Lear's Character in William Shakespeare's Play The view of Lear being bent on his own destruction from the beginning of the play is an acceptable claim. The way he begins in the play, dividing up his country for his daughters, in essence, this spelt disaster. Unlike other renaissance dramatists, who used ‘mad scenes’ for comic use, Shakespeare seems intent on displaying madness in a more sinister portrayal. In favour of the claim, much can be said. In his thought process of dividing up his kingdom, it would appear, that nothing went through his mind to make him question what he was …show more content…
The behaviour of Lear with his followers differs throughout the novel. To begin with, his devout followers such as Kent and Gloucester, pious and virtuous to the king, as were the masses which served him. But as the play progresses, he loses his masses, because he loses his crown. But, throughout the novel, Kent remains loyal to the king. Lear behaves (laddish) with his knights, they go out and hunt: spend all day out in the country, and return demanding Food and care. Such childlike behaviour is this, that Goneril has an outburst at her father, she says; “Men so disordered …that this, our court… Shows like a riotous inn” =================================================================== Goneril then says; “…epicurism and lust Makes it more like a tavern or a Brothel” Anchoring the facet that Lear, with his knights is childish. Goneril speaks her mind of what Lear, claiming the manner of the knights, and indeed her father, resemble that of a brothel. Lear claims outrage at his daughter, curses, and leaves for Regan’s residence. This shows Lear in a very bad light, although being the king. He shows no maturity or leadership, he is simply one of the lads. Subsequent to this argument with Goneril, Lear bears a grudge on his daughter, and shows utmost maturity when saying farewells, as he curses his daughter.
Lear is a powerful man who does not see how genuine his youngest daughter, Cordelia’s love is, but believes the deceitfulness of her sisters, Goneril and Regan. Kent, one of Lear’s most loyal servants, sees the two-facedness of Cordelia’s sisters and tries to make him look pass the show that Goneril and Regan put on and see them for who they truly are, and Lear refuses. Lear commands to Kent get "Out of my sight!" The play echoes
Shakespeare's good characters, in the play King Lear, are considered good because they are loyal even when they are disguised from or unrecognizable by those to whom they owe loyalty. In addition, their loyalty does not waver even when they are banished or mistreated by those to whom they are loyal. Cordelia, Edgar and Kent are all characters that exemplify this goodness and unwavering loyalty.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to
Though King Lear, of Shakespeare's play, King Lear, wrongs both Cordelia and Kent in his harsh treatment against them, the unjust actions of Regan and Goneril against King Lear cause him to be "a man more sinned against than sinning" (3.2.60-61).
Goneril and Reagan try to convince Lear that he is old and incapable and to lessen the number of knights he has protecting him. Lear refuses and heads out of the castle out anger that both his daughters refuse to provide him shelter unless he follows their orders. It is at this event that Lear has realized the error in his choices. Lear’s distribution of power had left him defenseless and that his daughters – as if they were men, were taking full advantage of his self-inflicted disability. And the hierarchy that reigned for centuries of a king over his daughters was now destroyed.
King Lear meets all the requirements of a tragedy as defined by Andrew Cecil Bradley. Bradley states that a Shakespearean tragedy has to be the story of the hero and there is exceptional suffering and calamity slowly being worn in. Also, the current time must be contrasted to happier times. The play also depicts the troubled parts in the hero’s life and eventually he dies instantaneously because of the suffering and calamity. There is the feeling of fear in the play as well, that makes men see how blind they are not knowing when fortune or something else would be on them. The hero must be of a high status on the chain and the hero must also possess a tragic flaw that initiates the tragedy.
At the beginning of “King Lear,” an authoritative and willful protagonist dominates his court, making a fateful decision by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeare’s ironic solution is to allow Lear’s progressing madness to be paired with his recognition of truth, thereby forcing Lear to shed his persona, and
King Lear has a serious problem with keeping his composure throughout the story. His release of anger to all of his daughters and servants turned on him later in the story. King Lear has a blatant issue and should have done something about it, since he didn’t realize he was hurting the victim and proceeded to make them feel inferior to him.
King Lear's View of Himself "King Lear" is a play all about the cruelty of human nature and the ways in which all people, "good" and "bad", can sin, or be sinned against. Lear is a very difficult character to categorise as either "good" or "bad" as he is both "sinned against" and "sinning". It is also very difficult to use these sins as a measure of his character as they a varying in severity. When we first meet Lear he is in the process of dividing his kingdom into three, preparing to hand it to his three daughters. This is a sin, as according to The Divine Right of Kings, each monarch is chosen by God, and is there fore answerable to none but him.
The remainders of Act I and Act II in Eyre’s film focus on the conflict between Lear and his two daughters, Goneril and Regan. Goneril and Regan begin looking down on their father and take away more of his privileges every chance that they get. They reduce Lear’s hundred knights down to fifty. Goneril and Regan’s tone of voice when arguing with Lear about reducing his number of knights down is vehement. Goneril complains about how the palace seems more like a tavern because of Lear’s knights’ demeanor, her voice quivers slightly, making it seem like she doesn’t want to have to argue with her father, in the play this change of tone is absent. This suggests that although Goneril cares more about the way others see her and material objects than the safety of her father. Both Shakespeare and Eyre emphasize the consequences of Lear’s choice to give up his power and give it to his two eldest daughters, Regan and Goneril.
The downfall of Lear is not just the suffering of him alone but the suffering of everyone down the chain of being. For instance, Lear's pride and anger caused Cordelia and Kent to be banished, and Gloucester loses his position and eyes. Everything that happened to these characters are in a chain of reaction and affected by Lear's tragic flaw. If Lear did not lack of personal insight and if he did not have such an obstinate pride, he would not have banished Cordelia and Kent, then Goneril and Regan would not be able to conspire against Lear. Without the plot of Goneril and Regan, Gloucester would not have been betrayed by Edmund and lose his eyes and status due to the charge of treason. Moreover, the chain of reaction was continuous
King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day