and sing about me, and put on plays about me! I reckon it’ll be me myself” (1043)! Hughes poems focused on the urban cultures, while Zora Neale Hurston short story “How it feels to be Colored Me” focused on her as a woman who is discovering herself and her worth.
The upper-class blacks shunned the lower class viewing them as being “embarrassingly vulgar” (Dickinson 323). Overcoming African-American prejudice was a major focus in most of Hughes’ writing. For example, he wrote about the joys, sorrows and hopes of the black man in America (Dickinson 321). Not all of his writings were so encouraging however. Other themes Hughes wrote about include lynchings, rapes, discrimination, and Jim Crow Laws. He commented that when he felt bad, he wrote a great deal of poetry; when he was happy, he didn’t write any (Dickinson 321).
Hurston, on the other hand, lived in a town where only blacks lived until she was thirteen years old. Therefore, she only knew the “black” self. There was no second identity to contend with. She states that “white people differed from colored to me only in that they rode through town and never lived there.”2 She does not feel anger when she is discriminated against. She only wonders how anyone can not want to be in her company. She “has no separate feeling about being an American citizen and colored” (Hurston 1712).
Throughout my life I have experienced many trials that are quite different to that of the narrator in “Theme for English B”; however, there are some similarities such as his life experiences, that can be compared to those of the narrator. In this poem Langston Hughes writes of a man who is given an assignment with very abstract and philosophical instructions for writing this paper. Accordingly, the narrator has some difficulties at first because he thinks of how different he and the professor is, saying “It’s not easy to know what is true for you or me at twenty-two, my age. But I guess I’m what I feel and see and hear” (16-18). Consequently, the narrator realizes the difference between his life in Harlem and the life of his white professor. This causes the narrator to be skeptical of how the professor may receive the narrators’ interpretation of the assignment. Though the narrator and I share similar characteristics and experiences it is the differences that make the most impact throughout this paper. Three major differences are his teacher’s assignment, the colleges view of him, and his life in general. While Hughes does provide much background information on the narrator’s past, he gives multiple examples of his life a student and as a citizen living at the YMCA in Harlem.
Even though both Hurston and Hughes grew up around the same time period, they had very different ideals regarding their experience as African American’s as well as a different voice used within their works to convey their ideals. Hurston in her 1928 essay “How it Feels to be Colored Me” describes her childhood and coming of age with a delightful zest that cannot be contained. Although the essay does contain some dark moments such as when she describes her experience with her friend at the jazz club and the sudden realization of the racial difference between her and the other patrons, for the most part the work exudes her keen sense of dignity despite the popular opinion of the masses during that period. Lines in her essay such as “But I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes…I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it” (Abcarian, Klotz, and Cohen 812) beautifully express her sense of self dignity and refusal to give in to the negative energies surrounding her race. Despite the many hardships that the color of her skin caused her she was proud and determined to never let that stand in her way of
The poems “I hear America Singing” and “I, Too” have different perspectives on the American lifestyle in the 1800s compared to the 1900s. When reading the poems it is obvious that the poem “I, Too” is replying to “I hear America Singing” because Hughes’s poem matches in accordance with Whitman’s opinion. The poems are similar while also having challenging views that contradict each other in terms of tone, position in society, and discrimination.
One of Hurston’s stories, How it Feels to Be Colored Me, reflects the author’s perspective of the colored race (specifically herself). According to the story, when Hurston reached the age of thirteen, she truly “became colored” (1040). The protagonist was raised in Eatonville, Florida, which was mainly inhabited by the colored race. She noted no difference between herself and the white community except that they never lived in her hometown. Nevertheless, upon leaving Eatonville, the protagonist began losing her identity as “Zora,” instead, she was recognized as only being “a little colored girl” (1041). Hurston’s nickname “Zora” represents her individuality and significance; whereas, the name “a little colored girl” was created by a white society to belittle her race and gender (1041).
Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black
Langston Hughes and Bob Dylan are two poets from different eras in modern American poetry. Although Bob Dylan is more characterized as a songwriter, I see much of his work as poetry. In this essay, I will discuss Hughes’ poem “Harlem [1]” and Dylan’s “Times They Are A-Changin”’ as commentaries on are culture, but from different backgrounds.
Zora Neale Hurston was one of the greatest authors in the Harlem Renaissance era, and it saddened me to discover that she died before seizing the benefits of her literary work of arts. Ms. Hurston was often criticized for her substantial use of southern country dialect and folk dialogue; she was a master at creating realistic African-American works of fiction. Hurston’s style of narrative is divided into direct and indirect dialogue. In her writing, she would employ a third-person narrative voice that was vastly intelligent with scholarly techniques such as formal grammar, rich vocabulary, vivid imagery, and allegories to define her settings, locations, and portrayals. Contrariwise, in the same piece, she would display a narrative voice in first-person and third-person using slang language, informal grammar, and irregular speech patterns. Through Hurston’s fictitious creations it enables us to appreciate how significant linguistic choices are used to enrich the production of contemporary literature and how different dualistic styles of narrative can work together in depicting the narration within that story.
In the first line of "I, Too", Hughes says that he too sings America. He is saying that he too sings America. He is saying that he embraces everything America embodies, everything that established her in the first place. He sings for the freedom, the beautiful mountains, and her independence. Even though he embraces America in all her beauty, he is really saying I love this country and I should be socially acceptable in it. He wants everyone to see this, especially when he states that he is the darker brother. That second line quos the reader into why he is not accepted into society. That line spoke true of his life and what he faced everyday just walking down the street Because he was the darker brother, they would send him away to eat in the kitchen when company would come. However, he says he laughs, eats well, and grows strong. He knows one day African Americans will be accepted into society. Therefore, he takes care of himself and does not let society's opinion get him down. He is confident in this because when company comes they will be ashamed that they did not let him eat out in the open. Society will see his beauty and not see him as a disgrace. He finishes off his poem saying that he is America too. He is the freedom, the beautiful
The Harlem Renaissance was a cultural movement and the enlightenment of black minds as a whole. This movement sparked the minds of many leaders such as Marcus Garvey, W.E.B Dubois, and Langston Hughes, these men would also come to be known as the earliest Civil Rights activists. While Garvey and Dubois expressed their views in speeches and rallies Hughes had a different approach and chose to articulate his thoughts and views through literature more specifically poetry. Through his poetry, Hughes became a world renown poet for such works as “Let America Be America Again”, “Harlem” and “I Too” taken from his first book “The Weary Blues.” These poems while written and inspired by the everyday struggles of being an African-American were arguably targeted at white Americans. Hughes wrote a majority of his work during the Harlem Renaissance and as a result focused on “injustice” and “change” in the hopes that society would recognize their mistake and reconcile, but in order for this to happen he would have to target the right audience.